It's been a long time since a movie allowed so many diverse narratives to fold into so unexpected, unified and satisfying a story.
Up and Down (2005)
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Reviews Counted:64
Fresh:54
Rotten:10
Average Rating:7.2/10
Consensus: A tragi-comic exploration of the universal search for stability in post-Communist Prague.
Rated: Not Rated [See Full Rating] language, sexual content and brief violence
Runtime: 1 hr 53 mins
Genre: Foreign Films
Theatrical Release:Feb 25, 2005 Limited
Synopsis: Director Jan Hrebejk (DIVIDED WE FALL) once again delivers a perfectly-balanced dark comedy, a satire addressing the fragile state of the contemporary Czech Republic, as well as the foibles of the... Director Jan Hrebejk (DIVIDED WE FALL) once again delivers a perfectly-balanced dark comedy, a satire addressing the fragile state of the contemporary Czech Republic, as well as the foibles of the more or less damaged characters who populate the film, all of whom are in search of redemption. Unfolding in three loosely-connected storylines, the film opens with a pair of petty criminals smuggling Indians across the Czech border. After making their delivery, they discover a baby that has been left behind, and take it directly to the pawn shop. Everything has its price it seems, and Miluska (Natasa Burger), a barren housewife who wants nothing more than a baby, buys the Indian boy with her life savings. Her husband, Franta (Jiri Machacek), a soccer hooligan turned law enforcer, is less than pleased with the baby's brown skin color, but slowly warms to him, eventually facing off with his racist drinking buddies. In a third story, a college professor (Jan Triska) finds out he has cancer and reconnects with his estranged son, Martin (Petr Forman, son of legendary director Milos Forman), who has lived in New Zealand for the past 20 years. It's a difficult reunion, as Martin comes home to find his father living with his old girlfriend, meets a sister he never knew he had, and encounters his near-unrecognizable mother. The film weaves together a strikingly rich number of themes in its material, encompassing racism, economic disparity, familial relations, crime, and immigration problems, and gives them a sympathetic, humanistic treatment. [More]
Starring: Petr Forman, Emília Vásáryová, Jan Tríska
Starring: Petr Forman, Emília Vásáryová, Jan Tríska
Director: Jan Hrebejk
Director: Jan Hrebejk
Studio: Sony Pictures Classics
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Reviews for Up and Down
Its emotional tone may be up and down, but its clear-headed approach has straightforward snap.
It's at least grappling with the kind of big, explosive questions that most filmmakers assiduously avoid.
A heady mix of rough and tender characters -- sometimes both at once.
Lacks objective throughout but its essence is both moody and bittersweet.
Mildly interesting as slice-of-life, but as drama it leaves too much to be desired.
It's the work of a lively filmmaker with an instinct for illustrating the cruel absurdities of family life.
With great empathy for human foibles, filmmaker Jan Hrebejk shows that Czechs don't always keep pace with their evolving, post-Soviet society.
Weaves the politics of borders into the comedy of human frailty...seasoned with the everyday absurdities of artificial social boundaries.
Those comfortable with quickdraw transitions between brief light and heavy grit will find much to dig.
(Hrebejk) understands (his characters) on an intrinsic level, & sees their lives as the story of his country in the infancy of the 21st Century & the infancy of its democracy.
Up and Down is half of an apt title for this pointless and depressing ode.
Casting a wide net while remaining thematically coherent, Hrebejk's film remains clear-eyed and satisfyingly complex right to the bitter end.
At its simplest, Up and Down moves along nicely, following the erratic fortunes of its heroes, and it contains some good performances.
An absorbing look at a country still struggling to adjust more than a decade after the fall of communism.
A biting, darkly funny portrait of xenophobia, poverty and social confusion that has enveloped the Czech Republic some 15 years after Vaclav Havel's Velvet Revolution.
Humor is found in the most unlikely of characters here, but most importantly, Hrebejk's view of the everyman (and woman) reminds us that it's a small world after all.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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