A weird, unsuccessful and by all accounts unreasoned blend of styles [that] seems shot and edited together by two entirely different people.
Uptown Girls (2003)
Tomatometer
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Reviews Counted:106
Fresh:14
Rotten:92
Average Rating:3.8/10
Consensus: With two obnoxious lead characters and an uneven screenplay, Uptown Girls fails to charm.
Theatrical Release:Aug 15, 2003 Wide
Box Office: $36,922,190
Synopsis: In Uptown Girls, Molly Gunn (Brittany Murphy) is the toast of the New York social scene. The freewheeling daughter of a late rock legend, Molly is an "it girl" on top of the A-list - designers... In Uptown Girls, Molly Gunn (Brittany Murphy) is the toast of the New York social scene. The freewheeling daughter of a late rock legend, Molly is an "it girl" on top of the A-list - designers want to dress her, the most eligible bachelors want to date her, and her birthday bash is one of the hottest tickets in town. Her life is a never-ending party. But when Molly's inheritance is stolen by her accountant, the party comes to an abrupt end. Molly is forced to do something she's never done before - get a job. With the help of her best friend Ingrid (Marley Shelton) and A&R scout pal Huey (Donald Faison), Molly lands a position as nanny to the daughter of high-powered music executive Roma Schleine (Heather Locklear). Molly's new charge is Ray Schleine (Dakota Fanning), a precocious, uptight 8-year-old "going on 40" who's obsessed with germs and lives her life as perfectly as possible. Emotionally distant from her mother, Ray has grown up with a revolving door of nannies and too little stability, so she tries to control everything she can. Molly has never needed to be a responsible adult. Ray has taken the weight of the world on her young shoulders. They're about to teach each other how to act their age. MGM Pictures presents a Greenstreet Films production of Uptown Girls, starring Brittany Murphy, Dakota Fanning, Marley Shelton, Donald Faison, and Heather Locklear. Directed by Boaz Yakin, the screenplay was written by Julia Dahl and Mo Ogrodnik and Lisa Davidowitz from a story by Allison Jacobs. Uptown Girls was produced by John Penotti, Fisher Stevens and Allison Jacobs, with Joe Caracciolo, Jr., Tim Williams, and Boaz Yakin as executive producers. The production team includes director of photography Michael Ballhaus, production designer Kalina Ivanov, editor David Ray, costume designer Sarah Edwards, music supervisor Maureen Crowe, and composer Joel McNeely. [More]
Starring: Brittany Murphy, Dakota Fanning, Marley Shelton, Donald Faison
Starring: Brittany Murphy, Dakota Fanning, Marley Shelton, Donald Faison, Heather Locklear
Director: Boaz Yakin
Director: Boaz Yakin
Screenwriter: Mo Ogrodnik, Julia Dahl, Lisa Davidowitz
Story: Allison Jacobs
Producer: John Penotti, Fisher Stevens, Allison Jacobs
Composer: Joel McNeely
Studio: MGM/UA
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Reviews for Uptown Girls
Cute little girl playing dress-up (and Dakota wasn't bad either) - this may not be classic cinema, but it fits nicely into the guilty pleasure category.
A modern fairytale that loads up big-time on the girly trappings but doesn't give you much in the way of plot or characters or even plain old sense.
The sort of film that shuffles along sleepily, dazedly, barely aware of what it's doing and hardly caring whether the audience is still following it or not.
Brittany Murphy and Dakota Fanning make for a winning combination, and their characters' sometimes dark journeys do not always take the most obvious route to the inevitable happy ending.
The film has a weird foot fetish. The part where she was barefoot on the city streets actually grossed me out. Now she’s going to put those feet in her bed with all the city dirt all over them. Ewww.
You’re going to forget this one as soon as you finish watching. And if you don’t, it will probably be because you want to complain about how uninspired and unoriginal it is.
Entirely unoriginal and unbelievably predictable, but director Boaz Yakin knows how to create Kodak moments for the crowd that desires such fare.
Brittany Murphy pulls off a few slapstick sight gags here, but nothing to compare with her hilarious pratfalls in 'Just Married.'
The turn from frothy comedy to offputting pathos would be a jarring tone shift, if the movie had any consistent tone at the outset.
Brittany Murphy's flighty, foolish trust-fund princess in Manhattan vies for the honor of the most annoying screen character of the year.
Unfortunately, the emotionally resonant moments between Murphy and Fanning are few and far between.
Everything has a blurry, much-edited quality, and the story lines don't mesh.
There's more than a hint of desperation to Murphy's characterization.
It's excruciating, a film of forced humor and fake, grating sentimentality, featuring two lead performances that elicit neither affection nor empathy.
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