Critic Consensus: Uzumaki uses its creepy, David Lynch-inspired atmospherics to effectively build a sense of dread, but ultimately fails to do anything with it.
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Critic Reviews for Uzumaki
Pic duly places less emphasis on narrative than on the sort of surreal set pieces that might have worked better in the graphic-novel form.
Adapted from a horror comic by Junji Ito, this debut feature from Japanese music-video director Higuchinsky begins eerily but doesn't take long to descend into silliness.
Gussied up with so many distracting special effects and visual party tricks that it's not clear whether we're supposed to shriek or laugh.
Required viewing for horror fans, Japanese-cult-cinema fans, and anyone who digs settling in for an unsettling David Lynch evening.
Ultimately the, yes, snail-like pacing and lack of thematic resonance make the film more silly than scary, like some sort of Martha Stewart decorating program run amok.
At some point, all this visual trickery stops being clever and devolves into flashy, vaguely silly overkill.
Audience Reviews for Uzumaki
It might have amused me as as a random story in a comic book, just a weird little invention by some cartoonist but as a movie... it don't play - for me anyway.
I'm struggling to think of something positive to say about this movie, but nothing is coming to mind. Just didn't enjoy it at all, and it's probably one of the worst Asian horror movies I've seen.
Lovecraftian concept by way of some Fulci and japanese esoteria thrown in the mix. The entity here is not a monster, or a serial killer, but a "concept" eating an entire town, slowly, little by little. It has it's flaws for sure, but i liked, and found it out far more effective than dozens of so called "horror" flicks made in the last years. It's more disturbing than scary, and as a doomsday story it works very well, how do you stop spirals? You can't, you could stop a virus, polution or zombies, but spirals? Good luck with that.
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