a monster mishmash... Pretty in a video game-ish sort of way and mind-numbing in a sledgehammer sort of way, it's this year's equivalent of 'Hulk'...
Van Helsing (2004)
Tomatometer
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Reviews Counted:202
Fresh:45
Rotten:157
Average Rating:4.2/10
Consensus: A hollow creature feature that suffers from CGI overload.
Rated: PG-13 [See Full Rating] for nonstop creature action violence and frightening images, and for sensuality
Runtime: 2 hrs 12 mins
Genre: Action/Adventure
Theatrical Release:May 7, 2004 Wide
Box Office: $120,025,245
Synopsis: Deep in the mountains of Carpathia lies the mysterious and mythic land of Transylvania – a world where evil is ever-present, where danger rises as the sun sets, and where the monsters that inhabit... Deep in the mountains of Carpathia lies the mysterious and mythic land of Transylvania – a world where evil is ever-present, where danger rises as the sun sets, and where the monsters that inhabit man’s deepest nightmares take form. Innovative filmmaker Stephen Sommers – who so imaginatively re-envisioned Universal’s classic Mummy character in the worldwide blockbusters The Mummy and The Mummy Returns – now widens his cinematic scope and multiplies his creative inspiration by breathing new life into the most time-honored pantheon of classic Universal monsters and setting them in a stunning new world of fantastical reality. Sommers’ all-encompassing vision for a world as tangible, real and visceral as any caught in the stranglehold of inescapable evil blends the recognizable and the unimaginable into a vivid, epic backdrop for his tale of ultimate evil against a lone force of good: Van Helsing. Audiences will be drawn into a visionary, supernatural but seemingly all-too-real world of Sommers’ singular creation – set in 19th Century London, Rome, Paris and Transylvania – where mankind is in constant danger from incarnate evil in a multitude of forms: monsters that outlive generations, defying repeated attacks from the doomed brave souls that challenge them in their never-ending war upon the human race. In Sommers’ hands, Dracula, Frankenstein’s Monster, the Wolf Man and others are effectively reborn as dynamic heirs to the tradition handed down by the filmmakers of the classic Universal monster pictures. Honoring their legacy while propelling them into the next generation of cinema, Sommers turns what was once classic into cutting edge. Into this world, brought to life and played out on massive sets and sweeping locations, Sommers brings Van Helsing (Hugh Jackman), the legendary monster hunter born in the pages of Bram Stoker’s Dracula. In his ongoing battle to rid the world of its fiendish creatures, Van Helsing, on the order of a secret society, travels to Transylvania to bring down the lethally seductive, enigmatically powerful Count Dracula (Richard Roxbough) and joins forces with the fearless Anna Valerious (Kate Beckinsale), out to rid her family of a generations-old curse by defeating the vampire. Also populating Sommers’ dense canvas are: Tony Award winner Shuler Hensley as Dr. Frankenstein’s misunderstood monster; former Matthew Bourne company leading dancer Will Kemp as Velkan, Anna’s stalwart brother who transforms under the full moon into the Wolf Man; Kevin J. O’Connor as Dr. Frankenstein’s loyal yet treacherous assistant, Igor; David Wenham as Carl, a friar entrusted with ensuring Van Helsing’s safe return; and Elena Anaya, Silvia Colloca and Josie Maran as Dracula’s three bloodthirsty brides who will stop at nothing to help their master in his plan to subvert human civilization and rule over a world of havoc, fear and darkness. [More]
Starring: Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham
Starring: Hugh Jackman, Kate Beckinsale, Richard Roxburgh, David Wenham, Will Kempe, Shuler Hensley, Kevin J. O'Connor, Elena Anaya, Josie Maran, Silvia Colloca
Director: Stephen Sommers
Director: Stephen Sommers
Screenwriter: Stephen Sommers
Producer: Bob Ducsay
Composer: Alan Silvestri
Studio: Universal Pictures
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Reviews for Van Helsing
The whole enterprise is boringly repetitious of itself and other movies.
Looks like a movie assembled by a room full of computer geeks munching Doritos and playing Wolfenstein in between stints of designing Dracula's fangs.
The film is weighted down by its sheer willingness to bludgeon viewers with never-ending sensation instead of trying to give them an interesting story or characters...
The dashing Jackman plays his part well enough, but the script doesn't provide sufficient Indiana Jones-style bons mots to win us over.
Little more than a series of not-always-good special effects strung together.
Despite the rococo obsessiveness of its special effects and its voracious sampling of past horror movies, Van Helsing is mostly content to offer warmed-over allusions and secondhand thrills.
More and more summer movies depend on relentless action sequences at the expense of coherent narrative, but Van Helsing might be the first whose overkill reaches nuclear capacity.
The film is an unending cavalcade of razzle-dazzle that becomes continuously less dazzling.
This isn't a horror movie, it's a sensory assault, full of flaming fireballs and shrieking banshees that make your eyes and ears feel as jeopardized as a vampire at sunrise.
Sacrifices storyline and credible character development for its single mission: keep it moving and shuck everything else.
The first real popcorn pleasure of the year, a deliciously entertaining thrill ride that pleasurably tweaks new thrills from old stories.
Jam-packed with cool evil mythology and superb special effects, film could've benefited from several cuts -- first at the script stage and then during the editing process.
To paraphrase the Austrian Emperor in 'Amadeus,' 'Too many characters."
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