The drawback, however, is that the actors chew the scenery in true stagecraft fashion, which, on film, induces regular wincing and a wish that they would hand out the valium and take it easy.
Vanya on 42nd Street (1994)
Tomatometer
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Reviews Counted: 31
Fresh: 27
Rotten:4
Average Rating: 7.6/10
Consensus: Beautiful performances and the subtle hand of master Louis Malle make this adaptation of Chekov's Uncle Vanya an eccentric presentation of an enduring classic.
Runtime: 1 hr 59 mins
Genre: Dramas
Synopsis: David Mamet wrote the screenplay for this staging of Andre Gregory's play, "Vanya," itself based on Chekhov's masterpiece, "Uncle Vanya." A group of actors enter a theatre on New York's 42nd Street... David Mamet wrote the screenplay for this staging of Andre Gregory's play, "Vanya," itself based on Chekhov's masterpiece, "Uncle Vanya." A group of actors enter a theatre on New York's 42nd Street and run through a full-length rehearsal of "Vanya" --no costumes, no sets and no 19th-century pretensions. [More]
Starring: Wallace Shawn, Julianne Moore, George Gaynes, Brooke Smith
Starring: Wallace Shawn, Julianne Moore, George Gaynes, Brooke Smith, Phoebe Brand, Lynn Cohen, Jerry Mayer, Larry Pine, Andre Gregory
Director: Louis Malle
Director: Louis Malle
Story: Anton Chekhov
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Reviews for Vanya on 42nd Street
here are moments of considerable power here but this stripped-down rendering gives us something closer to a latterday dysfunctional family than Chekhov's doomed bourgeoisie.
The performances are precise, the language is alive and well spoken and the setting is striking, but Vanya on 42nd Street still suffers rather heavily from the limitations of filmed theater.
Malle adeptly eases us into the play so we can't tell at what precise moment Chekhov takes over, an ambiguity that becomes the film's triumph as well as its key limitation.
There's more power here than in all the multi-million dollar fireworks of Hollywood.
Despite great acting, the general impression of the film is underwhelming.
The elegant understatement of this production turns it into a livelier experiment, a fluent, gripping version of one of Chekhov's more elusive plays.
This live-wire Vanya, freshly observed for the '90s, is fiercely funny, touching and vital.
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