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Vengo (2001)
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Reviews Counted:37
Fresh:23
Rotten:14
Average Rating:5.7/10
Theatrical Release:Sep 7, 2001 Limited
Synopsis: Celebrating the art of flamenco dancing and the culture from which it was born, VENGO is about a centuries-old dispute between two gypsy families in Andalusia, Spain. Separated into two groups of... Celebrating the art of flamenco dancing and the culture from which it was born, VENGO is about a centuries-old dispute between two gypsy families in Andalusia, Spain. Separated into two groups of constantly battling gangs, the families struggle to move beyond violence to overcome their misunderstandings. Between confrontations, a physically disabled young man, Diego (Orestes Villasan Rodriguez), who has a passion for flamenco music and dance, is entertained by his uncle, Caco (Antonio Canales). Caco, whose own daughter died young, treats Diego like a son. To nurture Diego's love of flamenco, Caco arranges for some of the top performers in the region to come give concerts. In an especially powerful scene, La Caita, a gypsy singer, wails her liberating anthems in a Seville restaurant. Tony Gatlif (LATCHO DROM, GADJO DILO) directs this culturally rich, soulful film, which uses the rapid tempo of flamenco percussion to express both happiness and pain. A jumping, unsteady camera, and an often blurry focus give VENGO a visually realistic, documentary feeling. Extreme close-ups draw viewers to the characters, while distanced shots of eclectic parties and performances push the viewer back away from the action reinforcing the awe and admiration that spectators enjoy. It is also interesting to note that the lead actor, Antonio Canales, who is an accomplished flamenco dancer in real life, does not dance in the film. [More]
Starring: Antonio Canales, Orestes Villasan Rodriguez, Antonio Perez Dechent, Bobote
Starring: Antonio Canales, Orestes Villasan Rodriguez, Antonio Perez Dechent, Bobote, Juan Luis Corrientes, Fernando Guerrero Rebollo, Francisco Chavero Rios, Jose Ramirez El Cheli, Juan-Luis Barrios Llorente
Director: Tony Gatlif
Director: Tony Gatlif
Screenwriter: David Trueba, Tony Gatlif
Studio: Cowboy Pictures
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Reviews for Vengo
As good as the music is, the overall film only suggests what a flamenco drama might be, leaving the viewer hungry for a more fulfilling realization of the concept.
Gatliff's efforts may have been better spent on making a flamenco documentary.
The combination of drama and music gives the film a stop-and-go quality, like a mixture of documentary and fiction.
As fresh as [Gatlif's] view of flamenco may be, his dramatic ideas are excruciatingly trite.
Vengo's vistas are so sumptuously empty and the male cast has such a surplus of scruffy elegance that the movie might be a multipage fashion spread in Vanity Fair.
A mildly engrossing tale of devotion and loss, but one that passes up the chance to match the impassioned level to which its soundtrack rises.
Both an ode to the passion of Spanish flamenco dancing and a polemic about the transitory state of the gypsy people it sprang from, Vengo doesn't succeed as either.
Filled with dazzling moments, Vengo never quite reaches the heights those moments promise.
Suffers from Gatlif's apparent inability to decide whether he wanted to make a documentary-like look at the consequences of certain traditional Romany practices or a flat-out vendetta melodrama.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
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| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
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