With its compulsive beat of drums, guitars and feet, the sometimes Moorish wailings, the lyrics of startling conviction (typical: 'My soul, it hurts so bad'), Vengo has all the fire it needs.
Vengo (2001)
Tomatometer
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Reviews Counted:37
Fresh:23
Rotten:14
Average Rating:5.7/10
Theatrical Release:Sep 7, 2001 Limited
Synopsis: Celebrating the art of flamenco dancing and the culture from which it was born, VENGO is about a centuries-old dispute between two gypsy families in Andalusia, Spain. Separated into two groups of... Celebrating the art of flamenco dancing and the culture from which it was born, VENGO is about a centuries-old dispute between two gypsy families in Andalusia, Spain. Separated into two groups of constantly battling gangs, the families struggle to move beyond violence to overcome their misunderstandings. Between confrontations, a physically disabled young man, Diego (Orestes Villasan Rodriguez), who has a passion for flamenco music and dance, is entertained by his uncle, Caco (Antonio Canales). Caco, whose own daughter died young, treats Diego like a son. To nurture Diego's love of flamenco, Caco arranges for some of the top performers in the region to come give concerts. In an especially powerful scene, La Caita, a gypsy singer, wails her liberating anthems in a Seville restaurant. Tony Gatlif (LATCHO DROM, GADJO DILO) directs this culturally rich, soulful film, which uses the rapid tempo of flamenco percussion to express both happiness and pain. A jumping, unsteady camera, and an often blurry focus give VENGO a visually realistic, documentary feeling. Extreme close-ups draw viewers to the characters, while distanced shots of eclectic parties and performances push the viewer back away from the action reinforcing the awe and admiration that spectators enjoy. It is also interesting to note that the lead actor, Antonio Canales, who is an accomplished flamenco dancer in real life, does not dance in the film. [More]
Starring: Antonio Canales, Orestes Villasan Rodriguez, Antonio Perez Dechent, Bobote
Starring: Antonio Canales, Orestes Villasan Rodriguez, Antonio Perez Dechent, Bobote, Juan Luis Corrientes, Fernando Guerrero Rebollo, Francisco Chavero Rios, Jose Ramirez El Cheli, Juan-Luis Barrios Llorente
Director: Tony Gatlif
Director: Tony Gatlif
Screenwriter: David Trueba, Tony Gatlif
Studio: Cowboy Pictures
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Reviews for Vengo
Flamenco music takes heartbreak and transforms it into healing music. Vengo takes lamentation and shows how it can be transformed into the beauty of sacrificial love.
If you're a flamenco fan, this works as a concert film. It's as mere movie that its voice is strained.
Flamenco rhythms are not exactly my cup of tea, but I must say that by the time Vengo's primal story unfolded in its entirety, I was fully in its thrall.
Vengo presents a darkly realistic yet seductive world, with music as the tie that binds.
Both an ode to the passion of Spanish flamenco dancing and a polemic about the transitory state of the gypsy people it sprang from, Vengo doesn't succeed as either.
Gatlif's film, although uneven, captures the spirit of the best musicals.
It is best to let this stunning film simply wash over you and trust that all will become clear enough in time.
[Gatlif] obviously loved his subject and the way in which it was filmed provides a contagious appreciation for a people often misunderstood.
Suffers from Gatlif's apparent inability to decide whether he wanted to make a documentary-like look at the consequences of certain traditional Romany practices or a flat-out vendetta melodrama.
Gatliff's efforts may have been better spent on making a flamenco documentary.
A mildly engrossing tale of devotion and loss, but one that passes up the chance to match the impassioned level to which its soundtrack rises.
As fresh as [Gatlif's] view of flamenco may be, his dramatic ideas are excruciatingly trite.
Go see this hot, passionate movie, and you'll leave dancing and yelling, too.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
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| 06% 06% | All About Steve |
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