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Venom (2005)
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Reviews Counted:62
Fresh:6
Rotten:56
Average Rating:3.1/10
Consensus: A voodoo horror flick without the mojo, Venom is chock full of gory impalings of interchangeable teenage girls and hunky guys by an unstoppable zombie whose unimaginative rampage quickly lulls us to sleep.
Rated: R [See Full Rating] for strong horror violence/gore, and language
Runtime: 85 mins
Genre: Horror/Suspense
Theatrical Release:Sep 16, 2005 Wide
Box Office: $811,035
Synopsis: Director Jim Gillespie's hit slasher film from 1997, I KNOW WHAT YOU DID LAST SUMMER, saw four teens being stalked by a shadowy figure. In 2005, Gillespie helms VENOM, a further entry into the... Director Jim Gillespie's hit slasher film from 1997, I KNOW WHAT YOU DID LAST SUMMER, saw four teens being stalked by a shadowy figure. In 2005, Gillespie helms VENOM, a further entry into the stalk-and-slash genre that sees the director returning to familiar ground. The plot is basic, and simply serves to allow the requisite group of dumb teens to either meet their maker, or narrowly escape the clutches of a mysterious stalker. Set in Louisiana, the voodoo that the region is notorious for has rippled through a local graveyard, and sucked up all the evil spirits of the dead who lay there, depositing them in a suitcase full of snakes. When local bad boy Ray (Rick Cramer), who is the scourge of the town's teen population, meets a grizzly demise in a car accident, the snakes are unleashed and Ray (AKA Mr. Jangles--so called because he collects keys from his dead victims) is resurrected. A few notable names, such as Bijou Phillips (ALMOST FAMOUS) and hip-hop star Method Man, feature among the cast as Mr. Jangles goes about his kill-crazy rampage, and Gillespie tweaks the minimal plot to allow a few unexpected twists and turns to unfold. Plenty of violence and bloodletting ensues, while the lack of a post modern SCREAM-style approach to the film makes for a refreshing change. Gillespie must have cursed his luck when he saw the devastation that ravaged the Louisiana region in the aftermath of Hurricane Katrina--which occurred just a few weeks before the theatrical release of VENOM--but he's delivered a gratifying little shocker that contains enough base-level gore and guts to appease horror fans looking for some cheap thrills. [More]
Starring: Agnes Bruckner, Jonathan Jackson, Rick Cramer, Bijou Phillips
Starring: Agnes Bruckner, Jonathan Jackson, Rick Cramer, Bijou Phillips, Method Man
Director: Jim Gillespie
Director: Jim Gillespie
Screenwriter: Brandon Boyce, Kevin Williamson
Composer: John Debney, James Venable
Producer: Jennifer Breslow, Scott Faye
Studio: Dimension Films
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Reviews for Venom
This straight-up slasher flick probably should have gone straight to video for the cheesy-looking, computer-generated snakes alone.
The slasher clichés on reshuffle are old enough to predate the births of most of the flick's nubile victims-to-be, including tight-T-shirt wearer Agnes Bruckner.
None of the actors is identified until the very end of the credits; in fact, it would have been a kindness not to name them at all, so I won’t here.
Gillespie consegue criar momentos eficientes de tensão a partir de um roteiro que, mesmo absurdo, sabe explorar bem as convenções do gênero. E, de brinde, o filme ainda conta com uma ótima fotografia.
Never strays from the mainstream slasher genre's long-decayed bylaws.
In reality, Venom is nothing more than the teenage slasher formula applied to the swamp.
...the film eventually degenerates into a conventional and hackneyed mess.
Venom is about as animated as Ray the zombie; they're both still up and walking, not realizing they're dead and gone.
Venom is too darn familiar to become anyone's dark-horse favorite, but I'd say it's worthy of a rental if you love the horror stuff.
... even by the logistically malleable standards of the horror genre, Venom lacks even the barest rudiments of the form ...
The death scenes are so unimaginative and the gore is so minimal that you might miss it if you blink.
If you've seen many schlock shockers, you won't have any trouble seeing where this one's slithering to long before it gets there.
The final showdown between sole survivor and killer is sufficiently well-done that you wonder why the rest of the film didn’t measure up.
Yet for all of its retro charm, the movie is ultimately too routine to recommend.
After The Skeleton Key, another lifeless Deep South horror movie charting the myriad frights of costumed black people performing defense rituals.
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