The great thing about Venus -- apart from its sharp eye for the daily routines and drab details of senior citizenry in a buzzing metropolis -- is that it isn't soppy, or sentimental.
Venus (2006)
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Reviews Counted:144
Fresh:128
Rotten:16
Average Rating:7.3/10
Consensus: Audiences may attend to witness Peter O'Toole's Oscar-worthy performance, but they'll also be treated to a humane, tender exploration of maturing with both dignity and irreverence.
Rated: R [See Full Rating] for language, some sexual content and brief nudity.
Runtime: 1 hr 35 mins
Genre: Dramas
Theatrical Release:Dec 21, 2006 Limited
Box Office: $3,261,449
Synopsis: Screen legend Peter O'Toole stars in this moving story of an elderly actor and his somewhat questionable relationship with a teenage girl. Maurice (O'Toole) and his friend Ian (Leslie Phillips) are... Screen legend Peter O'Toole stars in this moving story of an elderly actor and his somewhat questionable relationship with a teenage girl. Maurice (O'Toole) and his friend Ian (Leslie Phillips) are two classy curmudgeons whiling away their hours in coffee shops and at the theater, but their routine is thrown for a loop when Ian's niece's daughter Jessie (Jodie Whittaker) is sent from the country to act as his nurse. Jessie shows up on the scene sullen and pouty, immediately drinking all the liquor in the house and slouching her way from room to room. But Maurice befriends her, taking her to museums and getting her a gig as an art model, and along the way he openly expresses the lust she has awakened in him. Jessie's brash rejections of his affections are at first as amusing as they are awkward. When she starts to allow him small pleasures--like kissing her bare shoulders or caressing her hands--the film enters into some uncomfortable, complicated territory, but it is deftly navigated by Hanif Kureishi's sharp screenplay, and O'Toole's heartbreaking performance. VENUS is in many ways a quiet film, shot mainly in tiny shops and in Ian's musty apartment, and it often relies on single shots of O'Toole's weary blue eyes to convey the many complexities within the story. Far from just a tale of a May-December romance, VENUS is a very raw look at growing old, and the aches and pains, both emotional and physical, that accompany a man near the end of his life. It is an honest, moving portrait of human desire, and how it can both beat us down and lift us up--no matter the age. [More]
Starring: Peter O'Toole, Jodie Whittaker, Leslie Phillips, Vanessa Redgrave
Starring: Peter O'Toole, Jodie Whittaker, Leslie Phillips, Vanessa Redgrave, Beatrice Savoretti, Phillip Fox
Director: Roger Michell
Director: Roger Michell
Producer: Kevin Loader, Scott Rudin
Composer: David Arnold, Corinne Bailey Rae
Studio: Miramax Films
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Reviews for Venus
The suggestion that Peter O'Toole is playing some version of his real self in Venus adds a bittersweet poignancy to this quietly affecting British drama.
Peter O'Toole delivers an Oscar-worthy performance that is alternately hilarious and poignant.
Venus adheres to the general parameters of conventional Hollywood with such cheek, intelligence and sheer self-deprecating nastiness that it does more to redeem the fantasy than it does the selfish and vain old geezer who is its beneficiary.
With wonderful testaments like Lawrence, Lion and now Venus, O'Toole will always live on.
Even though Venus does feature a teenager named Jessie, whom O'Toole's character takes a shine to, the truth is, Jessie is just a stand-in for what Maurice really loves: life.
O'Toole gives a magnificent old-lion performance...in a role that allows both subtlety and theatrical vigor.
British thesp Peter O'Toole delivers what is possibly the most intimate and honest performance of his career.
Venus wants to be Lost in Translation, but isn't as compelling, tender, or emotional. Instead, it is about 10,000 times creepier.
O'Toole is still a magnificent actor after all these years and he carries the film well.
Peter O'Toole, still a British cinematic lion at 74, performs another movie miracle in the Roger Michell-Hanif Kureishi film Venus.
Bids a gracious goodbye to adolescence misspent and a defiant 'piss off' to old age not spent at all.
The movie belongs to O'Toole who gets to strut his stuff and the role has been carefully tailored to his talents.
It makes a nice arc from an entertaining beginning to a bittersweet ending.
This question lingered: why should we even be interested? Despite some negativity implied in the question, there are a few answers to it that suggest limited success.
O'Toole is still gallant enough to almost, almost redeem the lecherousness.
O'Toole's luminous presence -- his grace and dignity, his humor and his gravity -- holds the film together and sometimes elevates it to greatness.
Venus has a swank pedigree, but in this case that doesn't mean it's much more than a quaint machine to elicit tears and awards.
Latest News for Venus
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December 26, 2006:
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December 21, 2006:
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| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
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