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Very Annie Mary (2001)
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Reviews Counted:27
Fresh:8
Rotten:19
Average Rating:4.9/10
Consensus: An exercise in strained whimsy and saccharine sentiment.
Theatrical Release:Mar 29, 2002 Limited
Synopsis: The myth of the eccentric Englishman (or woman) is given a cinematic boost by the awkwardly hysterical VERY ANNIE MARY, a tale of a young Welsh woman's stumbling struggle to proclaim her... The myth of the eccentric Englishman (or woman) is given a cinematic boost by the awkwardly hysterical VERY ANNIE MARY, a tale of a young Welsh woman's stumbling struggle to proclaim her independence and strike out on her own. With an epic sweep reminiscent of THE SOUND OF MUSIC, VERY ANNIE MARY examines the bucolic and banal life of 33-year-old Annie Mary (Rachel Griffiths), a perpetually adolescent and tragically klutzy young woman, miserably under the thumb of her egomaniacal opera singing father (Jonathan Pryce). Since the death of her beloved and similarly opera-loving mother when she was a girl, Annie Mary clings to the memories of a childhood musical competition where she was awarded a scholarship to study opera singing in Milan (which her domineering father prevented her from accepting). Haunted by the specter of a future that could never be, Annie Mary mopes around, lost in hopeless dreams of living on her own and finding love. When her father is rendered helpless by a stroke, Annie Mary is forced to take her life into her own hands, which is when her inspired and overenthusiastic effort to reclaim her true self (and her singing voice) begins to send shock waves through her secluded Welsh village. [More]
Starring: Rachel Griffiths, Jonathan Pryce, Ioan Gruffudd, Joanna Page
Starring: Rachel Griffiths, Jonathan Pryce, Ioan Gruffudd, Joanna Page, Matthew Rhys, Ruth Madoc, Rhys Thomas
Director: Sara Sugarman
Director: Sara Sugarman
Screenwriter: Sara Sugarman
Producer: Graham Broadbent, Damian Jones
Composer: Stephen Warbeck
Studio: Empire Pictures
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Reviews for Very Annie Mary
Somehow Ms. Griffiths and Mr. Pryce bring off this wild Welsh whimsy.
Impossible as it may sound, this film's heart is even more embracing than Monty, if only because it accepts nasty behavior and severe flaws as part of the human condition.
[Griffith] adds another intriguing character to her formidable body of work.
A frustrating combination of strained humor and heavy-handed sentimentality.
So exaggerated and broad that it comes off as annoying rather than charming.
The quirky drama touches the heart and the funnybone thanks to the energetic and always surprising performance by Rachel Griffiths.
Griffiths proves she's that rare luminary who continually raises the standard of her profession.
It is not the first time that director Sara Sugarman stoops to having characters drop their pants for laughs and not the last time she fails to provoke them.
By the end, I was looking for something hard with which to bludgeon myself unconscious.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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