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Very Annie Mary (2001)
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Reviews Counted:27
Fresh:8
Rotten:19
Average Rating:4.9/10
Consensus: An exercise in strained whimsy and saccharine sentiment.
Theatrical Release:Mar 29, 2002 Limited
Synopsis: The myth of the eccentric Englishman (or woman) is given a cinematic boost by the awkwardly hysterical VERY ANNIE MARY, a tale of a young Welsh woman's stumbling struggle to proclaim her... The myth of the eccentric Englishman (or woman) is given a cinematic boost by the awkwardly hysterical VERY ANNIE MARY, a tale of a young Welsh woman's stumbling struggle to proclaim her independence and strike out on her own. With an epic sweep reminiscent of THE SOUND OF MUSIC, VERY ANNIE MARY examines the bucolic and banal life of 33-year-old Annie Mary (Rachel Griffiths), a perpetually adolescent and tragically klutzy young woman, miserably under the thumb of her egomaniacal opera singing father (Jonathan Pryce). Since the death of her beloved and similarly opera-loving mother when she was a girl, Annie Mary clings to the memories of a childhood musical competition where she was awarded a scholarship to study opera singing in Milan (which her domineering father prevented her from accepting). Haunted by the specter of a future that could never be, Annie Mary mopes around, lost in hopeless dreams of living on her own and finding love. When her father is rendered helpless by a stroke, Annie Mary is forced to take her life into her own hands, which is when her inspired and overenthusiastic effort to reclaim her true self (and her singing voice) begins to send shock waves through her secluded Welsh village. [More]
Starring: Rachel Griffiths, Jonathan Pryce, Ioan Gruffudd, Joanna Page
Starring: Rachel Griffiths, Jonathan Pryce, Ioan Gruffudd, Joanna Page, Matthew Rhys, Ruth Madoc, Rhys Thomas
Director: Sara Sugarman
Director: Sara Sugarman
Screenwriter: Sara Sugarman
Producer: Graham Broadbent, Damian Jones
Composer: Stephen Warbeck
Studio: Empire Pictures
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Reviews for Very Annie Mary
A frustrating combination of strained humor and heavy-handed sentimentality.
The movie would seem less of a trifle if Ms. Sugarman followed through on her defiance of the saccharine.
[Griffith] adds another intriguing character to her formidable body of work.
There are moments of real pleasure to be found in Sara Sugarman's whimsical comedy Very Annie-Mary but not enough to sustain the film.
Impossible as it may sound, this film's heart is even more embracing than Monty, if only because it accepts nasty behavior and severe flaws as part of the human condition.
Griffiths proves she's that rare luminary who continually raises the standard of her profession.
Somehow Ms. Griffiths and Mr. Pryce bring off this wild Welsh whimsy.
Yet another entry in the sentimental oh-those-wacky-Brits genre that was ushered in by The Full Monty and is still straining to produce another smash hit.
It is not the first time that director Sara Sugarman stoops to having characters drop their pants for laughs and not the last time she fails to provoke them.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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