Extraordinary film.
A Very Long Engagement (2004)
Tomatometer
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Reviews Counted:142
Fresh:110
Rotten:32
Average Rating:7.4/10
Consensus: A well-crafted and visually arresting drama with a touch of whimsy.
Theatrical Release:Nov 26, 2004 Limited
Box Office: $6,167,817
Synopsis: This World War I mystery finds limitless beauty in the nostalgia of loss. Directed by Jean-Pierre Jeunet, whose whimsical AMELIE riveted audiences, A VERY LONG ENGAGEMENT also stars Audrey... This World War I mystery finds limitless beauty in the nostalgia of loss. Directed by Jean-Pierre Jeunet, whose whimsical AMELIE riveted audiences, A VERY LONG ENGAGEMENT also stars Audrey Tautou--the 21st century's Audrey Hepburn--in the stubbornly emotional role of a widow in denial. Here she is Mathilde, a waifish young woman with a pronounced limp from childhood polio. Living with her quirky aunt and uncle in a farmhouse by the sea, and waiting desperately for her fiance Manech (Gaspard Ulliel) to return from the war, she believes that if he were truly lost she would feel it in her heart. Thus, when the bad news arrives--Manech and five fellow soldiers were exiled to No Man's Land for shooting off their own fingers in hope of being discharged--Mathilde refuses to believe he is dead. Instead, she begins her own investigation into Manech's infantry, hiring a private detective and tracking down the wives and girlfriends of each of Manech's compatriots. Conducting countless interviews, Mathilde pieces together Manech's war stories--which are told in earthshaking flashbacks involving gruesome explosions, flying guts, and massive suffering. And yet, the all-in-this-together humanity of these awful scenes, and the heartfelt bravery with which Mathilde absorbs the details of each battle, is undeniably moving. Jodie Foster appears as Elodie, one of the widows, in a charismatic yet muted performance and with a flawless accent. However, the most intriguing of the widows is Tina Lombardi (Marion Cotillard), a thrilling dominatrix-assassin bent on avenging her lover. A timeless masterwork that raises the bar for breathtaking camerawork, vivid landscapes, and fantastical storytelling, A VERY LONG ENGAGEMENT is adapted from the novel by Sebastien Japriscot. [More]
Starring: Audrey Tautou, Gaspard Ulliel, Clovis Cornillac, Marion Cotillard
Starring: Audrey Tautou, Gaspard Ulliel, Clovis Cornillac, Marion Cotillard, Jean-Pierre Darroussin, Gérard Depardieu, Jean-Claude Dreyfus, Albert Dupontel, André Dussollier, Jodie Foster, Ticky Holgado, Tcheky Karyo, Denis Lavant, Dominique Pinon, Michel Vuillermoz
Director: Jean-Pierre Jeunet
Director: Jean-Pierre Jeunet
Screenwriter: Guillaume Laurant, Jean-Pierre Jeunet
Producer: Bill Gerber
Composer: Angelo Badalamenti
Studio: Warner Independent
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Reviews for A Very Long Engagement
This is a long movie that almost wears out its 2 1/4 -hour welcome, yet it's full of surprises.
A Very Long Engagement works on its own terms, as a showcase for Tautou and as a reminder of the kind of beauty that movies, at their best, can show us.
A Very Long Engagement leaves you feeling stuffed but satisfied, like after a very long, tasty meal.
[The film] sabotages itself conceptually and is too busy flashing its gaudy wares to quite tell a story.
A Very Long Engagement probably has too many elements -- and too many characters -- for its own good. But its heart, like its heroine's, is in the right place.
Tautou anchors the film with her calm gaze and endless faith, and her performance is mesmerizing.
A Very Long Engagement is certainly long and not always engaging and comes with a predictably basic ending, yet there are unexpected pleasures, moments of beauty and tiny pockets of joy to sustain you through the journey.
A Very Long Engagement gets better with each half-hour, and by the end has painted a moving portrait of hope, determination, tragedy and loss.
A film that is a series of pleasures stumbling over one another in their haste to delight us.
You probably need a score card to keep track of everybody, but that's one of the pleasures of Jeunet's film, and it's also inextricable from his larger point: that war dehumanizes but people re-humanize.
The memory of war -- collective and individual -- is at best a deterrent, at worst, a fantasy to fuel more of the same.
This strange mixture of whimsy and carnage never lags and becomes increasingly engaging.
Bizarre as it is, the movie works amazingly well as a historical epic.
Right up to its haunting final scene, A Very Long Engagement will alternately shake you up and soothe you. And that's a very good combination.
Both a whimsical love story featuring, "Amelié" star Audrey Tautou at her most adorable, and a nitty-gritty depiction of the horrors of trench warfare. It's a very bad mix.
[Jeunet] strikes a giddy balance between comedy and terror, romance and incandescent action, between the demands of his huge canvas and his intimate emotional subject.
Latest News for A Very Long Engagement
July 15, 2009:
RT Interview: David Yates on Harry Potter and the Half-Blood Prince
When David Yates was hired to direct Harry Potter and the Order of the Phoenix, fans took one look at his TV-heavy resume and panicked that he wouldn't be able to bring the same... More...
September 22, 2005:
Critical Consensus: A Beautiful "Bride," A Bumpy "Flight," And a Bouncy "Bounce"
This week at the movies brings a twisted tale of love from beyond the grave ("Tim Burton's Corpse Bride"), a paranoid thriller at 40,000 feet ("Flightplan")... More...
February 14, 2005:
Bruno Delbonnel Takes Top Honors at 19th ASC Awards
Bruno Delbonnel, the director of photography for "A Very Long Engagement," took top honors at the 19th Annual American Society of Cinematographers awards this past... More...
January 04, 2005:
DFW Film Critics choose Million Dollar Baby
The Dallas-Fort Worth Film Critics Association voted Clint Eastwood's character-driven drama "Million Dollar Baby" as the best film of 2004, according to the results... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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