M. Night Shyamalan's portentous period thriller wrings some efficient thrills from these clichéd elements, but collapses under the weight of a labored and unsatisfying ending.
The Village (2004)
Tomatometer
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Reviews Counted:194
Fresh:82
Rotten:112
Average Rating:5.4/10
Consensus: The Village is appropriately creepy, but Shyamalan's signature twist ending disappoints.
Rated: PG-13 [See Full Rating] for a scene of violence and frightening situations
Runtime: 2 hrs
Genre: Horror/Suspense
Theatrical Release:Jul 30, 2004 Wide
Box Office: $114,170,863
Synopsis: M. Night Shyamalan's THE VILLAGE finds the renowned writer-director crafting a suspenseful story of a small community whose inhabitants are plagued by fear of the unknown forest that surrounds... M. Night Shyamalan's THE VILLAGE finds the renowned writer-director crafting a suspenseful story of a small community whose inhabitants are plagued by fear of the unknown forest that surrounds them. For years, they have kept a truce with mysterious creatures in the woods by vowing never to breach a clearly defined border. However, when a young man (Joaquin Phoenix) becomes determined to explore the nearby towns, his actions are met with menacing consequences. Shyamalan continues his remarkable streak of entrancing and entertaining thrillers (THE SIXTH SENSE, UNBREAKABLE, SIGNS) with THE VILLAGE. A meticulous filmmaker, Shyamalan displays his penchant for setting up a fascinating atmosphere in every aspect of the movie, from its distinctive color scheme to its intentionally genteel dialogue to its outstanding cinematography, courtesy of Roger Deakins. Renowned cast members Phoenix, William Hurt, Sigourney Weaver, and Adrien Brody are excellent, but the true standout is Bryce Dallas Howard (daughter of director Ron Howard), who embodies the heart of the film with her vulnerable but fiercely vital performance. Like Shyamalan's other movies, THE VILLAGE has a distinct twist that offers shocking revelations, but this film's overwhelming sense of menace is what is sure to resonate with viewers long after it's over. [More]
Starring: Joaquin Phoenix, Bryce Dallas Howard, William Hurt, Sigourney Weaver
Starring: Joaquin Phoenix, Bryce Dallas Howard, William Hurt, Sigourney Weaver, Adrien Brody, Brendan Gleeson, Michael Pitt, Cherry Jones
Director: M. Night Shyamalan
Director: M. Night Shyamalan
Screenwriter: M. Night Shyamalan
Producer: Scott Rudin, Sam Mercer
Composer: James Newton Howard
Studio: Buena Vista Pictures
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Release:
Jan 11, 2005
Reviews for The Village
It's the lack of a genuine wizard behind the curtain that robs The Village of much of its suspense, but the movie has merits that go beyond goosebumps.
What seemed so interesting and unconventional about the plot grasps for an ending, spinning the film in a direction that is forced, rushed and incongruous with all that preceded it.
This is bad, amateur work given a superficial veneer of professionalism.
[Shyamalan is] in complete command of his forces, more subtle and sustained.
This movie is as big a hoax as the notorious Sci Fi Channel faux documentary The Buried Secret of M. Night Shyamalan.
For those who like the director's body of work, appreciate The Twilight Zone, and have a high suspension of disbelief threshold, The Village is likely to satisfy.
The Village is a film wherein the whole is sadly less than the sum of its eerie parts.
It's not very scary. And absent the skin-crawling, hair-raising magic that usually attends a Shyamalan movie, The Village is a bit of a long sit.
Thriller is hardly the word for this tedious exercise in clue-hiding.
There is no doubt that Shyamalan is a gifted director who knows how to push audience buttons, but heavy-handed horror shows like this one make the man behind the camera seems less an artist than a huckster.
It's tedious instead of provocative and so unconvincing as to be preposterous.
The Village doesn't quite return Shyamalan to the heights of The Sixth Sense. But it's close enough for discomfort.
The movie starts off as a psychological thriller and then turns into a tale about the transformative power of love. Neither of these two story paths, alas, is particularly riveting.
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