A more interesting movie than those two most recent Shyamalan films.
The Village (2004)
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Reviews Counted:194
Fresh:82
Rotten:112
Average Rating:5.4/10
Consensus: The Village is appropriately creepy, but Shyamalan's signature twist ending disappoints.
Rated: PG-13 [See Full Rating] for a scene of violence and frightening situations
Runtime: 2 hrs
Genre: Horror/Suspense
Theatrical Release:Jul 30, 2004 Wide
Box Office: $114,170,863
Synopsis: M. Night Shyamalan's THE VILLAGE finds the renowned writer-director crafting a suspenseful story of a small community whose inhabitants are plagued by fear of the unknown forest that surrounds... M. Night Shyamalan's THE VILLAGE finds the renowned writer-director crafting a suspenseful story of a small community whose inhabitants are plagued by fear of the unknown forest that surrounds them. For years, they have kept a truce with mysterious creatures in the woods by vowing never to breach a clearly defined border. However, when a young man (Joaquin Phoenix) becomes determined to explore the nearby towns, his actions are met with menacing consequences. Shyamalan continues his remarkable streak of entrancing and entertaining thrillers (THE SIXTH SENSE, UNBREAKABLE, SIGNS) with THE VILLAGE. A meticulous filmmaker, Shyamalan displays his penchant for setting up a fascinating atmosphere in every aspect of the movie, from its distinctive color scheme to its intentionally genteel dialogue to its outstanding cinematography, courtesy of Roger Deakins. Renowned cast members Phoenix, William Hurt, Sigourney Weaver, and Adrien Brody are excellent, but the true standout is Bryce Dallas Howard (daughter of director Ron Howard), who embodies the heart of the film with her vulnerable but fiercely vital performance. Like Shyamalan's other movies, THE VILLAGE has a distinct twist that offers shocking revelations, but this film's overwhelming sense of menace is what is sure to resonate with viewers long after it's over. [More]
Starring: Joaquin Phoenix, Bryce Dallas Howard, William Hurt, Sigourney Weaver
Starring: Joaquin Phoenix, Bryce Dallas Howard, William Hurt, Sigourney Weaver, Adrien Brody, Brendan Gleeson, Michael Pitt, Cherry Jones
Director: M. Night Shyamalan
Director: M. Night Shyamalan
Screenwriter: M. Night Shyamalan
Producer: Scott Rudin, Sam Mercer
Composer: James Newton Howard
Studio: Buena Vista Pictures
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Release:
Jan 11, 2005
Reviews for The Village
There will be worse movies this summer than The Village, but few ultimately as silly.
A good looking and well-paced oddity that's marketed as a thriller ... but manages to stand on its own legs as a touching romance
Shyamalan's plotting is spotty, especially in the less-than-satisfying finale, but his textural touches are strong.
In his desire to repeat a previously winning formula, Shyamalan this time delivers a dud.
What The Village says about human behavior is more chilling than any plot twist.
I can read the Signs. I have a Sixth Sense that M. Night's winning streak is not Unbreakable - The Village is the proof.
While The Village might not blow the door off its hinges in terms of frightening you, it does something more significant: It leaves the door ajar, beckoning us to enter a different realm.
All this craftsmanship and a very fine performance by Howard, however, is in the service of a story that unlike Shyamalan's previous films contains no underlying themes or ideas.
A frustrating, self-indulgent exercise in Twilight Zone trickery that leaves the audience holding the bag, wondering what happened to the picture they paid money to see.
The Village is a colossal miscalculation, a movie based on a premise that cannot support it, a premise so transparent it would be laughable were the movie not so deadly solemn.
The Village shows that [M. Night Shymalan] has matured both as a storyteller and a filmmaker.
what will moviegoers think when they realize they've actually bought a ticket to an atmospheric but mostly mellow romance that delivers only a few jolts?
discerning filmgoers will be able to see the film for what it really is: an embarrassing and underhanded attempt to manipulate the emotions of the audience.
[Shyamalan] looks only to sideswipe the audience with twists, even if they don't hold up to close scrutiny.
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