Opening

90% Guardians of the Galaxy Aug 01
81% Get On Up Aug 01
88% Calvary Aug 01
0% Behaving Badly Aug 01
36% Child Of God Aug 01

Top Box Office

59% Lucy $43.9M
63% Hercules $29.8M
91% Dawn Of The Planet Of The Apes $16.8M
57% The Purge: Anarchy $10.5M
44% Planes: Fire And Rescue $9.5M
18% Sex Tape $6.1M
17% Transformers: Age of Extinction $4.7M
16% And So It Goes $4.6M
24% Tammy $3.5M
91% A Most Wanted Man $2.7M

Coming Soon

—— Teenage Mutant Ninja Turtles Aug 08
88% Step Up: All In Aug 08
—— Into The Storm Aug 08
—— The Hundred-Foot Journey Aug 08
87% What If Aug 08

The Killing

—— The Killing: Season 4

New Episodes Tonight

100% The Almighty Johnsons: Season 1
61% Crossbones: Season 1
82% Girl Meets World: Season 1

Discuss Last Night's Shows

100% Defiance: Season 2
40% Dominion: Season 1
41% Gang Related: Season 1
86% Maron: Season 2
56% Married: Season 1
94% Rectify: Season 2
—— Rookie Blue: Season 5
39% Rush: Season 1
82% Satisfaction: Season 1
85% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

Violet & Daisy Reviews

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Christine N. Ziemba
Paste Magazine

Essentially, the film is Tarantino-ultralite -- just without the crisp dialogue, graphic violence or much of a plot.

Full Review Source: Paste Magazine | Original Score: 5.9/10

June 6, 2013
Dann Gire
Daily Herald (IL)

The bouncy, blackly comedic cartoon that begins this movie segues into a suspense-challenged, severely sincere drama that winds up, much like Violet and Daisy frequently do, without any bullets.

Full Review Source: Daily Herald (IL) | Original Score: 2/4

June 6, 2013
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

If you want to see Saoirse bumping people off, go with the stylish "Hanna" instead.

Full Review Source: St. Paul Pioneer Press | Original Score: 2/4

June 6, 2013
Betsy Sharkey
Los Angeles Times
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Ronan is good at shifting between killer and kid. But it's impossible not to wish she would once again have a role that matches her talent.

Full Review Source: Los Angeles Times | Original Score: 2.5/5

June 6, 2013
Moira MacDonald
Seattle Times
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A frequently off-putting film about two teenage assassins.

Full Review Source: Seattle Times | Original Score: 2/4

June 6, 2013

Oregonian

Violet's and Daisy's combination of girlish naiveté and John Woo-style intensity probably seemed much niftier on the page.

Full Review Source: Oregonian | Original Score: C-

June 6, 2013
Claude Peck
Minneapolis Star Tribune
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The script might have pushed harder, and included more incident and less of the rote psychologizing that bogs things down in the final reel.

Full Review Source: Minneapolis Star Tribune | Original Score: 2.5/4

June 6, 2013
William Goss
Film.com
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A candy-colored offering of bloodshed and banter so self-conscious that it alienates the viewer early and often.

Full Review Source: Film.com

June 6, 2013
Joe Neumaier
New York Daily News
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Violet and Daisy's cutesy chatter, and violence set to great old songs, are the movie's reasons for being. Which ultimately isn't enough ammo.

Full Review Source: New York Daily News | Original Score: 2/5

June 6, 2013
Brian Orndorf
Blu-ray.com

Leads Bledel and Ronan show spark and interest to lean into the shaming Fletcher initially appears to value, but their efforts are gradually flooded by a helmer who doesn't quite know what type of movie he wants to make.

Full Review Source: Blu-ray.com | Original Score: C-

June 6, 2013
J. R. Jones
Chicago Reader
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Fletcher must have thought the dark comedy would indemnify him against the cascading illogic of the plot.

Full Review Source: Chicago Reader

June 6, 2013
Ignatiy Vishnevetsky
AV Club
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Talky and artificial, it moves like a sort of lobotomized Hal Hartley movie ...

Full Review Source: AV Club | Original Score: C-

June 6, 2013
Matt Pais
RedEye

Fletcher should have done more than applauding himself after writing 'Diablo Cody' on one hand and 'Quentin Tarantino' on the other.

Full Review Source: RedEye | Original Score: 1/4

June 6, 2013
Matt Donato
We Got This Covered

Violet & Daisy is a tonal sugar high in all the worst ways - an overload of marshmallows and lollipops which work awkwardly with the whole contract killing theme Fletcher attempts to use as a funny contrast.

Full Review Source: We Got This Covered | Original Score: 4/10

June 6, 2013
Chris Barsanti
Film Journal International

This smartly acted but over-directed and woozy hit-girl comedy, on the shelf since 2011, garners a few chuckles early on but swiftly plunges right off the rails.

Full Review Source: Film Journal International

June 5, 2013
Rex Reed
New York Observer
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Artsy-fartsy gibberish executed with a staggering incoherence that smacks of desperation.

Full Review Source: New York Observer | Original Score: 1/4

June 4, 2013
Matt Singer
Time Out New York
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Fletcher ... drowns his directorial debut in the sort of quirky yak-yak-yak conversations seemingly required of modern movies about hit men.

Full Review Source: Time Out New York | Original Score: 2/5

June 4, 2013
Alan Scherstuhl
Village Voice
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The key relationships are well drawn, if not especially revealing of anything human, and director Fletcher sometimes dares some welcome absurdity.

Full Review Source: Village Voice

June 4, 2013
R. Kurt Osenlund
Slant Magazine

A twisted, spirited exercise in stark juxtaposition, a grindhouse fairy tale of sorts that pairs the sugary sweet with the nastily violent.

Full Review Source: Slant Magazine | Original Score: 2.5/4

June 4, 2013
Chris Sawin
Examiner.com

Violet & Daisy will just make you want to revisit "Hanna" again once it's over. Even with all of its crafty peculiarity and poignant sentimentality, Violet & Daisy is no Hanna.

Full Review Source: Examiner.com | Original Score: 6/10

June 4, 2013
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