A medieval pre-feminist nun who poked a few holes in the stained glass ceiling. Though there's little elbow room for nonbeliever audience comfort zones. And while Moses led the Israelites out of Egypt, Hildegard led the nuns out of a horny monastery.
Vision takes a serious and mostly positive view of spirituality without uniformly endorsing the established Church, which is shown as a male-dominated political and business enterprise as much as a keeper of souls.
Although this true story offers numerous opportunities for skepticism and irony, director Margarethe von Trotta accords Hildegard the respect of a proto-feminist forebear and frames her in golden light like a Vermeer painting.