Its mushy humanism is...insidious.
The Visitor (2008)
Tomatometer
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Reviews Counted:111
Fresh:100
Rotten:11
Average Rating:7.7/10
Consensus: The Visitor is a heartfelt, humanistic drama that deftly explores identity, immigration, and other major post-9/11 issues.
Theatrical Release:Apr 11, 2008 Limited
Box Office: $9,234,510
Synopsis:
In a world of six billion people, it only takes one to change your life. In actor and filmmaker Tom McCarthy’s follow-up to his award winning directorial debut The Station Agent, Richard Jenkins...
In a world of six billion people, it only takes one to change your life. In actor and filmmaker Tom McCarthy’s follow-up to his award winning directorial debut The Station Agent, Richard Jenkins (Six Feet Under) stars as a disillusioned Connecticut economics professor whose life is transformed by a chance encounter in New York City.
Sixty-two-year-old Walter Vale (Jenkins) is sleepwalking through his life. Having lost his passion
for teaching and writing, he fills the void by unsuccessfully trying to learn to play classical piano. When
his college sends him to Manhattan to attend a conference, Walter is surprised to find a young couple
has taken up residence in his apartment. Victims of a real estate scam, Tarek (Haaz Sleiman), a Syrian man, and Zainab (Danai Gurira), his Senegalese girlfriend, have nowhere else to go. In the first of a
series of tests of the heart, Walter reluctantly allows the couple to stay with him.
Touched by his kindness, Tarek, a talented musician, insists on teaching the aging academic to
play the African drum. The instrument’s exuberant rhythms revitalize Walter’s faltering spirit and open his eyes to a vibrant world of local jazz clubs and Central Park drum circles. As the friendship between the two men deepens, the differences in culture, age and temperament fall away.
After being stopped by police in the subway, Tarek is arrested as an undocumented citizen and
held for deportation. As his situation turns desperate, Walter finds himself compelled to help his new
friend with a passion he thought he had long ago lost. When Tarek’s beautiful mother Mouna (Hiam
Abbass) arrives unexpectedly in search of her son, the professor’s personal commitment develops into
an unlikely romance.
And it’s through these new found connections with these virtual strangers that Walter is
awakened to a new world and a new life. --© Overture Films
[More]
Starring: Richard Jenkins, Hiam Abbass, Haaz Sleiman, Danai Gurira
Starring: Richard Jenkins, Hiam Abbass, Haaz Sleiman, Danai Gurira
Director: Tom McCarthy
Director: Tom McCarthy
Screenwriter: Tom McCarthy
Producer: Mary Jane Skalski, Michael London
Composer: Jan A.P. Kaczmarek
Studio: Overture Films
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Reviews for The Visitor
The movie is grounded in a fundamental difficulty, that Walter's education is achieved by his engagement with this set of brown and black people.
The Visitor's allusions to our f----up state-of-affairs feel like gratuitous background noise.
The film becomes less about the suffering of immigrants who have never enjoyed the embrace of Ellis Island than the righteous indignation of a liberal intelligentsia raging against its own powerlessness.
The not-so subliminal message about life being fair versus breaking the law isn't enough to carry a film purporting to be a character-driven drama.
McCarthy is so careful not to take a political stand that his film seems neutered by good intentions. In the spirit of squishy humanism, he soft-pedals a hard-hitting topic.
Our patience with the characters' apathy and uninteresting demeanor is not rewarded enough.
McCarthy unquestionably means well, but he’s made one of those incredibly naive movies (like last fall''s Rendition) that give liberals -- Hollywood liberals especially -- a bad name.
Dull and depressing, The Visitor is leaden, lethargic and full of heavy-handed symbolism. The Statue of Liberty keeps popping up in the movie, which uses it like a cheap stage prop.
The curious thing about The Visitor is that even as it goes more or less where you think it will, it still manages to surprise you along the way.
The Visitor is America working out the demons of Sept. 11, 2001. Director Thomas McCarthy brilliantly focuses on characters who love life despite the less savory circumstances surrounding them.
Beautifully cast and superbly performed, The Visitor never steps off the mark either emotionally or in character development. Richard Jenkins, usually in support roles, rises to the lead occasion with grace and a marvellously restrained performance
Tom McCarthy’s The Visitor, from his own screenplay, is nothing short of a triumph for 60-year-old character actor Richard Jenkins, in his first leading role in a feature film.
The Visitor gives viewers a perceptive, deeply personal take on the timeless immigrant narrative, in which the most epic journey is finally one of self-discovery.
The tension dips occasionally but stick with it and you'll be richly rewarded.
For those who want to see slowly evolving character studies that are very rewarding, THE VISITOR is a bullseye.
The Visitor presents a rich, complex world where people connect in unexpected ways. It is a fitting follow up to the themes McCarthy covered in The Station Agent.
not really a film you enjoy, per se. It's more like a feeling you get used to before finally accepting.
Latest News for The Visitor
January 08, 2009:
Broadcast Film Critics Name Critics' Choice Winners
The 14th Annual Critics' Choice Awards were given on January 8, 2009, to honor the finest achievements in 2008 filmmaking. A list of nominees follows below, with winners in bold: More...
January 07, 2009:
WGA Nominations Announced ![]()
The WGA has settled on its nominees for this year's awards -- and yes, "The Dark Knight" is one of them. More...
December 05, 2008:
National Board of Review Names Slumdog Millionaire Best of '08 ![]()
The National Board of Review has announced its 2008 honors, led by its film of the year, Danny Boyle's "Slumdog Millionaire." More...
December 03, 2008:
Gothams Dive Into Frozen River ![]()
"Frozen River" was the big winner at Tuesday's 18th annual Gotham Independent Film Awards, taking home two of the six prizes, including best feature. More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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