Viva Zapata! (1952)
Average Rating: 6.3/10
Reviews Counted: 17
Fresh: 11 | Rotten: 6
No consensus yet.
Average Rating: N/A
Critic Reviews: 4
Fresh: 1 | Rotten: 3
Average Rating: 3.7/5
User Ratings: 2,683
Produced by Darryl F. Zanuck and directed by Elia Kazan, this film follows the life of Mexican revolutionary leader Emiliano Zapata (Marlon Brando) from his peasant upbringing, through his rise to power in the early 1900s, to his death. The film presents an interesting but fictionalized picture of Zapata. Zapata, the child of tenant-farmers, was joined by Pancho Villa in his rebellion against tyrannical President Porfirio Diaz. The film romanticizes Zapata and in doing so unfortunately distorts
Sep 19, 1952 Wide
Sep 9, 2003
Alan Reed Sr.
Don Francisco Madero
Frank de Kova
Ross Bagdasarian Sr.
Philip Van Zandt
George J. Lewis
Peon who challenges ...
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Elia Kazan's direction strives for a personal intimacy but neither he nor the John Steinbeck scripting achieves in enough measure.
The direction and John Steinbeck's script seem stranded in a no man's land between straightforward adventure and a pessimistic allegory about the corrupting nature of power.
Throbs with a rare vitality, and a masterful picture of a nation in revolutionary torment has been got by Director Elia Kazan.
"Viva Zapata!" is one of those films that, while it continues to have impressive aspects, just doesn't hold up as well as it did when it was first made. You find yourself wishing it were in widescreen, and that they had hired at least ONE Latino actor.
Kazan's biopic of the Mexican revolutionary offers good parts to Marlon Brando in the lead and Anthony Quinn as his brother, but it gets too conventional in the second half.
Elia Kazan places an interesting and honest spotlight upon politics, which proves that left wing liberators are just as dangerous as the right wing fascists they have overpowered, and vice versa.
Great acting exercise, Tabascoed with Brando, peppered with Quinn, but otherwise Kazan/Steinbeck refried beans.
For all its shortcomings, Zapata remains a vital work that has a curious resonance today in light of Kazan's subsequent decision to "name names" for HUAC.
Fine Kazan "western" w/strong Quinn and Brando turns.
Marlon Brando, como mexicano e com os olhos puxados, está sensacional como sempre, assim como o vivaz Quinn. História bem conduzida por Kazan que mostra o nascimento de uma lenda.
Kazan paints a romantic picture of a man who was actually a cold-hearted tyrant.
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