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Volver

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Volver (2006)

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Reviews Counted:158

Fresh:144

Rotten:14

Average Rating:7.7/10

Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.

Runtime: 2 hrs 1 min

Genre: Comedies

Theatrical Release:Nov 3, 2006 Limited

Box Office: $12,830,604

Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz

Director: Pedro Almodovar

Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics

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Release:

May 1, 2008

[DVD Details]
 
 

DVD Features:

  • Region [unknown]
  • Keep Case
  • Full Frame

Audio:

  • (unspecified) English
 
 
 
 

Reviews for Volver

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1 - 20 (sorted by critic A-Z)
Text View | 1 2 3 4 5 6 7 8 9 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

Typically unpredictable Almodovar surprise, but this time it's enjoyable.

Full Review Source: Denton Record Chronicle (TX) | comment Comment
12/22/06
Boo Allen
Boo Allen
Denton Record Chronicle (TX)

For all of the film's pleasures, it's missing the daring creativity that distinguishes the director's best work.

Full Review Source: Show Business Weekly | comment Comment
11/21/06
Ethan Alter
Ethan Alter
Show Business Weekly

The new film by Pedro Almodóvar is less ambitious than its predecessors, but all the more delightful in its smallness.

Full Review Source: Combustible Celluloid | comment Comment
12/22/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

What seem like needlessly digressive plot strands in the first hour are eventually knitted into a moving melodrama.

Full Review Source: eye WEEKLY | comment Comment
09/23/06
Jason Anderson
Jason Anderson
eye WEEKLY

Almodóvar's generous vision isn't just unique, it's color-coordinated.

Full Review Source: Newsweek | comment Comment
10/31/06
David Ansen
David Ansen
Newsweek
Top Critic Icon Top Critic

A mixed bag, albeit one with significant signature style.

Full Review Source: Palo Alto Weekly | comment Comment
12/18/06
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

the mad spark which is Almodóvar's alone is only improving with each passing film

Full Review Source: Filmcritic.com | comment Comment
10/10/06
Chris Barsanti
Chris Barsanti
Filmcritic.com

The film is realistic, yet Almodóvar’s touch of the absurd and the madcap infiltrate everything that occurs while his candy-colored visual palette lends a brightness to what in other hands might have taken the form of a sordid tale.

Full Review Source: Austin Chronicle | comment Comment
01/11/07
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

Almodovar treats even the most eccentric of the film's females with compassion, empathy, affection and appreciation. He seems almost to envy them, like a kid who longs to be one of Robin Hood's Merry Men.

Full Review Source: Commercial Appeal (Memphis, TN) | comment Comment
01/29/07
John Beifuss
John Beifuss
Commercial Appeal (Memphis, TN)

Richly entertaining fantasy from a cinematic master.

Full Review Source: Hollywood Reporter | comment Comment
05/19/06
Ray Bennett
Ray Bennett
Hollywood Reporter
Top Critic Icon Top Critic

Although Volver has a tendency to stray too far down tangential paths, it is ultimately satisfying.

Full Review Source: ReelViews | comment Comment
10/31/06
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

The Return rattles its chains for a spell, but it doesn't linger -- it quickly leaves.

Full Review Source: Houston Chronicle | comment Comment
12/22/06
Amy Biancolli
Amy Biancolli
Houston Chronicle
Top Critic Icon Top Critic

Almodovar-land may not be as familiar as Hollywoodland but give it a chance and you'll apply for a passport.

Full Review Source: Cinema Signals | comment Comment
09/19/06
Jules Brenner
Jules Brenner
Cinema Signals

Almodovar's in a playful mood here, yet there's no mistaking the seriousness with which he takes the movie's theme of empowerment through sisterhood.

Full Review Source: Creative Loafing | comment Comment
01/11/07
Matt Brunson
Matt Brunson
Creative Loafing

Touches the heart with its wonderful portraits of Spanish women whose nurturing and loving powers are a stay against the powers of violence and death.

Full Review Source: Spirituality and Practice | comment Comment
10/07/06
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

Pedro Almodóvar regresa a terrenos familiares: La Mancha, la comedia, la fortaleza femenina y, por supuesto, Carmen Maura. Un regreso esperado y satisfactorio.

Full Review Source: Uruguay Total | comment Comment
08/14/06
Enrique Buchichio
Enrique Buchichio
Uruguay Total

It's a lovely little movie, but also sort of a wispy one.

Full Review Source: Philadelphia Weekly | comment Comment
12/20/06
Sean Burns
Sean Burns
Philadelphia Weekly

Volver shifts effortlessly from suspense to pathos to giddy humor; the cast members negotiate all these changes while delivering low-keyed, reality-rooted performances.

Full Review Source: Kansas City Star | comment Comment
01/12/07
Robert W. Butler
Robert W. Butler
Kansas City Star

Though its humble pleasures give cause to pause and reflect on the Spanish filmmaker's occasionally overpraised output, Volver is a diverting melodrama...

Full Review Source: Groucho Reviews | comment Comment
11/03/06
Peter Canavese
Peter Canavese
Groucho Reviews

A women's film -- about women, fueled by the instincts of women -- that doesn't resort to obvious melodrama or push-button emotions.

Full Review Source: Window to the Movies | comment Comment
11/02/06
Jeffrey Chen
Jeffrey Chen
Window to the Movies
 
 
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