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Volver

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Volver (2006)

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Reviews Counted:158

Fresh:144

Rotten:14

Average Rating:7.7/10

Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.

Runtime: 2 hrs 1 min

Genre: Comedies

Theatrical Release:Nov 3, 2006 Limited

Box Office: $12,830,604

Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo

Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz

Director: Pedro Almodovar

Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics

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Release:

May 1, 2008

[DVD Details]
 
 

DVD Features:

  • Region [unknown]
  • Keep Case
  • Full Frame

Audio:

  • (unspecified) English
 
 
 
 

Reviews for Volver

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61 - 80 (sorted by date)
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A wonderfully talented cast led by the best performance Cruz has given in years, but I am not convinced it is the Oscar-worthy turn some have been promoting it to be.

Full Review Source: WaffleMovies.com | comment Comment
12/21/06
Willie Waffle
Willie Waffle
WaffleMovies.com

[A] gritty melodrama tempered by surreal black humor.

Full Review Source: Chicago Reader | comment Comment
12/21/06
Andrea Gronvall
Andrea Gronvall
Chicago Reader

Spanish director Pedro Almodóvar always has fun toying with our perceptions and expectations and does it yet again with Volver, a darkly comic look at mortality and family secrets.

Full Review Source: Arizona Republic | comment Comment
12/21/06
Bill Muller
Bill Muller
Arizona Republic
Top Critic Icon Top Critic

A deeply entertaining experience that engages our hearts as well as our funny bones.

Full Review Source: Washington Post | comment Comment
12/21/06
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

Its buoyant script and zesty cast make a convincing argument that you can't fully appreciate life without having a healthy respect for death.

Full Review Source: St. Paul Pioneer Press | comment Comment
12/21/06
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Volver is a rapturous, freewheeling valentine to the [female] gender as a whole, and as luxuriously voluptuous as the women who populate it.

Full Review Source: South Florida Sun-Sentinel | comment Comment
12/21/06
Phoebe Flowers
Phoebe Flowers
South Florida Sun-Sentinel

The Cannes Film Festival jury threw up its hands and gave this year's Best Actress Award to all six of the film's stars. They're so fine that refusing to choose between them was the only sensible choice.

Full Review Source: Minneapolis Star Tribune | comment Comment
12/21/06
Colin Covert
Colin Covert
Minneapolis Star Tribune

A movie with more in its heart than on its mind, Pedro Almodóvar's Volver doesn't approach the brilliance of his recent films Talk to Her and Bad Education.

Full Review Source: Atlanta Journal-Constitution | comment Comment
12/21/06
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
Top Critic Icon Top Critic

The primary source of "woman troubles," men are, in the end, also irrelevant to women's patient, purposeful, and proud survival.

Full Review Source: PopMatters | comment Comment
12/21/06
Cynthia Fuchs
Cynthia Fuchs
PopMatters

Doesn't have the emotional impact of Almodovar's best films, nor the whacked-out lunacy of his most outrageous ... but it's a satisfying and enjoyable film nonetheless.

Full Review Source: EricDSnider.com | comment Comment
12/20/06
Eric D. Snider
Eric D. Snider
EricDSnider.com

It's a lovely little movie, but also sort of a wispy one.

Full Review Source: Philadelphia Weekly | comment Comment
12/20/06
Sean Burns
Sean Burns
Philadelphia Weekly

A mixed bag, albeit one with significant signature style.

Full Review Source: Palo Alto Weekly | comment Comment
12/18/06
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

Almodóvar has described Volver as a blend of Mildred Pierce and Arsenic and Old Lace, which is to say essentially urgent but wry.

Full Review Source: FilmStew.com | comment Comment
12/15/06
Brent Simon
Brent Simon
FilmStew.com

Volver is one of his most self-assured works, nestled into a style and filmmaking breadth that has officially become synonymous with the Almodovar brand.

Full Review Source: DVDTalk.com | comment Comment
12/15/06
Brian Orndorf
Brian Orndorf
DVDTalk.com

Volver has it all: comedy, drama, Penelope Cruz, death and unexpected life, perfectly strung together with a little old fashioned intrigue.

Full Review Source: About.com | comment Comment
12/13/06
Marcy Dermansky
Marcy Dermansky
About.com

Pedro Almodovar's "Volver" stars Penelope Cruz in a comeback performance that's so good, it recalls the film's title itself. In Spanish, "volver" means "to return," and that's exactly what Cruz has done here. She's fantastic.

Full Review Source: Bangor Daily News (Maine) | comment Comment
12/11/06
Christopher Smith
Christopher Smith
Bangor Daily News (Maine)

If ever there was such a thing as grand melodrama, many of Pedro Almodóvar's works would certainly fit the description, and Volver (accent on the second v and long last syllable) is the grandest of them all.

Full Review Source: Urban Cinefile | comment Comment
12/08/06
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile

Pedro Almodóvar has returned to his abiding, psychologically prescient adoration of women with what is his strongest film in years.

Full Review Source: Film Journal International | comment Comment
12/01/06
David Noh
David Noh
Film Journal International

I am a huge Pedro Almodovar fan, and his latest offering, "Volver", is another gem in his repertoire of films about women.

Full Review Source: Kaplan vs. Kaplan | comment Comment
11/28/06
Jeanne Kaplan
Jeanne Kaplan
Kaplan vs. Kaplan

The movie is almost unbearably slow at times, and it was way too long at a little over two hours.

Full Review Source: Kaplan vs. Kaplan | comment Comment
11/28/06
David Kaplan
David Kaplan
Kaplan vs. Kaplan
 
 
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