A wonderfully talented cast led by the best performance Cruz has given in years, but I am not convinced it is the Oscar-worthy turn some have been promoting it to be.
Volver (2006)
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Reviews Counted:158
Fresh:144
Rotten:14
Average Rating:7.7/10
Consensus: Volver catches director Pedro Almodovar and star Penelope Cruz at the peak of their respective powers, in service of a layered, thought-provoking film. This magical tragicomic melodrama may be Almodovar's most restrained work to date, but it still features his trademarks: a strong attention to color and detail, a celebration of the trials and tribulations of women, and, of course, the inestimable Carmen Maura. The lovely Penelope Cruz hasn't shone more brightly as she does here.
Runtime: 2 hrs 1 min
Genre: Comedies
Theatrical Release:Nov 3, 2006 Limited
Box Office: $12,830,604
Synopsis: Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got... Madrid. Today. Raimunda is a young mother, hard working and very attractive, with an unemployed husband and a daughter in mid-adolescence. The family finances are very shaky, so Raimunda has got several jobs. She is a very strong woman, a born fighter, but also very fragile emotionally. She has kept a terrible secret to herself since childhood. Her sister Sole is a little older. Timid and fearful, she makes her living with an illegal (undeclared) hair salon. Her husband left her and went off with a client. Since then she has lived on her own. Paula is their aunt. She lives in a village in La Mancha where the whole family was born. A village swept by the east wind, the direct cause of the high rate of insanity registered there. That damn wind is responsible for the many fires that devastate the area every summer. The parents of Sole and Raimunda died in one of those fires. A Sunday in spring, Sole calls Raimunda to tell her that Agustina (a neighbour in the village) has phoned to tell her that their Aunt Paula has died. Raimunda adored her aunt, but she can’t go to the funeral because moments before getting the call from her sister, when she had just come back from one of her jobs, she had found her husband dead in the kitchen, with a knife stuck in his chest. Her daughter confesses that she killed him because he had got drunk and kept making sexual advances to her. The most important thing for Raimunda is to save her daughter. She still doesn't know how, but what she certainly can’t do is accompany Sole to their aunt's funeral in La Mancha. Sole reluctantly goes back to the village on her own. Among the women who accompany her at the wake she hears rumours that her mother (who died in a fire with her father) came back from the other world to look after Aunt Paula in her final years, when she was ill. The neighbours talk quite naturally about the mother's "ghost". When Sole returns to Madrid, after parking her car, she hears noises coming from the trunk. A voice calls to her to open it and let her out, and says that she’s her mother. Sole is terrified at first. The knocking from the inside the trunk continues. Sole opens it and discovers the ghost of her mother in there, surrounded by bags. She doesn't dare even look at her, but when she manages to overcome her fear she sees that the ghost is just as her mother was in life, except that her hair is almost white and unkempt and her skin is paler. She brings her upstairs to her apartment, and asks her how long she is going to stay. For as long as God wills, the ghost answers. Given the range of that reply, Sole has got no choice but to live with her mother’s ghost and let her get involved in the work in the hair salon. She introduces her to the first clients as a Russian beggar she met on the street and took in out of charity. When there are clients, the mother doesn’t speak, she just washes their hair and smiles. Sole doesn't dare tell her sister about the situation she's in. For her part, Raimunda only tells her that Paco, her husband, has left her and that she has a feeling he won't be back. Really, she is trying to get rid of his body, but she can't find the right moment because she has got a new job that pays well and also offers a possible solution to her pressing problem… (what to do with the body). The untenable becomes routine. Each of the two sisters takes a leap in the dark, surviving situations that are very tense, melodramatic, comic and also very emotional. Both women resolve them with audacity and by telling endless lies. "Volver" is a story of survival. All the characters are fighting to survive, even the grandmother's ghost. The grandmother's ghost tells Sole that she wants to see her daughter Raimunda, and her granddaughter. She has to talk to Raimunda. In fact, that conversation is the reason she has come back from the other world… and that supernatural urgency has to do with the secret that Raimunda has hidden since she was a child. She doesn't tell Sole this. But Raimunda has a very strong character, she isn't as soft as Sole and she doesn't believe in ghosts, not even when she finds her mother hiding under the bed, in Sole's house… All this is just the beginning of a story that is complex and simple, touching and atrocious, one that affects the women in Raimunda's family, the neighboring women and a few men. [More]
Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo
Starring: Carmen Maura, Penelope Cruz, Lola Dueñas, Blanca Portillo, Chus Lampreave, Cobo Yohana, Antonio de la torre, Carlos Blanco, Maria Isabel Diaz, Neus Sanz
Director: Pedro Almodovar
Director: Pedro Almodovar
Producer: Esther Garcia
Composer: Alberto Iglesias
Studio: Sony Pictures Classics
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Reviews for Volver
Spanish director Pedro Almodóvar always has fun toying with our perceptions and expectations and does it yet again with Volver, a darkly comic look at mortality and family secrets.
A deeply entertaining experience that engages our hearts as well as our funny bones.
Its buoyant script and zesty cast make a convincing argument that you can't fully appreciate life without having a healthy respect for death.
Volver is a rapturous, freewheeling valentine to the [female] gender as a whole, and as luxuriously voluptuous as the women who populate it.
The Cannes Film Festival jury threw up its hands and gave this year's Best Actress Award to all six of the film's stars. They're so fine that refusing to choose between them was the only sensible choice.
A movie with more in its heart than on its mind, Pedro Almodóvar's Volver doesn't approach the brilliance of his recent films Talk to Her and Bad Education.
The primary source of "woman troubles," men are, in the end, also irrelevant to women's patient, purposeful, and proud survival.
Doesn't have the emotional impact of Almodovar's best films, nor the whacked-out lunacy of his most outrageous ... but it's a satisfying and enjoyable film nonetheless.
Almodóvar has described Volver as a blend of Mildred Pierce and Arsenic and Old Lace, which is to say essentially urgent but wry.
Volver is one of his most self-assured works, nestled into a style and filmmaking breadth that has officially become synonymous with the Almodovar brand.
Volver has it all: comedy, drama, Penelope Cruz, death and unexpected life, perfectly strung together with a little old fashioned intrigue.
Pedro Almodovar's "Volver" stars Penelope Cruz in a comeback performance that's so good, it recalls the film's title itself. In Spanish, "volver" means "to return," and that's exactly what Cruz has done here. She's fantastic.
If ever there was such a thing as grand melodrama, many of Pedro Almodóvar's works would certainly fit the description, and Volver (accent on the second v and long last syllable) is the grandest of them all.
Pedro Almodóvar has returned to his abiding, psychologically prescient adoration of women with what is his strongest film in years.
I am a huge Pedro Almodovar fan, and his latest offering, "Volver", is another gem in his repertoire of films about women.
The movie is almost unbearably slow at times, and it was way too long at a little over two hours.
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