As a story, Wah-Wah is far from perfect, but its wonderful cast brings it a complexity all too rare today.
Wah-Wah (2006)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:66
Fresh:34
Rotten:32
Average Rating:5.9/10
Consensus: The ensemble cast is strong, but they get overpowered by the muddled stew of melodrama.
Theatrical Release:May 12, 2006 Limited
Box Office: $159,111
Synopsis: Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the... Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the British Empire in Swaziland, South East Africa, in 1969, the plot focuses on the dysfunctional Compton family whose gradual disintegration mirrors the end of British rule. As an 11-year-old, Ralph witnesses his mother's adultery with his father's best friend. His parents divorce and Ralph is sent to boarding school. His father, Harry (Gabriel Byrne), not only loses his wife (Miranda Richardson) and best friend, but also his position as Minister of Education with the coming of Independence, prompting his rapid descent into alcoholism. Now 14, Ralph (Nicholas Hoult) returns home to discover that his father has re-married an American ex-air "hostess" named Ruby whom his father has known all of six weeks. As round a peg as you could find in this square holed society, Ruby (Emily Watson) ridicules the petty snobbery of the restless colonials whose chief amusements are gin, adultery, and their foppish slang of "toodle-pip" and "hobbly-jobbly" - that Ruby identifies as sounding like "Wah-Wah." Although Ralph is initially wary of Ruby, he bonds with her as his father's drinking escalates and becomes dangerously out of control. It's this chaos that stokes Ralph's inner turmoil, and eventually forges his creative mind. --© Roadside Attractions [More]
Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters
Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters, Nicholas Hoult, Celia Imrie
Director: Richard E. Grant
Director: Richard E. Grant
Screenwriter: Richard E. Grant
Producer: Marie-Castille Mention-Schaar
Composer: Patrick Doyle
Studio: Samuel Goldwyn Films
Get This Movie
Reviews for Wah-Wah
A perfectly respectable filmmaking debut, Wah-Wah simply leaves us feeling that there could have been more to the story.
Gabriel Byrne gives a great performance as Ralph’s troubled father, Harry, and Miranda Richardson and Emily Watson are enjoyable as Harry’s wife and American lover.
An unforced, engaging and surprisingly incisive account of the disintegration of British rule in Africa.
Above all, the film has a wonderful sense of ensemble in the portrayal of its inbred community, and the focus stays tight on the people rather than political events.
Grant's unblinking but sympathetic depiction of this emotionally unhinged world makes the viewer feel like an illicit, enlightened gawker, and it has the enormous fringe benefit of fine performers.
What the movie lacks in depth -- it's really little more than a glimpse of this boy and these people in this place at this time -- it makes up for in its well-observed details and sneaky humor.
Rare is the honest labor of love that doesn't have some redeeming value, and Wah-Wah ultimately wins you over with its sincerity.
An incisively observed, richly detailed and wonderfully unpredictable portrait of a young man's journey to maturity,...a singularly affecting movie.
Grant is an impressively assured filmmaker, especially for a first-timer.
Grant captures the essence both of boyhood rites of passage and a particular time and place for which he clearly holds affection, bumps, ruts and all.
Switching hats from actor to writer/director, Grant smoothly serves up everything you expect in a coming-of-age tale.
Set to the death rattle of the British Empire in Africa, Wah-Wah observes the disintegration of the Compton family through the eyes of its young son, Ralph.
Grant opens up his life, not with embarrassment or explanation but with humanity and gratitude. Emotional, melodramatic and sentimental, the film unabashedly wears its heart on its sleeve, and is the better for it.
Grant has crafted a handsome period piece that never betrays his first-timer status.
Latest News for Wah-Wah
May 14, 2006:
Box Office Wrapup: "Mission: Impossible 3" Beats "Poseidon" to Remain at #1
Tom Cruise's spy sequel Mission: Impossible III remained the most popular film in North America for the second straight weekend while the big-budget disaster film Poseidon... More...
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

The director talks about puppetry perfection and his film, Fantastic Mr. Fox

Hollywood.com ponders whether or not an animated film could win Best Picture.

Richard Corliss previews the season's best offerings and hottest tickets.

The AV Club's Mike D'Angelo airs his beefs with Alfonso Cuaron's Children of Men.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



