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Movies / On DVD / Wah-Wah
Wah-Wah

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Wah-Wah (2006)

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Reviews Counted:66

Fresh:34

Rotten:32

Average Rating:5.9/10

Consensus: The ensemble cast is strong, but they get overpowered by the muddled stew of melodrama.

Rated: Not Rated

Runtime: 1 hr 40 mins

Genre: Dramas

Theatrical Release:May 12, 2006 Limited

Box Office: $159,111

Synopsis: Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the... Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the British Empire in Swaziland, South East Africa, in 1969, the plot focuses on the dysfunctional Compton family whose gradual disintegration mirrors the end of British rule. As an 11-year-old, Ralph witnesses his mother's adultery with his father's best friend. His parents divorce and Ralph is sent to boarding school. His father, Harry (Gabriel Byrne), not only loses his wife (Miranda Richardson) and best friend, but also his position as Minister of Education with the coming of Independence, prompting his rapid descent into alcoholism. Now 14, Ralph (Nicholas Hoult) returns home to discover that his father has re-married an American ex-air "hostess" named Ruby whom his father has known all of six weeks. As round a peg as you could find in this square holed society, Ruby (Emily Watson) ridicules the petty snobbery of the restless colonials whose chief amusements are gin, adultery, and their foppish slang of "toodle-pip" and "hobbly-jobbly" - that Ruby identifies as sounding like "Wah-Wah." Although Ralph is initially wary of Ruby, he bonds with her as his father's drinking escalates and becomes dangerously out of control. It's this chaos that stokes Ralph's inner turmoil, and eventually forges his creative mind. --© Roadside Attractions [More]

Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters

Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters, Nicholas Hoult, Celia Imrie

Director: Richard E. Grant

Director: Richard E. Grant
Screenwriter: Richard E. Grant
Producer: Marie-Castille Mention-Schaar
Composer: Patrick Doyle
Studio: Samuel Goldwyn Films

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Release:

Nov 21, 2006

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Reviews for Wah-Wah

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21 - 40 (sorted by date)
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The actors give it a spark, and Grant directs his fine cast with sureness.

Full Review Source: Seattle Times | comment Comment
06/02/06
Moira MacDonald
Moira MacDonald
Seattle Times

Maybe the film is loyal to memory, yet it loses steam while gaining speed. The plot becomes a turnstile.

Full Review Source: San Diego Union-Tribune | comment Comment
06/02/06
David Elliott
David Elliott
San Diego Union-Tribune

Both tragic and very funny, an accurate snapshot of adolescence and a glimpse of the transformative power of art.

Full Review Source: Jam! Movies | comment Comment
06/02/06
Liz Braun
Liz Braun
Jam! Movies

What is understandably a subject of great fascination to [Grant] soon becomes a crashing bore to us.

Full Review Source: Globe and Mail | comment Comment
06/02/06
Rick Groen
Rick Groen
Globe and Mail

An unforced, engaging and surprisingly incisive account of the disintegration of British rule in Africa.

Full Review Source: Empire Magazine | comment Comment
06/02/06
David Hughes
David Hughes
Empire Magazine

The film is so well acted -- by Byrne, who makes Harry's internalized agonies and continuously carried torch for his ex-wife touching, and by Watson and Hoult -- that its more cloying moments ... are a moot point.

Full Review Source: Seattle Post-Intelligencer | comment Comment
06/01/06
Paula Nechak
Paula Nechak
Seattle Post-Intelligencer

Gabriel Byrne gives a great performance as Ralph’s troubled father, Harry, and Miranda Richardson and Emily Watson are enjoyable as Harry’s wife and American lover.

Full Review Source: Time Out | comment Comment
06/01/06
Dave Calhoun
Dave Calhoun
Time Out

Engaging, deeply personal film with strong performances and impressive cinematography - this is an assured debut by Grant.

Full Review Source: ViewLondon | comment Comment
06/01/06
Matthew Turner
Matthew Turner
ViewLondon

The characters may be based on real people, but they fail to spring to life onscreen. As a result, their histrionics often are laughable, like the over-the-top shenanigans in a Douglas Sirk melodrama.

Full Review Source: San Francisco Chronicle | comment Comment
05/26/06
Ruthe Stein
Ruthe Stein
San Francisco Chronicle
Top Critic Icon Top Critic

Although it's based on a fount of real feeling and well-observed detail, and although a starry cast does strong work, the film is an overheated hodgepodge, clumsily staged and edited and smaller in its impact than you would wish from the sum of its parts.

Full Review Source: Oregonian | comment Comment
05/26/06
Shawn Levy
Shawn Levy
Oregonian

In the end, the film isn't saying much at all.

Full Review Source: Miami Herald | comment Comment
05/26/06
Connie Ogle
Connie Ogle
Miami Herald

Grant's personal experiences and his sense of British quirkiness lend the story a great deal of authenticity.

Full Review Source: South Florida Sun-Sentinel | comment Comment
05/25/06
Tracy Allerton
Tracy Allerton
South Florida Sun-Sentinel

What the movie lacks in depth -- it's really little more than a glimpse of this boy and these people in this place at this time -- it makes up for in its well-observed details and sneaky humor.

Full Review Source: Atlanta Journal-Constitution | comment Comment
05/25/06
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
Top Critic Icon Top Critic

A somewhat unsettled balance between domestic and epic, serious drama and nostalgic recollection.

Full Review Source: culturevulture.net | comment Comment
05/25/06
Les Wright
Les Wright
culturevulture.net

The only feeling it successfully provokes is annoyance. By the time it's over, you feel like slapping some sense into the lot of them.

Full Review Source: BBC | comment Comment
05/23/06
Paul Arendt
Paul Arendt
BBC

The movie, in recounting all this personal and national upheaval, seems curiously, almost inappropriately nostalgic rather than subversive, revisionist, or informed.

Full Review Source: Boston Globe | comment Comment
05/19/06
Wesley Morris
Wesley Morris
Boston Globe
Top Critic Icon Top Critic

Suggests a British colonial version of The Squid And The Whale

Full Review Source: AV Club | comment Comment
05/17/06
Nathan Rabin
Nathan Rabin
AV Club

... this is a melodramatic, slow-moving soap opera filled with shrill caricatures.

Full Review Source: Ebert & Roeper | comment Comment
05/16/06
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

An incisively observed, richly detailed and wonderfully unpredictable portrait of a young man's journey to maturity,...a singularly affecting movie.

Full Review Source: One Guy's Opinion | comment Comment
05/15/06
Frank Swietek
Frank Swietek
One Guy's Opinion

Although it's clearly a personal story, Wah-Wah proves as formulaic and meandering as its satirical targets are bloated and obvious.

Full Review Source: Zap2it.com | comment Comment
05/13/06
Dan Fienberg
Dan Fienberg
Zap2it.com
 
 
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