The actors give it a spark, and Grant directs his fine cast with sureness.
Wah-Wah (2006)
Tomatometer
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Reviews Counted:66
Fresh:34
Rotten:32
Average Rating:5.9/10
Consensus: The ensemble cast is strong, but they get overpowered by the muddled stew of melodrama.
Theatrical Release:May 12, 2006 Limited
Box Office: $159,111
Synopsis: Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the... Acclaimed actor Richard E. Grant's "Wah-Wah" is a semi-autobiographical "coming-of-age at the end of an age" story, told through the eyes of young Ralph Compton. Set during the last gasp of the British Empire in Swaziland, South East Africa, in 1969, the plot focuses on the dysfunctional Compton family whose gradual disintegration mirrors the end of British rule. As an 11-year-old, Ralph witnesses his mother's adultery with his father's best friend. His parents divorce and Ralph is sent to boarding school. His father, Harry (Gabriel Byrne), not only loses his wife (Miranda Richardson) and best friend, but also his position as Minister of Education with the coming of Independence, prompting his rapid descent into alcoholism. Now 14, Ralph (Nicholas Hoult) returns home to discover that his father has re-married an American ex-air "hostess" named Ruby whom his father has known all of six weeks. As round a peg as you could find in this square holed society, Ruby (Emily Watson) ridicules the petty snobbery of the restless colonials whose chief amusements are gin, adultery, and their foppish slang of "toodle-pip" and "hobbly-jobbly" - that Ruby identifies as sounding like "Wah-Wah." Although Ralph is initially wary of Ruby, he bonds with her as his father's drinking escalates and becomes dangerously out of control. It's this chaos that stokes Ralph's inner turmoil, and eventually forges his creative mind. --© Roadside Attractions [More]
Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters
Starring: Gabriel Byrne, Miranda Richardson, Emily Watson, Julie Waters, Nicholas Hoult, Celia Imrie
Director: Richard E. Grant
Director: Richard E. Grant
Screenwriter: Richard E. Grant
Producer: Marie-Castille Mention-Schaar
Composer: Patrick Doyle
Studio: Samuel Goldwyn Films
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Reviews for Wah-Wah
Maybe the film is loyal to memory, yet it loses steam while gaining speed. The plot becomes a turnstile.
Both tragic and very funny, an accurate snapshot of adolescence and a glimpse of the transformative power of art.
What is understandably a subject of great fascination to [Grant] soon becomes a crashing bore to us.
An unforced, engaging and surprisingly incisive account of the disintegration of British rule in Africa.
The film is so well acted -- by Byrne, who makes Harry's internalized agonies and continuously carried torch for his ex-wife touching, and by Watson and Hoult -- that its more cloying moments ... are a moot point.
Gabriel Byrne gives a great performance as Ralph’s troubled father, Harry, and Miranda Richardson and Emily Watson are enjoyable as Harry’s wife and American lover.
Engaging, deeply personal film with strong performances and impressive cinematography - this is an assured debut by Grant.
The characters may be based on real people, but they fail to spring to life onscreen. As a result, their histrionics often are laughable, like the over-the-top shenanigans in a Douglas Sirk melodrama.
Although it's based on a fount of real feeling and well-observed detail, and although a starry cast does strong work, the film is an overheated hodgepodge, clumsily staged and edited and smaller in its impact than you would wish from the sum of its parts.
Grant's personal experiences and his sense of British quirkiness lend the story a great deal of authenticity.
What the movie lacks in depth -- it's really little more than a glimpse of this boy and these people in this place at this time -- it makes up for in its well-observed details and sneaky humor.
A somewhat unsettled balance between domestic and epic, serious drama and nostalgic recollection.
The only feeling it successfully provokes is annoyance. By the time it's over, you feel like slapping some sense into the lot of them.
The movie, in recounting all this personal and national upheaval, seems curiously, almost inappropriately nostalgic rather than subversive, revisionist, or informed.
... this is a melodramatic, slow-moving soap opera filled with shrill caricatures.
An incisively observed, richly detailed and wonderfully unpredictable portrait of a young man's journey to maturity,...a singularly affecting movie.
Although it's clearly a personal story, Wah-Wah proves as formulaic and meandering as its satirical targets are bloated and obvious.
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