Waitress is going to appeal more to women than men, with most of the blokes portrayed as a bit useless.
Waitress (2007)
Tomatometer
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Reviews Counted:160
Fresh:142
Rotten:18
Average Rating:7.3/10
Consensus: Sweet, smart, and quirky, Waitress hits the right, bittersweet notes through this romantic comedy through its witty script and a superb performance by Keri Russell.
Rated: PG-13 [See Full Rating] for language, drug use and some sexual content
Runtime: 1 hr 48 mins
Genre: Comedies
Theatrical Release:May 2, 2007 Limited
Box Office: $18,699,775
Synopsis: An audience hit at the Sundance Film Festival, WAITRESS serves up a sweet, sassy and delicious slice of life tale -- as it reveals the power of friendship, motherhood and the willingness to take a... An audience hit at the Sundance Film Festival, WAITRESS serves up a sweet, sassy and delicious slice of life tale -- as it reveals the power of friendship, motherhood and the willingness to take a chance. It's the story of a small town woman who transforms her hopeless life into a hilarious and unexpected love story. This vibrantly different romantic comedy is the final film from writer-director Adrienne Shelly. Starring in the title role, Keri Russell (MISSION: IMPOSSIBLE 3, THE UPSIDE OF ANGER) leads a dynamic cast as a diner waitress stuck in a lousy marriage whose only solace is baking out-of-this-world pies. When the awkwardly charming new OB-GYN, Dr. Pomatter (Nathan Fillion, SERINITY), comes to town, she's inspired to mix-master her life into something far more satisfying. WAITRESS will surely do for pie making what SIDEWAYS did for Pinot Noir. As a favorite waitress at Joe's Diner, Jenna (Russell) is also a "pie genius," naming her tantalizing confections after the tumultuous events and emotions of her daily life. She's hoping that one of her pastries, like her "Kick In The Pants" Pie, might even change her life – if she can just win that $25,000 pie contest. But when Jenna discovers that she's pregnant, she immediately bakes an "I Don't Want Earl's Baby" Pie – a quiche of egg and cheese with a smoked ham center. After all, her husband Earl (Jeremy Sisto, THIRTEEN, SIX FEET UNDER) is a jealous jerk that is essentially a child himself and the last thing they need to do is start a family together. But the pregnancy eventually changes the course of events in her life, giving her an unexpected and newfound confidence via letters to her unborn baby. WAITRESS also stars Emmy® nominee Cheryl Hines ("Curb Your Enthusiasm," RV) and Adrienne Shelly (THE UNBELIEVABLE TRUTH, TRUST) as Jenna's quick-tongued fellow waitresses along with classic television star Andy Griffith ("The Andy Griffith Show," "Matlock") as the curmudgeonly Old Joe of Joe's Diner. Fox Searchlight presents a Night and Day production of WAITRESS, written and directed by Adrienne Shelly. The producer is Michael Roiff and the executive producers are Todd King, Jeff Rose, Danielle Renfrew and Robert Bauer. The behind-the-scenes talent includes director of photography Matthew Irving (WAITING, DALTRY CALHOUN, NORTHFORK), production designer Ramsay Avery (TEAM AMERICA), editor Annette Davey (SORRY, HATERS) and composer Andrew Hollander (GRAY MATTERS). --© Fox Searchlight Pictures [More]
Starring: Keri Russell, Jeremy Sisto, Cheryl Hines, Nathan Fillion
Starring: Keri Russell, Jeremy Sisto, Cheryl Hines, Nathan Fillion, Andy Griffith, Eddie Jemison
Director: Adrienne Shelly
Director: Adrienne Shelly
Screenwriter: Adrienne Shelly
Producer: Michael Roiff
Composer: Andrew Hollander
Studio: Fox Searchlight Pictures
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Reviews for Waitress
With Waitress, Adrienne Shelly tamed and shaped realism, finding a perfect, difficult-to-achieve balance of enchantment and plausibility.
One-liners like that come thick and fast in this bittersweet, whistle-stop romp, with Shelly almost always managing to undercut her syrup with something more stringent.
The pregancy news depresses her, which is exactly the opposite response of women in most chick flicks.
Shelly pens dialogue that has both sass and a down home country matter of factness. She conveys the camaraderie amongst the women with warmth and humor.
It's the kind of sly, witty independent gem that rolls through every few years, lighting up crowds and forcing men to admit they were wrong when they thought they were being dragged to another chick flick.
Sometimes one really fine performance can save a whole movie, and that's the case with Waitress.
Waitress is a beautiful and poignant swan song for what should have been the vanguard of a blossoming career.
If you recall the long-running TV series "Alice," you'll pretty much be revisiting familiar territory. Sadly, though, no one belts out, 'Kiss my grits.'
Waitress is finely tuned, assured, wonderfully silly, and every bit as lovely as Shelly was.
Keri Russell is excellent. Not every actor can play a would-be mother who doesn't want her child and still have us firmly on her side.
In Waitress, the late writer-director Adrienne Shelly crafted a highly entertaining yet poignant film featuring a complex heroine.
You'll also walk away with a rekindled admiration for Sisto, a yearning to see Hines do more indie work and a painful pang that director Shelly, who was murdered in Manhattan last year, won't be making any more movies this good -- or at all.
Shelly left her daughter -- and her audience -- a wonderful gift, this movie about the transforming effects of motherhood.
Despite getting off to a good start with an entertaining premise, Waitress ultimately promises more than it delivers, thanks to its less than satisfying final act, a predictably syrupy feel-good finale that the film could well have done without.
[Writer-director Shelly's] characters are at the same time comfortably familiar and unpredictable. Her script is big-hearted and life-embracing, but still unsentimental.
Irreverently funny, with a cast of characters that go together like homemade pie and ice cream.
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