Waltz with Bashir - David Polonsky's Visual Companion

David Polonsky:
This is meant to be like a postcard, like an idealized image of Holland looking at it from Tel Aviv with 35 degrees and 95% humidity! Ari's friend, this guy Carmi, got away from the war and from the Middle East so Holland has to be this kind of paradise. We even had the tulips! It's a self-consciously touristy shot. The colours are over-the-top.
My artistic inspirations here are by association influenced by the technique I was using at the time for newspaper illustration, because I have to work very fast. I went back to doing that after the film and I'm used to these deadlines where I have to come up with an effective image very fast. In my editorial stuff I do something much more stylized, influenced by my discovery of illustrators who worked for a magazine called Simplissimus, Simplissimus was published in the early part of the 20th century in Germany and all the best artists from Europe came to work there.
My artistic inspirations here are by association influenced by the technique I was using at the time for newspaper illustration, because I have to work very fast. I went back to doing that after the film and I'm used to these deadlines where I have to come up with an effective image very fast. In my editorial stuff I do something much more stylized, influenced by my discovery of illustrators who worked for a magazine called Simplissimus, Simplissimus was published in the early part of the 20th century in Germany and all the best artists from Europe came to work there.
| You must be registered to post comments. Login or Register. |


