This is again one of my favourite scenes because it's in the middle between a hallucination and trying to be real. It's the place where they're dumping their wounded and there's a feeling of something like an altar, a religious experience, and everything is kind of steeped in this bright light. We tried little touches to bring these characters to life. This guy on the left is clearly religious, we were trying to give him some specific characteristics and life outside of the frame. Again something that I learned on this film was the less you show sometimes, the more effect you get. You just have to hint enough and then the imagination takes over.