Despite the title, Wasabi isn't so spicy.
Wasabi (2002)
Tomatometer
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Reviews Counted:43
Fresh:19
Rotten:24
Average Rating:5.1/10
Theatrical Release:Sep 27, 2002 Limited
Synopsis: This boisterous crime-cop dramedy is written and produced by Luc Besson and stars Jean Reno. Like THE PROFESSIONAL (the 1994 Besson-Reno film), it is the story of a man with a grim, lonely life and... This boisterous crime-cop dramedy is written and produced by Luc Besson and stars Jean Reno. Like THE PROFESSIONAL (the 1994 Besson-Reno film), it is the story of a man with a grim, lonely life and a penchant for violence who finds redemption in a needy, spirited young girl who forces him to have heart and save her from an ugly group of thugs. This time around, with WASABI, Reno plays Hubert, a Parisian cop who is handed a forced sabbatical when he accidentally beats up the chief's son. Simultaneously Hubert learns that his one true love, Miko, has died, leaving him her inheritance. He quickly travels to Tokyo to sign the papers, and learns that he has inherited Yumi (Ryoko Hirosue), his exuberant 19-year-old daughter, who is perpetually shopping, dancing, and laughing. Unfortunately, Yumi is being trailed by a tough bunch of Japanese mobsters who want access to her sizeable bank account. With the help of Maurice (Michel Muller) and an immense cache of weapons--grenades, rocket launchers, giant pistols, and golf clubs--Hubert uses some fancy footwork to bring Yumi to safety. Directed by Gerard Krawczyk with a thumping musical score from Eric Serra, WASABI is a bright, loud, fast-moving film. [More]
Starring: Jean Reno, Michel Muller, Ryoko Hirosue, Carole Bouquet
Starring: Jean Reno, Michel Muller, Ryoko Hirosue, Carole Bouquet, Ludovic Berthillot, Yann Epstein, Michel Scourneau, Christian Sinniger, Jean-Marc Montalto, Alexandre Brik, Veronique Balme
Director: Gerard Krawczyk
Director: Gerard Krawczyk
Screenwriter: Luc Besson
Producer: Luc Besson
Composer: Eric Serra
Studio: Columbia Pictures
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Reviews for Wasabi
Despite Besson's high-profile name being Wasabi's big selling point, there is no doubt that Krawczyk deserves a huge amount of the credit for the film's thoroughly winning tone.
Manages to be somewhat well-acted, not badly art-directed and utterly unengaging no matter how hard it tries to be thrilling, touching or, yikes, uproarious.
Slight, but colorful and forward-moving... Wasabi has the cheeky verve and heart of a shaggy dog movie that is aiming to please its owner, nothing more, nothing less.
Been there, done that, liked it much better the first time around - when it was called The Professional.
A lightweight, uneven action comedy that freely mingles French, Japanese and Hollywood cultures.
Wasabi is one of the best times I’ve had lately enjoying a movie that has no regard for a plot.
If you sometimes like to go to the movies to have fun, Wasabi is a good place to start.
[Tries] to parody a genre that's already a joke in the United States. The movie is the equivalent of French hip-hop, which also seems to play on a 10-year delay.
Reno himself can take credit for most of the movie's success. He's one of the few 'cool' actors who never seems aware of his own coolness.
Latest News for Wasabi
September 01, 2005:
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