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Wasabi (2002)
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Reviews Counted:43
Fresh:19
Rotten:24
Average Rating:5.1/10
Theatrical Release:Sep 27, 2002 Limited
Synopsis: This boisterous crime-cop dramedy is written and produced by Luc Besson and stars Jean Reno. Like THE PROFESSIONAL (the 1994 Besson-Reno film), it is the story of a man with a grim, lonely life and... This boisterous crime-cop dramedy is written and produced by Luc Besson and stars Jean Reno. Like THE PROFESSIONAL (the 1994 Besson-Reno film), it is the story of a man with a grim, lonely life and a penchant for violence who finds redemption in a needy, spirited young girl who forces him to have heart and save her from an ugly group of thugs. This time around, with WASABI, Reno plays Hubert, a Parisian cop who is handed a forced sabbatical when he accidentally beats up the chief's son. Simultaneously Hubert learns that his one true love, Miko, has died, leaving him her inheritance. He quickly travels to Tokyo to sign the papers, and learns that he has inherited Yumi (Ryoko Hirosue), his exuberant 19-year-old daughter, who is perpetually shopping, dancing, and laughing. Unfortunately, Yumi is being trailed by a tough bunch of Japanese mobsters who want access to her sizeable bank account. With the help of Maurice (Michel Muller) and an immense cache of weapons--grenades, rocket launchers, giant pistols, and golf clubs--Hubert uses some fancy footwork to bring Yumi to safety. Directed by Gerard Krawczyk with a thumping musical score from Eric Serra, WASABI is a bright, loud, fast-moving film. [More]
Starring: Jean Reno, Michel Muller, Ryoko Hirosue, Carole Bouquet
Starring: Jean Reno, Michel Muller, Ryoko Hirosue, Carole Bouquet, Ludovic Berthillot, Yann Epstein, Michel Scourneau, Christian Sinniger, Jean-Marc Montalto, Alexandre Brik, Veronique Balme
Director: Gerard Krawczyk
Director: Gerard Krawczyk
Screenwriter: Luc Besson
Producer: Luc Besson
Composer: Eric Serra
Studio: Columbia Pictures
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Reviews for Wasabi
Reno does what he can in a thankless situation, the film ricochets from humor to violence and back again, and Ryoko Hirosue makes us wonder if she is always like that.
Like being trapped inside a huge video game, where exciting, inane images keep popping past your head and the same illogical things keep happening over and over again.
Reno himself can take credit for most of the movie's success. He's one of the few 'cool' actors who never seems aware of his own coolness.
A cheerful enough but imminently forgettable rip-off of [Besson's] earlier work.
The film is a contrivance, as artificial as the video games Japanese teens play in a nightclub sequence, but it's an enjoyable one.
Don't let the subtitles fool you; the movie only proves that Hollywood no longer has a monopoly on mindless action.
One scarcely needs the subtitles to enjoy this colorful action farce.
Action star (and fine dramatic actor) Jean Reno has fallen prey to the Action Comedy conceit and the result is the periodically entertaining, generally tiresome Wasabi.
I keep renting Jean Reno films and I'm beginning to forget why I started doing so.
Wasabi is one of the best times I’ve had lately enjoying a movie that has no regard for a plot.
Slight, but colorful and forward-moving... Wasabi has the cheeky verve and heart of a shaggy dog movie that is aiming to please its owner, nothing more, nothing less.
A lightweight, uneven action comedy that freely mingles French, Japanese and Hollywood cultures.
If you sometimes like to go to the movies to have fun, Wasabi is a good place to start.
Latest News for Wasabi
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