The director, Mel Stuart, cuts from performance sequences to encounter-group dialogues with Watts residents to clips of Richard Pryor improvising at a local bar, the ferocity of his wit bubbling up from the rage of his persecution.
Wattstax (1973)
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Reviews Counted:21
Fresh:18
Rotten:3
Average Rating:7.4/10
Synopsis: Originally released in 1973, WATTSTAX is a musical and cultural artifact that pays tribute to the Watts riots, which ravaged Los Angeles for six days beginning August 11, 1965. The film's main... Originally released in 1973, WATTSTAX is a musical and cultural artifact that pays tribute to the Watts riots, which ravaged Los Angeles for six days beginning August 11, 1965. The film's main focus is the Watts Summer Festival's 1972 concert held at the Los Angeles Coliseum, featuring performances by Isaac Hayes, Rufus Thomas, The Staple Singers, The Bar-Kays, Luther Ingram, and a host of other soul singers. Concert footage is intercut with interviews of African-Americans, who discuss the state of black America in the early 1970s, as well as the effects the riots had on Los Angeles and America at large. Mel Stuart, most famous for helming 1971's WILLY WONKA AND THE CHOCOLATE FACTORY, maintains an objective point-of-view, allowing the film's subjects to reveal insights as the concert unfolds throughout the course of a long day. Highlights include the unforgettable performance of Rufus Thomas, and Richard Pryor, whose tireless energy keeps the film crew in hysterics throughout his interview. WATTSTAX is a documentary that works on a variety of levels--entertaining, enlightening, engaging--in order to paint a portrait of the black race at a crucial time in American history. [More]
Starring: Isaac Hayes, Richard Pryor, Rufus Thomas, Ted Lange
Starring: Isaac Hayes, Richard Pryor, Rufus Thomas, Ted Lange, Rev. Jesse Jackson, Bar-Kays, Staple Singers, Kim Weston, Dramatics, Luther Ingram
Director: Mel Stuart
Director: Mel Stuart
Producer: Larry Shaw, Mel Stuart
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Reviews for Wattstax
It's a rich tapestry incorporating documentary footage -- the '65 riots, interviews with Watts residents talking about being black in America -- that puts its musical performances (staged by Melvin Van Peebles) in a broad social context.
Not only documents the soul-titan concert held at L.A. Coliseum seven years after Watts burned, but illuminates the rue and kinesis of a city in full Black Power flower.
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