We All Loved Each Other So Much (1974) - Rotten Tomatoes

We All Loved Each Other So Much (1974)

We All Loved Each Other So Much (1974)

We All Loved Each Other So Much





Critic Consensus: No consensus yet.

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Movie Info

Stefania Sandrelli, a bit player in Federico Fellini's La Dolce Vita, stars in the deliberately Felliniesque comedy We All Loved Each Other So Much. Sandrelli plays the longtime object of three friends' affections. The film traces the interrelationships of those friends-Vittorio Gassman, Nino Manfredi and Satta Flores-over a period of thirty years, beginning with their involvement in the wartime Resistance. In addition to freely quoting from La Dolce Vita, director Ettore Scola also calculatedly evokes memories of Fellini's I Vitteloni. As a bonus, the film offers affectionate homages to several other neorealist filmmakers, including Rossellini and de Sica. We All Loved Each Other So Much was originally released as C'erevamo tanto amati.more
Rating: Unrated
Genre: Drama, Art House & International, Comedy
Directed By:
Written By: Agenore Incrocci, Age, Furio Scarpelli, Ettore Scola
In Theaters:
On DVD: Nov 25, 2008


News & Interviews for We All Loved Each Other So Much

Critic Reviews for We All Loved Each Other So Much

All Critics (4) | Top Critics (3)

Full Review… | June 24, 2006
Time Out
Top Critic

Full Review… | May 9, 2005
New York Times
Top Critic

Full Review… | January 1, 2000
Chicago Reader
Top Critic

A lousy title leads to an awkward pic.

Full Review… | September 8, 2008
Ozus' World Movie Reviews

Audience Reviews for We All Loved Each Other So Much

From WWII, the promise of the future, along with it's aftermath, the story of three friends and a woman unfolds. We follow the disparate lives of a proletariat, an intellectual, and a bourgeois through their ideals, convictions, loves, triumphs and failures. This cinematic retelling weaves a tapestry of iconic Italian film imagery, including the infamous recreation of the Trevi fountain scene, complete with appearances by Fellini and Mastroianni. Dedicated to Vittorio De Sica, this film is a tribute to Italian filmmaking and a testament for film lovers. Bravo!

Stefanie C

Super Reviewer

The experiments with metacinema are interesting and mostly fun, but the film itself slips occasionally into tedium and melodrama. Exception: Aldo Fabrizi, who is downright hilarious.


Social commentary on Italy? Check. Explores metacinematic techniques? Check. Employs a variety of genres? Check - to an extent. Definitely a movie worth watching.

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