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We Are The Night (2011)

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Average Rating: N/A
Critic Reviews: 3
Fresh: 2 | Rotten: 1

audience

51

liked it
Average Rating: 3.2/5
User Ratings: 6,662

My Rating

Movie Info

Dennis Gansel, responsible for the hit The Wave, explores night time in Berlin to find a sect of seductive lady vampires that hide out in the city's alternative clubs and enjoy the luxury and pleasures their attained immortality provides them. A stylized vision of female vampirism, closer to films like The Hunger or the TV series True Blood than to Twilight, We Are the Night differs from other films present this year in Sitges because it gives the myth an image of sensuality, charisma and

Sep 20, 2011

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All Critics (13) | Top Critics (3) | Fresh (8) | Rotten (5) | DVD (1)

A love triangle with fangs but no bite, the German import "We Are the Night" is mostly infatuated with its own stylish excesses.

May 26, 2011 Full Review Source: New York Times
New York Times
Top Critic IconTop Critic

Stylishly reinvents juvenile pulp with flashy pyrotechnics.

May 25, 2011 Full Review Source: Variety
Variety
Top Critic IconTop Critic

Gansel compensates for the story's lack of emotional heft with rousing chase scenes and impressive, near-poetic CGI set pieces, and works in a sly suggestion that vampirism is the ultimate expression of consumerist indulgence.

May 24, 2011 Full Review Source: Village Voice
Village Voice
Top Critic IconTop Critic

an odd - and therefore interesting - blend of genetic elitism, feminist emancipation and rave-culture hedonism, where oldworld bloodlines leave a trail imprinted in the postmodern age - all wrapped in a slickly stylish audiovisual package.

August 31, 2012 Full Review Source: Little White Lies
Little White Lies

It's stylishly constructed and a better feminist vampire yarn than Twilight, but still problematic in itself.

August 28, 2012 Full Review Source: What Culture
What Culture

A slick, stylish (sometimes silly) vampire import. (Avoid the English dub version!)

September 5, 2011 Full Review Source: FEARnet
FEARnet

We Are the Night's primary interest seems to be wish fulfillment, but it's hard to tell at times exactly whose fantasies these are supposed to be.

June 3, 2011 Full Review Source: Slant Magazine
Slant Magazine

Consumed with arranging a pretty picture than securing a ripe female-slanted take on seductive acts of evil and decadence. It's a fireworks display, not a meaty reinvention of a rusty genre.

June 3, 2011 Full Review Source: BrianOrndorf.com
BrianOrndorf.com

This feels like a Luc Besson genre knock-off in the best sense of that phrase -- a spunky, stylish mash-up of vampire flick and police procedural, with just a dash of doomed romance. Demerits for the dubbing, though.

May 29, 2011 Full Review Source: Shockya.com
Shockya.com

...No genre-changer...but it's bloody, occasionally clever and wears its underlying message about the perils of power lightly...

May 27, 2011 Full Review Source: Film Journal International
Film Journal International

The first half-hour boasts real energy and finds new ways to explore elements of the vampire genre. Until the time continued to pass and it slowly dawned that most of its ideas were circa 1987.

May 26, 2011 Full Review Source: eFilmCritic.com
eFilmCritic.com

As vampire movies go, it's a damn sight better than Twilight.

May 25, 2011 Full Review Source: NYC Film Critic
NYC Film Critic

Audience Reviews for We Are The Night

[img]http://images.rottentomatoes.com/images/user/icons/icon14.gif[/img]
September 6, 2013
Directors Cat
Directors Cat

Super Reviewer

Vampire films are ten a penny these days. But it's not all the same old crap over and over again. With vampire films, I think you just need to find the right balance between emotional moments that humanise these monsters, and those awesome cool moments. We Are The Night does pretty well in both departments, even if it is in favour of action. The first scene had me absolutely hooked. The camera pans around an airplane where all the passengers and crew have been killed. Still alive are three attractive women that soon reveal themselves to be vampires. After a bit of fun, they open the airplane door and dive out mid-air. From there we are introduced to Lena, a young criminal that soon finds herself involved with the vampires. Unfortunately for them, just before Lena is turned, she catches the eye of a young policeman that's interested in her. Like all vampire films, it starts by showing the luxurious excess. Clubbing, drinking, sex etc. But at the same time the film uses the character of Charlotte as an antidote to all this. She obviously suffers from depression. As the gang go out shopping, she stares longingly at some baby shoes. She also stands in the sunlight causing herself great pain. This character encompasses the strongest emotions, and counteracts the action nicely. We also have Louise. A lesbian vampire that is in love with Lena and feels jealous about Lena's crush on the young cop Tom. It shows that no longer how long you live for, certain human emotions are unavoidable. Towards the end it goes for all out action. With SWAT teams, prison breaks, and a beautifully shot fight that has the vampires moving all over the walls. The music was also enjoyable, but the amount of nightclub scenes did get tiring. Just one less could have made an improvement. We Are The Night is a string Vampire film, with stunning locals and excellent pacing. It was great seeing these girls have fun in a woman only vampire world. Another great example of Gansel's talent.
January 22, 2012
kiriyamakazou

Super Reviewer

I am a fan of vampire movies, that is no secret. This fact alone makes me more prone to enjoy a decent vampire movie if it is well done. This movie is VERY nicely done. Had alot of style, good soundtrack, coolness factor, great looking cast, and a story that I could follow. The winter setting in Berlin added to the dark ambience, and gave the movie that foreign dark gritty feel that I love so much (reminds me of Girl with the Dragon Tattoo, Let the Right One In, etc.). Kudos!
December 7, 2011
itsjustme2004

Super Reviewer

The German vampire thriller We Are the Night takes an intriguing and refreshing look at the genre. The story follows a young delinquent named Lena who's chosen by an elder vampire to a join her coven of sister vampires. The directing is quite artistic and delivers some amazing scenes. And it presents an interesting mythology, where vampirism has turned into a matriarchy that is tightly controlled. However, the storytelling doesn't live up to ambitions of the film; leave a lot of territory unexplored. Yet, We Are the Night is an exotic and stylistic film with a compelling story.
October 3, 2012
Dann Michalski

Super Reviewer

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Foreign Titles

  • Wir sind die Nacht (DE)
  • We Are the Night (UK)
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