This talky drama about troubled couples features actors born to deliver realistic, chatty material like this.
We Don't Live Here Anymore (2004)
Tomatometer
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Reviews Counted:122
Fresh:79
Rotten:43
Average Rating:6.4/10
Consensus: A potent portrait of two couples with broken marriages.
Theatrical Release:Aug 13, 2004 Limited
Box Office: $1,904,214
Synopsis: Based on two works by Andre Dubus, WE DON'T LIVE HERE ANYMORE is a sexy and provocative drama about married life and its discontents. Keenly observed, the film charts the amorous affair of a... Based on two works by Andre Dubus, WE DON'T LIVE HERE ANYMORE is a sexy and provocative drama about married life and its discontents. Keenly observed, the film charts the amorous affair of a married man with his best friend’s wife and how their liaison upsets the delicate balance of relationships, culminating in a fling between their spouses. Unfolding from four alternating viewpoints, the story captures the paradoxical actions of loving parents determined to save marriages they secretly long to escape, as the couples struggle through their emotional and sexual entanglement. With a wry, knowing humor, WE DON’T LIVE HERE ANYMORE reveals the perverse logic of infidelity -- and the complicity, denial and occasional cruelty that can accompany it. College instructors in a small university town, Jack Linden and Hank Evans have an easygoing friendship involving runs between classes and drinks at the pub after work. Jack’s wife Terry is best friends with Hank’s Edith, and the four have dinner parties where, once the kids have gone to bed, the wine flows freely and the record collection is in constant rotation. But the Evanses and the Lindens are not the happy couples they appear to be. For Jack and Terry, the everyday tribulations of being parents of young children trying to make ends meet have taken their toll on the once passionate couple. And Hank, a self-absorbed writer at heart, is fond of his daughter and family life, but not all that interested in monogamy, it turns out. Trying to find a way to make her marriage work under the new circumstances, Edith turns to Jack for comfort. What begins as a playfully lascivious affair erupts into a season of infidelity, leaving all four to sift through the emotional wreckage to find their way home. -- © Warner Independent Pictures [More]
Starring: Mark Ruffalo, Naomi Watts, Peter Krause, Laura Dern
Starring: Mark Ruffalo, Naomi Watts, Peter Krause, Laura Dern
Director: John Curran
Director: John Curran
Screenwriter: Larry Gross
Producer: Harvey Kahn, Jonas Goodman, Naomi Watts
Composer: Michael Convertino
Studio: Warner Independent
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Release:
Dec 14, 2004
Reviews for We Don't Live Here Anymore
The murk and mystery of marriage, adultery and friendship have seldom been illuminated with such harsh precision.
[Y]our expectations of climax, resolution, consolation fall away and you're quite simply present in every detail of every moment.
I was fully absorbed in the characters and their casually outrageous behavior.
We Don't Live Here Anymore is marked by the rich characterization of four starkly different people.
Audiences may or may not feel that the insights skillfully shared justify this acutely claustrophobic microcosm of domestic misery.
Watts manages to make her Edith seem genuinely remorseful about her actions but unable to stop, and Ruffalo puts a believable hint of guilt in Jack's face that he carries through the film.
The revelation here is Dern, whose fierce, intensely moving portrayal of a woman struggling to hold on to what she cares about is the movie’s most urgent anchor of sympathy.
A decent ending would've gone a long way to making this good film near perfect.
With a hungry, compulsive, tender, angry, and passionate performance, Ruffalo has definitely shed the shiftless stoner typecast.
Ruffalo, Watts and especially Dern are splendid, but Krause lets Clark down with a performance that feels analyzed rather than lived.
An intricate drama that derives tragedy from emotional indifference, immaturity and fatigue, qualities that have spelled doom for more than a few marriages.
We Don't Live Here Anymore is a revelation. One rarely sees American-made movies that are so unafraid to explore emotional cruelty and portray the consequences without positing easy answers or attaching happy endings.
Annoying and familiar, the adults settle into sameness, as if too tired to imagine beyond it.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
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|---|---|
| 90% 90% | District 9 |
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| 06% 06% | All About Steve |
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