Keenly observed and laced with humor, Larry Gross' narrative has the kind of emotional power that derives from accumulation of detail and realistic dialogue.
We Don't Live Here Anymore (2004)
Tomatometer
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Reviews Counted:122
Fresh:79
Rotten:43
Average Rating:6.4/10
Consensus: A potent portrait of two couples with broken marriages.
Theatrical Release:Aug 13, 2004 Limited
Box Office: $1,904,214
Synopsis: Based on two works by Andre Dubus, WE DON'T LIVE HERE ANYMORE is a sexy and provocative drama about married life and its discontents. Keenly observed, the film charts the amorous affair of a... Based on two works by Andre Dubus, WE DON'T LIVE HERE ANYMORE is a sexy and provocative drama about married life and its discontents. Keenly observed, the film charts the amorous affair of a married man with his best friend’s wife and how their liaison upsets the delicate balance of relationships, culminating in a fling between their spouses. Unfolding from four alternating viewpoints, the story captures the paradoxical actions of loving parents determined to save marriages they secretly long to escape, as the couples struggle through their emotional and sexual entanglement. With a wry, knowing humor, WE DON’T LIVE HERE ANYMORE reveals the perverse logic of infidelity -- and the complicity, denial and occasional cruelty that can accompany it. College instructors in a small university town, Jack Linden and Hank Evans have an easygoing friendship involving runs between classes and drinks at the pub after work. Jack’s wife Terry is best friends with Hank’s Edith, and the four have dinner parties where, once the kids have gone to bed, the wine flows freely and the record collection is in constant rotation. But the Evanses and the Lindens are not the happy couples they appear to be. For Jack and Terry, the everyday tribulations of being parents of young children trying to make ends meet have taken their toll on the once passionate couple. And Hank, a self-absorbed writer at heart, is fond of his daughter and family life, but not all that interested in monogamy, it turns out. Trying to find a way to make her marriage work under the new circumstances, Edith turns to Jack for comfort. What begins as a playfully lascivious affair erupts into a season of infidelity, leaving all four to sift through the emotional wreckage to find their way home. -- © Warner Independent Pictures [More]
Starring: Mark Ruffalo, Naomi Watts, Peter Krause, Laura Dern
Starring: Mark Ruffalo, Naomi Watts, Peter Krause, Laura Dern
Director: John Curran
Director: John Curran
Screenwriter: Larry Gross
Producer: Harvey Kahn, Jonas Goodman, Naomi Watts
Composer: Michael Convertino
Studio: Warner Independent
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Release:
Dec 14, 2004
Reviews for We Don't Live Here Anymore
Dubus, anticipating the dreaded Raymond Carver, is only concerned with the interiority of the characters. It's solipsism once removed; and in this film, it's that times four.
Occasionally difficult to watch, but always gripping, and full of hard, painful truths, this is adult film making at its very best.
Great performances and candid dialogue don’t make up all the essence of a great film. The actual story itself is where the film falls flat.
They never lived anywhere: the protagonists of this drama of marital stalemate embody a widespread social institution without ever reminding us of Earth as we know it.
Portrays domestic discord with a squirmy accuracy that's a workable substitute for conceptual freshness.
We Don't Live Here Anymore is, you might say, a movie for adults who are, perhaps, a smidge too impressed with being adults.
held together by the remarkably vivid and varied performances of Ruffalo, Dern, Watts and Krause, each of whom gets his or her share of juicy moments and sharp dialogue.
If one line can sum up a story, it’s when Edith tells Jack, “Even adultery has a morality to it.”...this is a good, tight script telling an involving story
Nothing more than a series of scenes set in darkened rooms in which grownups argue with and lie to each other. It is a Lifetime movie, only with a better cast.
Who’s Afraid of Virginia Woolf? gets in bed with Bob & Carol & Ted & Alice....The moody, muted finale doesn’t leave the characters, it simply abandons them.
The film's subtler truths seep through in scenes where one of the adults spends time with their children, who are more aware of what's going on than any of the grown-ups.
I was fully absorbed in the characters and their casually outrageous behavior.
We Don’t Live Here Anymore is a thoughtful but dreary examination of narcissism, disconnection, and emotional dishonesty.
This cautionary tale for adults might be a little close to the bone, perhaps, for some audience members, but it's a sincere and finely-wrought ensemble piece.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
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| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
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