Offers little that Scorsese doesn’t offer with more élan and wit.
We Own The Night (2007)
Tomatometer
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Reviews Counted:137
Fresh:74
Rotten:63
Average Rating:5.8/10
Consensus: Bland characters, clichéd dialogue and rickety plotting ensure We Own The Night never lives up to its potential.
Rated: R [See Full Rating] for strong violence, drug material, language, some sexual content and brief nudity.
Runtime: 1 hr 58 mins
Genre: Dramas
Theatrical Release:Oct 12, 2007 Wide
Box Office: $28,563,179
Synopsis: Director James Gray (THE YARDS) posits two distinctly different brothers--Joseph (Mark Wahlberg) and Bobby Grusinsky (Joaquin Phoenix)--as the central characters in this crime-infested thriller.... Director James Gray (THE YARDS) posits two distinctly different brothers--Joseph (Mark Wahlberg) and Bobby Grusinsky (Joaquin Phoenix)--as the central characters in this crime-infested thriller. Joseph and Bobby inhabit two conflicting worlds in late 1980s New York, the former becoming a cop and the latter running a nightclub. Bobby spends his evenings in a den of iniquity, indulging in drugs, alcohol, and gambling, and his model-like girlfriend Amada (Eva Mendes) is never far from his arm. Their two worlds meet when the father of the two men, Burt (Robert Duvall), who is also a cop, gets together with Joseph to ask Bobby for information about a patron of the club named Vadim (Alex Veadov). Vadim is the nephew of the club's owner, and also a dangerous member of the Russian criminal underworld. Bobby sides with Vadim, and the tension in Gray's brother-versus-brother potboiler reaches melting point as Joseph goes after both his sibling and his Russian foe. Wahlberg, Phoenix, and Duvall all deliver high-caliber performances throughout, and Gray suffuses the plot with enough twists and turns to provide a few surprises. New York City is perfectly utilized as a backdrop to the action, and cinematographer Joaquin Baca-Asay manages to get the balance between moody, atmospheric shots and explosive action sequences just right. WE OWN THE NIGHT ultimately resembles an old-fashioned cop film with a little Scorsese-like drama thrown in for good measure, and is likely to gain a following among movie fans seeking retro crime thrills. [More]
Starring: Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Robert Duvall
Starring: Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Robert Duvall
Director: James Gray
Director: James Gray
Screenwriter: James Gray
Producer: Mark Wahlberg, Joaquin Phoenix, Nick Wechsler, Marc Butan
Composer: Wojciech Kilar
Studio: Warner Bros.
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Reviews for We Own The Night
It is a little cumbersome with plenty of macho-sentimentalism, and the ending is frankly contrived. But go and see it for the car chase.
Stylishly directed by James Gray, this dark film does a great job portraying the violent gang scene of 1980s New York. More sophisticated than most cop flicks.
The always charismatic Phoenix is the highlight; he carries the film, rising above the occasionally uninspired dialogue and plotting to give a powerhouse turn as a man caught between ambition and duty.
Quality actors Joaquin Phoenix, Mark Wahlberg and Robert Duvall do their best to breathe life into a deeply average cop thriller/family drama.
A grown-up thriller about morality and the consequences of choice, We Own The Night harks back to an earlier era. A cast of heavy-hitters give it all a solid, polished sheen.
Heartfelt performances from all the leads, certainly. Top 80s tunes and a thrilling car chase in the pouring rain.
The kind of movie you feel you’ve seen before when you’re watching it for the first time, Gray’s latest never once surprises. But it’s intelligent and well-crafted enough to make you prepared to give it the benefit of the doubt.
A desperate violence and urgency spills out in the film’s flash-point set-pieces – not least a sensational car chase, shot through a windscreen, hammering rain and a blur of fear.
This just can’t compete in an arena with the likes of The Departed - which at least makes a point of its contrived storyline - let alone the high watermark set for cops vs. drugs drama by the TV series The Wire.
ngaging, impressively directed crime thriller with a sharply written script and strong performances from its three leads.
...suffers from an overly deliberate pace that ultimately prevents the viewer from fully connecting with the material.
Once again finds Gray breathing gritty, electric life into a conventional tale.
With a few tweaks here and there it could have been something special.
As a whole, the film feels both too earnest and overly simplistic in its approach to the various moral dilemmas.
... successfully harkens to the best cop dramas of the '70s, when brutal realism shocked audiences and over-the-top action was confined to car chases.
Gray keeps his picture interesting with a handful of inspired action scenes
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