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Another female-driven film, but taking place centuries ago and across the pond, is the historical drama Elizabeth: The Golden Age which finds Cate Blanchett reprising the role of the British Queen which made her a star nine years ago. The PG-13 pic also finds Geoffrey Rush returning and adds Clive Owen to the mix telling the story of the later years of the monarch's 16th century reign when threats from Spain and a possible love affair at home led to new challenges. Though at the core a costume drama like its predecessor, Universal's marketing has played up the action and adventure elements in hopes of attracting men looking for warfare and battle scenes. That may backfire when word gets out that there is actually very little action on screen.

The first Elizabeth opened in limited release in November 1998 and rolled through awards season that winter eventually reaching an impressive $30M while never playing in more than 600 theaters. It also bagged seven Oscar nominations including Best Picture. Now the studio is hoping that a built-in audience will want to take another trip to the past. Though the first was an acclaimed picture, no real demand ever surfaced for a sequel. So it will be tough for Golden Age at the box office especially with all the competition. Female-led dramas often struggle in the marketplace since it is often too hard for adult women to drag men with them to the multiplex for these stories. New films from Clooney and Wahlberg offer more cross-gender appeal. Ordering her troops into 2,000 theaters on Friday, Elizabeth: The Golden Age might take home about $8M over the three-day period.


Cate Blanchett and Geoffrey Rush in Elizabeth: The Golden Age
Likely to strike out at the box office this weekend is the high school baseball pic The Final Season which stars Sean Astin, Larry Miller, and Powers Boothe. The PG-rated film offers no starpower and has generated very little excitement for itself in the marketplace. Most sports fans interested in the national pastime will tune into the playoffs on their television sets this weekend. A quick trip to DVD is assured for this one which has no guarantee to clinch a spot in the top ten. Opening in about 1,000 theaters, a weekend take of just $2M could be in the works.


The Final Season
Among holdovers, The Game Plan surprised the industry two weeks in a row by taking the number one spot. Given its strong legs and continued lack of competition for the family audience and younger teens, a third round on top is not totally out of the question. Should all the newbies eat into each other and all fail to reach the $12M mark, the Disney kidpic by default may stay put. A 25% decline would give The Game Plan a third weekend tally of $12.5M pushing the 17-day total to a solid $58M.

Paramount and DreamWorks were caught by surprise by the lack of strength for the opening of the Ben Stiller comedy The Heartbreak Kid. With nothing to keep it afloat, a 45% decline might be in order especially since adults will be distracted by a wide assortment of other options. That would give the Farrelly brothers a sophomore session of about $7.5M and a cume of only $25.5M after ten days.


LAST YEAR: Sony used the Friday the 13th before Halloween to launch the sequel to one of the most successful horror films in history and captured the number one spot. The Grudge 2 bowed on top with $20.8M accounting for more than half of its $39.1M final. Eventual Oscar champ The Departed slipped to second with $19M easing only 29% for Warner Bros. The Robin Williams political comedy Man of the Year debuted in third with $12.3M before finishing with a disappointing $37.3M for Universal. Rounding out the top five were the Sony toon Open Season with $11.1M and New Line's fright franchise flick Texas Chainsaw Massacre: The Beginning with $7.5M for a steep 60% plunge. Opening with weak results in sixth was the action pic The Marine with $7.1M on its way to $18.8M for Fox. The religious-themed drama One Night with the King bowed to $4.1M with a good $4,518 average and finished with $13.4M for 8X.

Author: Gitesh Pandya, www.BoxOfficeGuru.com