The Wedding Date’s ending is one of the most contrived in recent memory...
The Wedding Date (2005)
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Reviews Counted:135
Fresh:14
Rotten:121
Average Rating:3.8/10
Consensus: Critics are leaving The Wedding Date at the alter, calling it shopworn, bland, and lightweight.
Rated: PG-13 [See Full Rating] for sexual content including dialogue
Runtime: 90 mins
Genre: Comedies
Theatrical Release:Feb 4, 2005 Wide
Synopsis: Kat Ellis's (Debra Messing) worst nightmare is about to come true. Not only is her younger, half-sister, Amy (Amy Adams), getting married before her, but to add insult to injury, the groom's (Jack... Kat Ellis's (Debra Messing) worst nightmare is about to come true. Not only is her younger, half-sister, Amy (Amy Adams), getting married before her, but to add insult to injury, the groom's (Jack Davenport) best man is Kat's ex-fiancée, Jeffrey (Jeremy Sheffield). Two years after being dumped, Kat is a single New Yorker and can't bear to attend the festivities at her parent's London home alone, so she does the next best thing: she hires an escort to play her boyfriend. Her rented date, Nick (Dermot Mulroney), fits the bill perfectly. He's handsome, intelligent, well spoken, intuitive, and a perfect gentleman--a virtual bargain at $6,000. The plan? Make Kat's ex sorry that he ever let her go. But the plan takes a turn when Kat finds herself attracted to Nick, and the feeling seems to be mutual. But will their business arrangement stand in the way of a relationship? And just what is it that Kat's ex has been dying to tell her? Messing is endearing as Kat, who seems to be simultaneously bewildered and bemused by her situation. Mulroney, meanwhile, is at his most charming as Nick. Clare Kilner (HOW TO DEAL) directs this romantic comedy set in London and the English countryside, which also features Holland Taylor as Kat's slightly overbearing mother and Peter Egan as her loving stepfather. Sarah Parish is a hoot as the sisters' bawdy British cousin. [More]
Starring: Debra Messing, Dermot Mulroney, Jack Davenport, Holland Taylor
Starring: Debra Messing, Dermot Mulroney, Jack Davenport, Holland Taylor, Jeremy Sheffield, Sarah Jannett Parish
Director: Clare Kilner
Director: Clare Kilner
Screenwriter: Dana Fox
Producer: Paul Brooks, Michelle Chyzdik, Nathalie Marciano
Studio: Universal Pictures
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Reviews for The Wedding Date
Part romantic comedy, part soap opera, part travelogue, The Wedding Date fails to deliver on all counts.
You know how some movies just ring so utterly true that they defy your expectations and take a predictable genre to new and unexpected places? This is not one of those movies.
Yearn, dammit! the movie screams at you, as you turn your eyes to the wristwatch and lament that, like Kat, you've just wasted your money.
As far as Big Day experiences go, a drunken speech from a distant relative would be far more entertaining -- and funnier -- than The Wedding Date.
Too bad the filmmakers felt compelled to give this sufficiently charming doodle some emotional heft by veering into Four Weddings and a Funeral territory. It only distracts you from The Wedding Date's own modest charms.
With blinders on to deflect the obvious — that this movie isn’t remotely believable — The Wedding Date skates by on the charm of its actors.
Inexplicable Fantasy Romances for the Harried Modern Gal 101 is a more fitting title for this shameless mediocrity.
"The Wedding Date" is slight and it knows it. It has no pretentions. It's an odd little fairy tale about a single woman and her paid stud. Messing is a movie star.
Mulroney is like a young Stallone – and he’s got half the acting ability to prove it.
Messing should know this is precisely the kind of movie Grace would ridicule Will for dragging her to see.
You could call this horrid romantic comedy One Wedding and a Funeral, with stress on the funeral.
Romantic comedy is a tough genre to pull off in this crass and explicit day and age. This movie gives it a perky try, but its formula, unlike its hired-for-the-occasion leading man, just isn't the right package.
The film's generic nature extends to everything about it: the unengaging cinematography, haphazard editing, emptily jaunty score, even use of locations.
The Wedding Date presents the curious case of two appealing performances surviving a bombardment of schlock.
A tossed bouquet full of dead flowers and bad jokes that belongs in the nearest trash receptacle.
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