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Movies / On DVD / The Weeping Meadow
The Weeping Meadow

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The Weeping Meadow (2004)

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Reviews Counted:26

Fresh:17

Rotten:9

Average Rating:6.3/10

Rated: Not Rated

Runtime: 2 hrs 50 mins

Genre: Dramas

Theatrical Release:Sep 14, 2005 Limited

Synopsis: With The Weeping Meadow, one of filmmaking's greatest remaining masters embarks on his crowning achievement: a projected trilogy whose goal is nothing less than "a poetic summing up of the century... With The Weeping Meadow, one of filmmaking's greatest remaining masters embarks on his crowning achievement: a projected trilogy whose goal is nothing less than "a poetic summing up of the century that just ended." This first panel, spanning 1919-1949, begins with a group of Greek refugees from Odessa settling on a piece of land that was promised to them just outside of Thessaloniki. Led by Spyros, a member of the Greek bourgeoisie and a leading figure of the Greek community in Odessa, the refugees name this land New Odessa. Here begins the love story between Alexis, son of Spyros, and Eleni, an orphan adopted by Spyros' family during their journey to New Odessa. Growing up together, Alexis and Eleni never quite build the “brother & sister” relationship one might expect, but instead form a deep love for one another that will lead Eleni, like another heroine in ancient Greek tragedy, through all the tribulations of Hellenism and of the history of the 20th century. It's a love that will have to overcome all of the obstacles that are put in its way by the historical events and the socioeconomic dimensions that mark their lives. Alexis and Eleni's love runs counter to the wishes of the widowed Spyros, who sees in Eleni a future wife for himself. Spyros' personality, which could be characterized as that of the fathermaster, weighs heavily on Eleni and she in turn agrees to marry him. But her true love for Alexis prevails, and immediately following her vows to Spyros, Eleni and Alexis flee to Thessaloniki and elope. In search of work, Alexis connects with Nikos, a refugee from Asia Minor who leads a band of travelling musicians. Easily impressing Nikos with his talent as an accordion player, Alexis lands a gig with the band. But history intervenes. With Greece at war, Alexis decides to join a group of musicians about to embark on a tour of America. It's Alexis' hope that he'll be able to remain in the US and, once settled, he promises Eleni that he will send for her and their two young sons to join him. Left behind, Eleni is soon arrested for harboring Nikos, who had been hunted down by the regime as a leftist. Nikos meets a violent death at the hands of his ideological opponents and his friendship with Alexis and Eleni forces Eleni to spend a decade in prison as a political detainee. Yet Eleni's fate is relentless. She was born to love and not to hate. Released from prison, Eleni's search for Alexis and her two sons will lead her to a moment when she'll have to pay the price for her desire to follow her heart. The ambition of Angelopoulos's concept is matched by the grandeur of his style, which takes his majestically fluid camerawork to new heights of virtuosity and produces a steady stream of stunning images. An ornate theater is converted into a refugee tenement, a tree is festooned with slaughtered sheep, a funeral flotilla glides across a lake's mirrored surface, and an apocalyptic flood drowns the refugees' village, leaving the skeletons of abandoned houses. More boldly than ever, Angelopoulos juggles foreground and background, personal and political, story and history into an epic vision. --© New Yorker Films [More]

Director: Theo Angelopoulos

Director: Theo Angelopoulos

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Release:

Dec 19, 2006

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Reviews for The Weeping Meadow

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1 - 20 (sorted by critic A-Z)
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It's Homeric filmmaking, uniquely worthy of the word.

Full Review Source: Village Voice | comment Comment
09/13/05
Michael Atkinson
Michael Atkinson
Village Voice
Top Critic Icon Top Critic

Though he's foggy on the specifics, Angelopoulos makes the tides of history felt through each painterly frame.

Full Review Source: Seattle Post-Intelligencer | comment Comment
01/12/06
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer

The movie is fiercely austere; no human emotion leaks out and the characters are as blank as chess-pieces.

Full Review Source: Guardian [UK] | comment Comment
11/15/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]

The first film in a projected trilogy by the Greek filmmaker Theo Angelopoulos is visually stunning but lacking in emotional firepower.

Full Review Source: Spirituality and Practice | comment Comment
09/11/05
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

A serious historical epic that boldly remanages the usual priorities of that form, and a fractured family saga that, at least in my experience, accumulates power as it continues.

Full Review Source: Nick's Flick Picks | comment Comment
12/15/05
Nick Davis
Nick Davis
Nick's Flick Picks

Occasionally confusing in its plotting, it remains an imposing and visually accomplished work.

Full Review Source: BBC | comment Comment
01/26/05
Tom Dawson
Tom Dawson
BBC

The movie plays like a career summation in which the 68-year-old writer-director has simply run out new ideas.

Full Review Source: Variety | comment Comment
09/13/05
Derek Elley
Derek Elley
Variety
Top Critic Icon Top Critic

There are also moments of such breathtaking grace and artistry that you'd be forgiven for thinking you're watching the most beautiful movie ever made.

Full Review Source: TV Guide's Movie Guide | comment Comment
09/16/05
Ken Fox
Ken Fox
TV Guide's Movie Guide

The film is simultaneously simple and opaque, and what it lacks is anything that illuminates the world we live in.

Full Review Source: Observer [UK] | comment Comment
11/15/07
Philip French
Philip French
Observer [UK]

A work of Olympian aloofness.

Full Review Source: Slant Magazine | comment Comment
09/08/05
Ed Gonzalez
Ed Gonzalez
Slant Magazine

It's a typically poetic film, rich in powerful imagery, which sees a bitter personal tragedy unfold against the major events of 20th century Greece.

Full Review Source: Hollywood Reporter | comment Comment
11/15/07
Richard James Havis
Richard James Havis
Hollywood Reporter
Top Critic Icon Top Critic

Churns like classic tragedy while its pace is set by Angelopoulos' trademark, spooky portentousness.

Full Review Source: Seattle Times | comment Comment
01/13/06
Tom Keogh
Tom Keogh
Seattle Times

If you can ride out its rhythms, you'll come away with some indelible images.

Full Review Source: Film Journal International | comment Comment
10/06/05
Kevin Lally
Kevin Lally
Film Journal International

Angelopoulos does not relate the story of his country so much as linger amid the whispered backstories of its citizens, and we are somehow left to fill in the shadowy gaps.

Full Review Source: New Yorker | comment Comment
09/12/05
Anthony Lane
Anthony Lane
New Yorker
Top Critic Icon Top Critic

Certainly the predominant emotion we see in this film is pain.

Full Review Source: rec.arts.movies.reviews | comment Comment
11/17/04
Mark R. Leeper
Mark R. Leeper
rec.arts.movies.reviews

Not for all tastes, it's recommended for discerning viewers.

Full Review Source: New York Post | comment Comment
09/14/05
V.A. Musetto
V.A. Musetto
New York Post
Top Critic Icon Top Critic

The Weeping Meadow doesn't offer quite enough sugar for its harsh medicine to go down easily.

Full Review Source: Salon.com | comment Comment
11/15/07
Andrew O'Hehir
Andrew O'Hehir
Salon.com
Top Critic Icon Top Critic

This is the first of an announced trilogy, but it already feels as long as the 20th century itself.

Full Review Source: AV Club | comment Comment
09/26/05
Keith Phipps
Keith Phipps
AV Club

Not necessarily ‘a great film’ (though I suspect it will come to be regarded as that), but the work of a master absolutely sure about what he wants to do, and fully capable of achieving it.

Full Review Source: Sight and Sound | comment Comment
02/01/05
Nick Roddick
Nick Roddick
Sight and Sound

We get a distractingly vapid couple who tend to drain the emotional resonance of these extraordinary, ever-shifting tableaux.

Full Review Source: Chicago Reader | comment Comment
11/15/07
Ronnie Scheib
Ronnie Scheib
Chicago Reader
Top Critic Icon Top Critic
 
 
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