This blend art house and horror won't satisfy either audience.
Wendigo (2002)
Tomatometer
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Reviews Counted:49
Fresh:28
Rotten:21
Average Rating:6.2/10
Consensus: An artsy horror flick, Wendigo effectively creates an eerie atmosphere.
Runtime: 1 hr 33 mins
Genre: Horror/Suspense
Theatrical Release:Feb 13, 2002 Limited
Synopsis: The suggestive WENDIGO is the final installment in a trilogy of horror films from director Larry Fessenden (HABIT, NO TELLING). Beginning on a dark, snowy road in rural Connecticut, WENDIGO... The suggestive WENDIGO is the final installment in a trilogy of horror films from director Larry Fessenden (HABIT, NO TELLING). Beginning on a dark, snowy road in rural Connecticut, WENDIGO immediately slams into gear as a family of New York City visitors run over a deer and drive into a ditch. As George (Jake Weber), his wife Kim (Patricia Clarkson), and son Miles (Erik Per Sullivan) wait for a tow truck to rescue them, they cross paths with an unhinged hunter named Otis (John Speredakos) who finishes off the deer and begins terrorizing the family. Things take an unusual turn, though, after Miles meets a spectral Native American elder (Lloyd E. Oxendine) and learns the secrets of the hungering Wendigo spirit. Balancing jittery camera work with placid landscapes, Fessenden creates a foreboding mood for WENDIGO from the opening scene and never lets up. The movie shifts between the firm character grounding of the family, the edgy terror of Otis, and the elusive spirit-world of the beastly Wendigo in a way that seems to draw clear lines for the audience, only to redraw them with hairpin plot-turns and unsettling visuals. [More]
Starring: Jake Weber, Patricia Clarkson, Erik Per Sullivan, John Speredakos
Starring: Jake Weber, Patricia Clarkson, Erik Per Sullivan, John Speredakos, Christopher Wynkoop, Lloyd E. Oxendine
Director: Larry Fessenden
Director: Larry Fessenden
Screenwriter: Larry Fessenden
Producer: Jeff Levy-Hinte
Studio: Magnolia Pictures
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Reviews for Wendigo
This film is only scary if you're afraid of artfully self-conscious, grainy cinematography.
It doesn't make for great cinema, but it is interesting to see where one’s imagination will lead when given the opportunity.
The ending doesn't work ... but most of the movie works so well I'm almost recommending it, anyway -- maybe not to everybody, but certainly to people with a curiosity about how a movie can go very right, and then step wrong.
A beautiful and haunting examination of the stories we tell ourselves to make sense of the mundane horrors of the world.
It's a horror movie that knows how to be scary, but not at the expense of fascinating characters.
On the right track to something that's creepy and effective . . . It's just going to take more than a man in a Bullwinkle costume to get there.
If this dud had been made in the '70s, it would have been called The Hills Have Antlers and played for about three weeks in drive-ins.
A dizzying digital video oddyssey through the snowy woods of upstate New York.
(Wendigo is) why we go to the cinema: to be fed through the eye, the heart, the mind.
[Fessenden] weaves a creepy spell by crafting a kaleidoscope of puppetry, sounds and cinema legerdemain.
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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