Doesn't have any real surprises or insights and often drags, but at least it has a few heartfelt moments that leave you feeling quietly moved.
Wendy and Lucy (2008)
Tomatometer
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Reviews Counted:141
Fresh:119
Rotten:22
Average Rating:7.3/10
Consensus: Michelle Williams gives a heartbreaking performance in Wendy and Lucy, a timely portrait of loneliness and struggle.
Theatrical Release:Dec 10, 2008 Limited
Box Office: $700,720
Synopsis: On the heels of her critically lauded OLD JOY, Kelly Reichardt delivers another deeply resonant portrait of a dying America with WENDY AND LUCY. In OLD JOY, two men provided the heart and soul of... On the heels of her critically lauded OLD JOY, Kelly Reichardt delivers another deeply resonant portrait of a dying America with WENDY AND LUCY. In OLD JOY, two men provided the heart and soul of the story. This time, the film is centered on a young woman, played with utter conviction and selflessness by Michelle Williams (BROKEBACK MOUNTAIN). Williams is Wendy, a down-on-her-luck woman who has driven across-country with her dog, Lucy, in search of a better life in Alaska. Wendy can barely support this journey, and when her car breaks down in Oregon and she becomes separated from Lucy, her predicament becomes even more dire. In a world that doesn't seem to know she even exists, Wendy befriends a local security guard (Wally Dalton), who gives her a tiny fraction of hope. Considering this film together with OLD JOY, it's obvious that Reichardt has shot up in the ranks of American auteurs. She is becoming a master of minor features that feel like the best short stories, a sort of cinematic Raymond Carver. Credit is obviously bestowed upon the marvelous Williams, who is in almost every shot of the film, and who delivers an astonishingly honest performance. But everything about this film reeks of truth, most noticeably Sam Levy's restrained but beautiful cinematography, and Reichardt's patient editing. WENDY AND LUCY is a tribute to marginalized characters that the movies, and the real world, would usually rather ignore. [More]
Starring: Michelle Williams, Walter Dalton, Will Oldham, Larry Fessenden
Starring: Michelle Williams, Walter Dalton, Will Oldham, Larry Fessenden, John Robinson, Will Patton
Director: Kelly Reichardt
Director: Kelly Reichardt
Screenwriter: Kelly Reichardt, Jonathan Raymond
Producer: Neil Kopp, Anish Savjani, Larry Fessenden
Studio: Oscilloscope Pictures
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Reviews for Wendy and Lucy
Wendy and Lucy is a glimpse at a portion of society rarely captured so eloquently or heartbreakingly on film. Don't miss it.
For all its arthouse starkness, it packs a wallop. Michelle Williams' performance is incandescent.
Wendy and Lucy -- a film that might have seemed faintly academic six months ago -- becomes an anxious expression of its historical moment.
In current times, the film's blank canvas and broadly sketched melancholic tones serve as an empty vessel for those who would like to turn the personal into the political.
America is full of people like Wendy Carroll, the young woman at the center of director Kelly Reichardt's small, supple new film Wendy and Lucy.
Wendy and Lucy is a slow and meandering film, in no rush to get anywhere, least of all to anywhere important.
Kelly Reichardt's Wendy and Lucy is another illustration of how absorbing a film can be when the plot doesn't stand between us and a character.
A spare and incredibly moving portrait of life on the fringes of contemporary America
For all its virtues, Wendy and Lucy seems like the most overrated of art movies.
One of those rare but keen pieces of art that engage and reflect the human condition with no apparent effort at all.
Wendy and Lucy is a delicate and compassionate portrait of someone living precariously on the edge, and it asks us to respond to their predicament with kindness rather than indifference.
This is survival, revealed in all the blunt details of a documentary portrait and the simple power of [Michelle] Williams' unadorned, Oscar-worthy performance.
Given the woeful lack of inner life for young women in American movies, Williams's single gesture of fatigue and partial defeat in Wendy and Lucy is momentous.
Whether she's warily cleaning up in a service-station restroom, or staring at the trains that offer a different travel option, or establishing her rapport with Lucy, Williams bravely explores the soul of a creature who's both gentle and determined.
Relentlessly solemn movies like Wendy and Lucy are why recession-plagued Americans paid $33 million last week to see Paul Blart, Mall Cop.
Thanks to an extraordinary performance from Michelle Williams and an exceptionally deft hand from her director, this low-budget and loping little film is a genuine heartbreaker.
[Michelle] Williams delivers the goods and deserves the attention this fine role is getting.
The movie, for all its morose impassivity, is beautiful and haunting.
this quiet, unfussy film feels more important than a whole host of glossy blockbusters, raising urgent yet easily ignored questions about the often unforgiving economic environment of which everyone forms a part.
Latest News for Wendy and Lucy
December 17, 2008:
Toronto Critics Love Wendy and Lucy ![]()
The Toronto Film Critics Association broke with the pack this week, awarding "Wendy and Lucy" Best Picture honors for '08. More...
December 15, 2008:
AFI Names 2008's Finest Films ![]()
The results are in, and the AFI has spoken: "The Dark Knight," "Iron Man," "The Curious Case of Benjamin Button," "Frost/Nixon," "Frozen River," "Gran Torino," "Milk," "WALL-E,"... More...
December 09, 2008:
Trailer & Poster review ![]()
More...
December 03, 2008:
Independent Spirit Award Nominations Announced ![]()
The Independent Spirits have announced their nominations for this year's awards. Frozen River, Rachel Getting Married, Ballast, Wendy And Lucy and The Wrestler are all up for... More...
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| 90% 90% | District 9 |
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