What Is It? (2005)
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Critic Reviews for What Is It?
It's clear that [director] Glover is less interested in narrative than in rekindling a rich midnight-movie/avant-garde tradition that encompasses everything from Maya Deren and Jack Smith to Alejandro Jodorowsky and David Lynch.
Glover, who appears in the film as a kind of barbarian dictator-auteur, lacks both the self-imposed ideological innocence and the talent for composing sounds and images of David Lynch.
His directorial debut, What Is It? -- which plays as part of a double bill with a live, enthusiastically performed slide show in which Mr. Glover displays pages from his recent series of books -- is just as unclassifiable as he is.
Audience Reviews for What Is It?
Crispin Glover was walking on the ground when he made this movie. He didn't make a sound, he in fact turned around and saw a clown.
It's definitely best to watch this at one of Crispin's live shows so that he is there to explain his intent in making the film. That aspect itself, gives the film an extra star, because my initial reaction was just 1-star. I really didn't like it, and/because I really didn't get it. Maybe I was just too tired and need to give it another chance when I'm more alert; however, whatever the case may be, I appreciate and respect his intent.
Beautifully filmed movie that largely takes place in the psyche of a young man with Down's Syndrome as he grapples with his libido and internalized racism. Glover not only directs, but plays a sort of tyrannical id figure (who seems to view himself as sort of "pure" or "innocent", as evidenced by his demand to be called Shirley Temple). This films touches on quite a few taboos--the least of which is the notion that people with special needs are somehow beyond the mental poison that our culture seeps into all of us, to some degree. (Glover addressed this point when speaking at the screening on his choice to use a cast mostly of actors with Down's Syndrome). Definitely harsh in places--I'd never heard Johnny Rebel before and it turned my stomach once I did, and really, the salt on snails could have been done with CGI. However, I hope he screens this in NYC again or puts it on DVD, because it feels like the kind of film where more could be taken away through repeated viewings.
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