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What Time Is It There? (2002)
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Reviews Counted:17
Fresh:15
Rotten:2
Average Rating:7.4/10
Consensus: Though it requires patience to view, What Time Is It There?'s exploration of loneliness is both elegant and haunting.
Theatrical Release:Jan 11, 2002 Limited
Synopsis: A lonely street vendor, Hsiao Kang (Lee Kang-Sheng), sells watches near a Taipei subway stop. The death of his father (Miao Tien) furthers his isolation as his widowed mother (Lu Yi-Chang) slips... A lonely street vendor, Hsiao Kang (Lee Kang-Sheng), sells watches near a Taipei subway stop. The death of his father (Miao Tien) furthers his isolation as his widowed mother (Lu Yi-Chang) slips into an unhealthy mourning, hoping her dead husband's spirit will return to her. The street vendor encounters a woman (Chen Shiang-Chyi) seeking a watch for a trip to Paris--one that can display both Taipei time and Paris time. Unimpressed with his watch selection, the woman persistently attempts to buy the watch off the young man's wrist. After acquiescing, the woman presents him with a token gift that shines a loving light into the street vendor's dreary, solitary life. Unable to stop thinking about his obstinate customer, the vendor begins obsessively changing every clock he sees to Paris time, beginning with his own watches and culminating with gigantic clocks atop skyscrapers. His customer, meanwhile, endures a rather lonesome and difficult Parisian vacation. Writer/director Tsai Ming-Liang (THE RIVER; THE HOLE) meditates on obsession and loneliness with this enchanting unrequited romance that combines elements of deep sorrow and ridiculous slapstick comedy. The film makes great use of his strengths such as the lack of musical score and long, often comedic, takes. Jean-Pierre Léaud joins Ming-Liang's usual ensemble in a memorable cameo. [More]
Starring: Lee Kang-Sheng, Chen Shiang-Chyi, Jean-Pierre Léaud, Lu Yi-Cheng
Starring: Lee Kang-Sheng, Chen Shiang-Chyi, Jean-Pierre Léaud, Lu Yi-Cheng, Tien Miao, Chen Chao-Jung, Cecilia Yip
Director: Tsai Ming-Liang
Director: Tsai Ming-Liang
Screenwriter: Pi-Ying Yang, Tsai Ming-Liang
Producer: Bruno Pesery
Studio: Winstar
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Reviews for What Time Is It There?
While its careful pace and seemingly opaque story may not satisfy every moviegoer's appetite, the film's final scene is soaringly, transparently moving.
Tsai's confidence in the deep power of silence drives home the film's inner convictions. Its surface works coolly, intriguingly and, happily, feebly in opposition to the heart of the matter.
At times, Tsai's approach makes viewing this film like watching paint dry, but what a sublime design it makes.
Alternates between deadpan comedy and heartbreaking loneliness and isn't afraid to provoke introspection in both its characters and its audience.
Mr. Tsai is a very original artist in his medium, and What Time Is It There? should be seen at the very least for its spasms of absurdist humor.
What Time Is It There? is not easy. It haunts you, you can't forget it, you admire its conception and are able to resolve some of the confusions you had while watching it.
A rare film that actually expands and deepens in the memory when its time on screen has run out.
The weight of the film's opaque, numbingly studied details ... is oppressive.
The story that emerges has elements of romance, tragedy and even silent-movie comedy.
An art piece in which everything seems to be a metaphor for something else, and as pleasing as it is to watch, it's too pretentious by half.
A film of surprise and wonder, lyrically attuned to the ticking intensity of romance.
It's the kind of leap a director makes when he has become so sure of the techniques and themes that have preoccupied him that he seems unable to make a wrong move.
Tsai has a well-deserved reputation as one of the cinema world's great visual stylists, and in this film, every shot enhances the excellent performances.
Tsai Ming-liang's witty, wistful new film, What Time Is It There?, is a temporal inquiry that shoulders its philosophical burden lightly.
Tsai has managed to create an underplayed melodrama about family dynamics and dysfunction that harks back to the spare, unchecked heartache of Yasujiro Ozu.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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