A lot of boredom leading to a reel of running around in the dark and a Carrie rip-off shock tag scene as the cinematic maraschino cherry on top.
When a Stranger Calls (2006)
Tomatometer
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Reviews Counted:86
Fresh:8
Rotten:78
Average Rating:3.2/10
Consensus: What's fitting punishment for running up the phone bill? Why have that person baby sit; that'll teach them. Or better yet, make that person through this poorly acted, fright-free remake of the 1979 movie of the same name. Camilla Belle is a looker, but she got nothing on Carol Kane, the actress who originally played the part, when it comes to range. The final straw is that the payoff isn't worth the tedium that comes before. Just hang up on this one.
Rated: PG-13 [See Full Rating] for intense terror, violence and some language.
Runtime: 87 mins
Genre: Horror/Suspense
Theatrical Release:Feb 3, 2006 Wide
Box Office: $47,860,214
Synopsis: A slick remake of the 1979 original, Simon West's WHEN A STRANGER CALLS is a contemporary update of a well-known suburban legend. When 16-year-old Jill (newcomer Camilla Belle in the part... A slick remake of the 1979 original, Simon West's WHEN A STRANGER CALLS is a contemporary update of a well-known suburban legend. When 16-year-old Jill (newcomer Camilla Belle in the part originally played by Carol Kane) exceeds her cell phone minutes, her parents force her to spend the night babysitting instead of attending a huge bonfire bash. As Jill's father drives her to Dr. Mandrakis's house for the evening, we are given the sense from the long drive, spooky music, and winding roads, that the home is literally at the end of the Earth. Perched over the edge of a steamy lake, the mansion-like structure is made entirely of dark wood and glass. With an arboretum built into its center, the palatial home feels both Zen-like and forbidding. With the children already asleep, Jill spends the first hour indulging in secret babysitter pleasures like snooping and trying on Mrs. Mandrakis's jewelry. Without a cell phone or car, and all her friends' phones out of range, Jill is particularly isolated--the perfect victim for a psychopath on the loose. As she begins to get calls from a heavy-breathing stranger, what at first seems like a prank slowly becomes a real threat, creating a panic-filled evening that's any babysitter's nightmare. Using modern-day luxuries like caller ID, security alarm systems, and motion-sensor lights to its advantage, the film plays with themes of technology and wealth, pondering how much protection they actually provide. Clearly targeted at a teenage audience, the PG-13-rated film contains relatively little violence (lacking some of the graphic scenes that most people remember the original by), and instead uses unfamiliar spaces and a sense of the unknown to keep audiences scared. [More]
Starring: Camilla Belle, Tommy Flanagan, Clark Gregg, Derek De Lint
Starring: Camilla Belle, Tommy Flanagan, Clark Gregg, Derek De Lint, David Denman, Madeleine Carroll, Steve Eastin, Lance Henriksen
Director: Simon West
Director: Simon West
Screenwriter: Jake Wade Wall
Producer: John Davis, Wyck Godfrey
Composer: Jim Dooley
Studio: Screen Gems
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Reviews for When a Stranger Calls
[Its] few jolts will work only if you've never seen a scary movie before.
This leaves young Belle (The Ballad of Jack and Rose) to wander rooms aimlessly, and for the musicians and Foley artists to work feverishly pretending there's reason for suspense.
Since 'Scream' steered the horror film into post-modernism, something this anachronistically limiting, unaware -- and just plain dumb -- almost seems quaint. Almost.
When a Stranger Calls has been remade -- with undistinguished if inoffensive results -- by Simon West, who is quickly becoming a reliable purveyor of Hollywood's dreckiest dreck.
For real thrills, rent the original, turn down the lights and scare yourself silly.
The scare-free When a Stranger Calls is the worst of the seminal horror movies from the late '70s and early '80s that have been getting the remake treatment lately.
When a Stranger Calls is basically a poorly written episode of "The Babysitter's Club" but with a body count.
A scary final 15 minutes, but until the climax and epilogue, we're confronted with mostly dead air.
Incoherence can be a point. But not when the coherence of the plot -- the endangered babysitter -- is already in circulation.
Then I'm like 'what's the movie called?' And he's like 'When a Stranger Calls.' And I'm like 'Is it about telemarketing?'
One of those frustrating films that squanders its own good ideas with sloppy genre cop outs...but for genre fans used to wading through scores of bad films to find the occasional goodie, this one ain't half bad.
When the studios start bitching about lackluster blockbuster performance again, feel free to point out that brainless crap like this is a big reason for it.
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