Many viewers will be turned off by this depraved look inside the darkest corners of one filmmaker's psyche, but I found it refreshing and quite daring.
When Will I Be Loved (2004)
Tomatometer
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Reviews Counted:70
Fresh:23
Rotten:47
Average Rating:4.7/10
Consensus: Neve Campbell bares all in this seemingly misogynistic trifle.
Theatrical Release:Sep 10, 2004 Limited
Synopsis: "When Will I Be Loved" is a hip, scintillating, post-feminist film that takes a classic Hollywood form . that of leading lady as black widow -- and brings it edgy new life. James Toback, a... "When Will I Be Loved" is a hip, scintillating, post-feminist film that takes a classic Hollywood form . that of leading lady as black widow -- and brings it edgy new life. James Toback, a writer and director known for provocative explorations of race and gender relations in films such as "Black and White," "Two Guys and a Girl" and "The Pick-Up Artist," has created a femme fatale for the 21st century. His leading lady is Vera -- played by Neve Campbell -- a beautiful young woman who is exploring the limits of her vast sexual and intellectual power. We see Vera picking up men on the street, videotaping her romps with a female lover, and having sexually frank discussions with her potential employer. The daughter of wealthy and supportive parents, she is seemingly improvising her way through the beginning of her life as an adult . but how much of her behavior is spontaneous and how much is cunningly calculated? Vera is dating a young hustler named Ford, played by Fredrick Weller. Ford --verbally nimble, shameless and shamelessly manipulative -- seems compelled to use women to make himself rich and famous, from straight loans to a (unintentionally) comical effort to entice hip-hop impresario Damon Dash. Ford sees his chance to make serious money when he meets an aging Italian media mogul, Count Tommaso Lupo, played by Dominic Chianese. The Count has developed an obsession with Vera and Ford concocts a plan to pimp Vera out to Lupo for $100,000. To Ford.s naïve surprise, Vera agrees leading Ford into the delusion that his powers as a psychologically gifted fast talker are unsurpassed. The Count is a self-made billionaire aesthete, who in the course of what he thinks is a skillful manipulation; ends up being manipulated himself into providing Vera with 1 million dollars instead of the intended $100,000. Vera is a natural improviser and each of her faithful decisions (faithful to both Ford and the Count) is a spontaneous response to circumstances as they arise. As a result, "When Will I Be Loved" has a feel of freshness and surprise. -- © IFC Films [More]
Starring: Neve Campbell, Fred Weller, Dominic Chianese, Karen Allen
Starring: Neve Campbell, Fred Weller, Dominic Chianese, Karen Allen, Barry Primus, Joelle Carter, Michael Mailer, James Toback
Director: James Toback
Director: James Toback
Screenwriter: James Toback
Producer: Ron Rotholz
Studio: IFC Films
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Reviews for When Will I Be Loved
The conglomeration of shtick never adds up to be anything particularly interesting, the story has no compulsion or bite as a dark melodrama or psychological voyeurism.
Were it not for Campbell's classy magnetism in the role, the crass motivations behind this episodic pastiche would be easier to reject.
Another depressing dispatch from the war between the sexes by James Toback.
There’s always something both depressing and perversely fascinating in watching a bad movie made by a great filmmaker.
The hustle has always seemed more exciting than the payoff for James Toback. When Will I Be Loved is no exception to this filmmaker's own idiosyncratic rules of conduct.
Part Indecent Proposal, part Toback wordiness and is so short it feels like a one-act play with a curtain that never rises again.
With its improvisatory tone and loose, rambling structure, which often approaches a total breakdown of coherence, the story takes about half an hour to emerge.
Despite the fact that the central character is a very strong woman, the film is essentially a male fantasy.
It offers no new insights into the corrupting effects of money and erotic power.
The opening and closing nude scenes serve no purpose in the story except to sell tickets - Neve, you've been pimped.
Toback doesn't seem to have much more in mind than looking for new ways to give his festering observations about Manhattan a kinky pull on the whiskers.
Naked Neve Campbell gets painstakingly clean in one of the most beautiful showers I have ever seen.
Like a jazz solo that touches familiar themes on its way to a triumphant and unexpected conclusion.
The story behind this deeply explicit drama often falls short -- in fact, it's arguable if there even is a story -- but the quality of its words keeps it fresh and compelling.
At its best, the movie is a reminder that, among contemporary filmmakers, Toback is perhaps the most keenly perceptive about the way sex can alternately (or sometimes all at once) be used as a gift, a toy and a weapon.
Maybe it’s the rich milieu, or perhaps it’s Toback’s obsession with sex and money, but there’s something distinctly “French” about the film’s vernacular.
This is far from a coherent picture, but it does contain a complete performance.
Weller has a bright future; he's compelling and funny as Ford. Campbell, with her little-girl voice and easy, guileless smile, is the perfect choice for the role of a woman everyone underestimates.
announce Neve Campbell’s transformation into a stunning actress — but it does make clear that she’s ready to be used by a better director
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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