Morphs into a deconstructed remake of Indecent Exposure and it's downright riveting, with Campbell doing her best acting to date.
When Will I Be Loved (2004)
Tomatometer
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Reviews Counted:70
Fresh:23
Rotten:47
Average Rating:4.7/10
Consensus: Neve Campbell bares all in this seemingly misogynistic trifle.
Theatrical Release:Sep 10, 2004 Limited
Synopsis: "When Will I Be Loved" is a hip, scintillating, post-feminist film that takes a classic Hollywood form . that of leading lady as black widow -- and brings it edgy new life. James Toback, a... "When Will I Be Loved" is a hip, scintillating, post-feminist film that takes a classic Hollywood form . that of leading lady as black widow -- and brings it edgy new life. James Toback, a writer and director known for provocative explorations of race and gender relations in films such as "Black and White," "Two Guys and a Girl" and "The Pick-Up Artist," has created a femme fatale for the 21st century. His leading lady is Vera -- played by Neve Campbell -- a beautiful young woman who is exploring the limits of her vast sexual and intellectual power. We see Vera picking up men on the street, videotaping her romps with a female lover, and having sexually frank discussions with her potential employer. The daughter of wealthy and supportive parents, she is seemingly improvising her way through the beginning of her life as an adult . but how much of her behavior is spontaneous and how much is cunningly calculated? Vera is dating a young hustler named Ford, played by Fredrick Weller. Ford --verbally nimble, shameless and shamelessly manipulative -- seems compelled to use women to make himself rich and famous, from straight loans to a (unintentionally) comical effort to entice hip-hop impresario Damon Dash. Ford sees his chance to make serious money when he meets an aging Italian media mogul, Count Tommaso Lupo, played by Dominic Chianese. The Count has developed an obsession with Vera and Ford concocts a plan to pimp Vera out to Lupo for $100,000. To Ford.s naïve surprise, Vera agrees leading Ford into the delusion that his powers as a psychologically gifted fast talker are unsurpassed. The Count is a self-made billionaire aesthete, who in the course of what he thinks is a skillful manipulation; ends up being manipulated himself into providing Vera with 1 million dollars instead of the intended $100,000. Vera is a natural improviser and each of her faithful decisions (faithful to both Ford and the Count) is a spontaneous response to circumstances as they arise. As a result, "When Will I Be Loved" has a feel of freshness and surprise. -- © IFC Films [More]
Starring: Neve Campbell, Fred Weller, Dominic Chianese, Karen Allen
Starring: Neve Campbell, Fred Weller, Dominic Chianese, Karen Allen, Barry Primus, Joelle Carter, Michael Mailer, James Toback
Director: James Toback
Director: James Toback
Screenwriter: James Toback
Producer: Ron Rotholz
Studio: IFC Films
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Reviews for When Will I Be Loved
Toback's been known to get windy and heavy-handed with a setup like this. His films tend to get sticky from their overheated yearnings. Yet When Will I Be Loved has a surprisingly airy feel compared to his previous work.
At its best, the movie is a reminder that, among contemporary filmmakers, Toback is perhaps the most keenly perceptive about the way sex can alternately (or sometimes all at once) be used as a gift, a toy and a weapon.
A ripe psychosexual compost heap of a drama that emits a provocative scent of rot and nonsense.
Naked Neve Campbell gets painstakingly clean in one of the most beautiful showers I have ever seen.
Maybe it’s the rich milieu, or perhaps it’s Toback’s obsession with sex and money, but there’s something distinctly “French” about the film’s vernacular.
Intellectually, you can respect the desire here to mesh low and high culture, black and white culture, and a Hollywood plot with an indie aesthetic, but for all of the ambition, there’s very little that’s able to enhance the characterizations.
An hour's worth of story with 20 minutes of filler tacked on at the beginning.
Were it not for Campbell's classy magnetism in the role, the crass motivations behind this episodic pastiche would be easier to reject.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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