69% Hercules Jul 25
61% Lucy Jul 25
14% And So It Goes Jul 25
—— The Fluffy Movie Jul 25
89% A Most Wanted Man Jul 25

Top Box Office

91% Dawn Of The Planet Of The Apes $36.3M
55% The Purge: Anarchy $29.8M
44% Planes: Fire And Rescue $17.5M
19% Sex Tape $14.6M
17% Transformers: Age of Extinction $9.8M
23% Tammy $7.4M
85% 22 Jump Street $4.7M
92% How to Train Your Dragon 2 $3.9M
49% Earth to Echo $3.3M
49% Maleficent $3.2M

Coming Soon

100% Guardians of the Galaxy Aug 01
—— Get On Up Aug 01
93% Calvary Aug 01
—— Behaving Badly Aug 01
46% Child Of God Aug 01

New Episodes Tonight

25% Black Box: Season 1
100% Defiance: Season 2
40% Dominion: Season 1
41% Gang Related: Season 1
86% Maron: Season 2
94% Rectify: Season 2
39% Rush: Season 1
85% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

Discuss Last Night's Shows

85% The Bridge (FX): Season 2
90% The Divide: Season 1
83% Extant: Season 1
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
50% Jennifer Falls: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
—— Rogue: Season 2
100% Suits: Season 4
38% Taxi Brooklyn: Season 1
—— Wilfred: Season 4
43% Young & Hungry: Season 1

Certified Fresh TV

85% The Bridge (FX): Season 2
83% Extant: Season 1
79% Halt and Catch Fire: Season 1
100% Masters of Sex: Season 2
73% Murder in the First: Season 1
97% Orange is the New Black: Season 2
97% Orphan Black: Season 2
82% Satisfaction: Season 1
87% The Strain: Season 1
85% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Where Do We Go Now? Reviews

Page 1 of 4
Farran Smith Nehme
New York Post
Top Critic IconTop Critic

The lack of flow and coherence in "Where Do We Go Now?'' leaves not only the characters, but also the audience, wondering where to go.

Full Review Source: New York Post | Original Score: 2.5/4

May 11, 2012
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

The movie is never quite bold enough to point out the contradiction of Muslims and Christians hating one another, even though they both in theory worship the same god.

Full Review Source: Chicago Sun-Times | Original Score: 2.5/4

May 17, 2012
Alonso Duralde
Top Critic IconTop Critic

Veering from wackiness to horror and then back again is the kind of balancing act that would challenge even the most talented filmmakers, and Labaki, for all her good intentions and daring ideas, just can't swing the shift.

Full Review Source: TheWrap

May 11, 2012
Simon Foster

Despite Labaki's unique narrative, flair for the visual and clear humanistic intent, her efforts, much like those of her sisters onscreen, feel like they have achieved very little.

Full Review Source:

June 7, 2012
Alison Willmore
Village Voice
Top Critic IconTop Critic

Like the hashish-laced pastries the ladies make to sedate the male population, the film feels like it has been dosed with sugar to mask its distressingly bitter taste.

Full Review Source: Village Voice

May 8, 2012
Edward Douglas

It feels like a wasted effort that such a strong filmmaker would needlessly water down a serious topic for easier consumption like this.

Full Review Source: | Original Score: 5.5/10

January 30, 2012
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

There are so many characters in "Where Do We Go Now?" that we never fully invest in them, and when Labaki tries to shift the direction of the movie, we're not sure what she's trying to say about them.

Full Review Source: St. Paul Pioneer Press | Original Score: 2/4

May 24, 2012
Robbie Collin
Daily Telegraph

The result is beyond disastrous, like some unholy attempt by Adam Sandler to update Lysistrata.

Full Review Source: Daily Telegraph | Original Score: 1/5

June 22, 2012
Nick Schager
Slant Magazine

Never achieves either the seriousness or playfulness that it alternately seeks.

Full Review Source: Slant Magazine | Original Score: 2/4

May 6, 2012
Trevor Johnston
Time Out
Top Critic IconTop Critic

This is energetic, bursting with sincerity, yet also frustrating and disappointing.

Full Review Source: Time Out | Original Score: 2/5

June 19, 2012
Matt Pais

Aims for amusingly hypothetical but becomes offensively, naively silly.

Full Review Source: RedEye | Original Score: 1.5/4

May 17, 2012
Stephen Whitty
Newark Star-Ledger
Top Critic IconTop Critic

Making a movie about sectarian violence in which the local religious figures are comically powerless, at worst, seems like too easy a path to take. Nothing springs from nothing.

Full Review Source: Newark Star-Ledger | Original Score: 2.5/4

May 11, 2012
Steven Rea
Philadelphia Inquirer
Top Critic IconTop Critic

Time passes with a sense that nothing is really happening, until suddenly too much happens all at once.

Full Review Source: Philadelphia Inquirer | Original Score: 2.5/4

May 31, 2012
John Anderson
Top Critic IconTop Critic

Labaki never claimed to be NoŽl Coward, but the facile comedy leads to a dilution of the message she strives so strenuously to make.

Full Review Source: Newsday | Original Score: 2.5/4

June 1, 2012
Tom Long
Detroit News
Top Critic IconTop Critic

"Where Do We Go Now?" is more interesting than satisfying.

Full Review Source: Detroit News | Original Score: C+

June 22, 2012
Keith Uhlich
Time Out New York
Top Critic IconTop Critic

By the time the film takes a glib turn into role-switching farce-as Muslims become Christians and Christians become Muslims-the overall toothlessness of the satire becomes damningly apparent.

Full Review Source: Time Out New York | Original Score: 2/5

May 8, 2012
Linda Barnard
Toronto Star
Top Critic IconTop Critic

The meandering script occasionally has an unpolished feel, confusingly taking too long to flesh out parts of the story while making unsettling swings from comedy to tragedy and back.

Full Review Source: Toronto Star | Original Score: 2.5/4

May 24, 2012
David Nusair
Reel Film Reviews

The latest effort from Nadine Labaki, the Arab world's answer to Nia Vardalos...

Full Review Source: Reel Film Reviews | Original Score: 1/4

September 16, 2011
John DeFore
Washington Post
Top Critic IconTop Critic

A satire in which pathos competes with light comedy and neither quite flourishes.

Full Review Source: Washington Post | Original Score: 2/4

May 18, 2012
John Beifuss
Commercial Appeal (Memphis, TN)

The movie is set in a remote Lebanese village, but it's all over the map in terms of content and style. The elements never cohere, resulting in a film more admirable for its pacifist yearnings than for its execution.

Full Review Source: Commercial Appeal (Memphis, TN) | Original Score: 2/4

August 3, 2012
Brent Simon
Shared Darkness
January 22, 2013
Alissa Simon
Top Critic IconTop Critic
January 22, 2013
Mark Jenkins
January 22, 2013

Urban Cinefile
January 22, 2013
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