Where the Money Is Reviews

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Nell Minow
Movie Mom at Yahoo! Movies
January 1, 2000
The script lets us down by conveniently skipping a few steps.
| Original Score: 3/5
Eric D. Snider
EricDSnider.com
January 1, 2000
Full Review | Original Score: C+
Rob Vaux
Flipside Movie Emporium
October 24, 2001
USA Films and director Marek Kanievska should be congratulated. They've done what thirty-odd years and countless films couldn't: make Paul Newman uninteresting.
Full Review | Original Score: D
Jeffrey Westhoff
Northwest Herald (Crystal Lake, IL)
June 15, 2002
For its first half this plays like a character-driven, antiestablishment caper of the 1960s and '70s. As the story progresses, the characters turn rotten. When the establishment is more appealing than the maverick heroes, something has gone wrong.
Full Review | Original Score: 2/4
Dennis Schwartz
Ozus' World Movie Reviews
October 4, 2001
The film misfires because of its weak script, lack of punch to its comedy, and the plot was too incredible to believe or become absorbed in.
Full Review | Original Score: C-
Jeanne Aufmuth
Palo Alto Weekly
May 14, 2003
| Original Score: 1.5/4
Top Critic
Elvis Mitchell
New York Times
January 1, 2000
Sadly, the subtext and context of Money is that everyone's better days are a distant memory.
Full Review | Original Score: 3/5
Top Critic
Terry Lawson
Detroit Free Press
January 1, 2000
An overacted, underwritten con comedy that relies on Newman's cantankerous charm to get over. This asks too much even of Newman.
Top Critic
Bruce Newman
San Jose Mercury News
January 1, 2000
The rhythmic cha-cha of conflict - resolution - conflict - resolution gives Where the Money Is the feel of something written with Newman's Own Script-writing software.
Jim Judy
Screen It!
January 1, 2000
Feels like one of those mediocre and ultimately forgettable flicks from yesteryear.
John R. McEwen
Film Quips Online
February 8, 2003
Full Review | Original Score: 2.5/5
Eric Monder
Film Journal International
June 18, 2002
For all the film's jauntiness (actually, because of it), it merely depresses.
Harvey S. Karten
Compuserve
January 1, 2000
A collage of a film which has been written by a committee but without its star would barely have made the late late show on TV.
Full Review | Original Score: 7/10
Top Critic
John Hartl
Seattle Times
January 1, 2000
The movie utterly lacks the spark that makes caper movies fun.
Steve Rhodes
Internet Reviews
January 1, 2000
Full Review | Original Score: 2/4
JoBlo
JoBlo's Movie Emporium
January 1, 2000
Full Review | Original Score: 5/10
Top Critic
Robert Horton
Film.com
January 1, 2000
Catch it on cable sometime, and enjoy.
Jeff Vice
Deseret News, Salt Lake City
January 1, 2000
Even Newman can't completely salvage this misfire, which lacks the laughs and thrills necessary for such a risky movie hybrid.
Top Critic
Peter Stack
San Francisco Chronicle
January 1, 2000
A forced, implausible flick that loses its energy as it tries to gain momentum.
Full Review | Original Score: 2/4
Craig Marine
San Francisco Examiner
January 1, 2000
Even with a great cast and a great story idea, the movie fails to build even a hint of suspense.
Top Critic
Todd McCarthy
Variety
March 26, 2009
Joe Baltake
Sacramento Bee
January 1, 2000
Susan Granger
rec.arts.movies.reviews
January 1, 2000
Robin Clifford
Reeling Reviews
April 9, 2005
Top Critic
Robert Denerstein
Denver Rocky Mountain News
February 14, 2001
Eugene Novikov
Film Blather
January 1, 2000
Urban Cinefile Critics
Urban Cinefile
February 14, 2001
Top Critic
Charles Taylor
Salon.com
January 1, 2000
Cynthia Fuchs
Philadelphia City Paper
January 1, 2000
Ray Pride
Newcity
January 1, 2000
Top Critic
Peter Rainer
New York Magazine/Vulture
January 1, 2000
January 1, 2000
Margaret A. McGurk
Cincinnati Enquirer
October 15, 2002
Kim Newman
Sight and Sound
December 2, 2002
Chuck Walton
Hollywood.com
November 20, 2008
Top Critic

Ebert & Roeper
January 1, 2000

Boston Phoenix
March 24, 2002
Top Critic

Houston Chronicle
July 21, 2005
Top Critic

Time Out
January 26, 2006

Sight and Sound
June 18, 2012
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