The key strategic misstep should be obvious already: this is a movie that wants us to think about Jerry Lewis having sex.
Where The Truth Lies (2005)
Tomatometer
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Reviews Counted:98
Fresh:40
Rotten:58
Average Rating:5.4/10
Consensus: The belabored noir plotting feels unbelievable, thus removing any sense of suspense. Also, Lohman is badly miscast.
Theatrical Release:Oct 14, 2005 Limited
Box Office: $753,158
Synopsis: In the 50's, Lanny Morris (Kevin Bacon) and Vince Collins (Colin Firth) are the most beloved entertainers in America. A classic duo — Lanny is the manic comedian, while Vince is his cool and... In the 50's, Lanny Morris (Kevin Bacon) and Vince Collins (Colin Firth) are the most beloved entertainers in America. A classic duo — Lanny is the manic comedian, while Vince is his cool and collected straight man—the boys know how to make audiences roar with laughter at their jokes, or shed tears at one of their famous telethons. They are at the top of their game, wealthy, powerful, and enormously popular, when something terrible happens to threaten their success. Inexplicably, a dead beauty turns up in their hotel suite. Their reputations are sullied but, thanks to rock-solid alibis, neither is charged with the crime. Their partnership, on the other hand, is destroyed. Lanny and Vince manage to salvage separate careers, but years pass, with neither speaking to the other, or to anyone else, about the girl's death. The reason for the break-up of Morris and Collins becomes one of show business' greatest mysteries. Fifteen years later, in the 1970's, up and coming writer Karen O'Connor (Alison Lohman), decides to turn this cold case into a hot story. This includes the discovery of a kinky menage-a-trois that may have led to a murder, Karen unravels a serpentine, shocking tale of talent and treachery, love and lust, buried secrets and betrayed trust. WHERE THE TRUTH LIES is written and directed by Atom Egoyan, produced by Robert Lantos, and stars Kevin Bacon, Colin Firth, Alison Lohman and Rachel Blanchard. -- © ThinkFilm [More]
Starring: Kevin Bacon, Colin Firth, Alison Lohman
Starring: Kevin Bacon, Colin Firth, Alison Lohman
Director: Atom Egoyan
Director: Atom Egoyan
Studio: ThinkFilm
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Reviews for Where The Truth Lies
While it's not without its strengths, it's really just a dime-store mystery novel that has been dressed up with tawdry sex.
While superficially engaging, ends up in retrospect seeming a very thin, and surprisingly ramshackle, contrivance.
This is a silly, ponderous piece of work, and you won't believe one word of it.
The film's twisty structure -- mirroring that of the book -- eventually grows tiresome without a strong central character to anchor it.
A fascinating ride through morally ambiguous territory to a place you've never been before.
More about vulgar shock value and vivid period re-creations than it is an absorbing or convincing crime story.
The trouble with Where the Truth Lies is that it's lousy art. Egoyan rubs our noses in behavior that he seems to think his movie is too good for.
It's filled to the brim with sex, lies, manipulation, blackmail, murder, and more sex. But even with all this sordid material to work with, it barely rises above boring.
Salacious rendering of what may or may not have been the story behind Dean and Jerry's break-up.
Where the Truth Lies is heavy-handed, bombastic, blatant, overwrought, confusing and florid. But bless its shameless heart, it's also watchable.
Where the Truth Lies might have worked if Egoyan had cast someone more credible in the central role of the reporter, but Lohman isn't believable for a minute.
The whole thing is supposed to be funny (the book, at any rate, was funny), but instead it just feels sordid.
Another director might handle the showbiz and the murder and intrigue with dispatch, but Egoyan thinks about the emotional cost to the characters, as he also did in Felicia's Journey.
Despite a few glimpses of Egoyan's trademark backbiting, double-edged wit ... there's a general sense of punch lines missed and straight men misused.
Badly cast, insanely plotted, with a bombastic score that makes the work of Max Steiner sound like a Bach cantata, the film also suffers because it has absolutely no feel for the historical periods it's set in,
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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