Directed with a healthy feel for his twisted characters by Otto Preminger.
Whirlpool (1949)
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Reviews Counted:6
Fresh:5
Rotten:1
Average Rating:6.8/10
Synopsis: The luminous Gene Tierney, who starred in director Preminger's breakout film LAURA, appears here as Ann Sutton, the kleptomaniac wife of a distant but loving psychoanalyst, (Richard Conte). When... The luminous Gene Tierney, who starred in director Preminger's breakout film LAURA, appears here as Ann Sutton, the kleptomaniac wife of a distant but loving psychoanalyst, (Richard Conte). When she is caught shoplifting, suave hypnotist David Korvo (José Ferrer) comes to her aid, but soon Ann finds herself enmeshed in far more dangerous crimes. Implicated in a plot that involves blackmail and murder, Ann is uncertain of her own innocence, but her husband is convinced that the hypnotist is behind the crimes. Loosely adapted from Guy Endore's novel METHINKS THE LADY..., the script was penned by noted screenwriter Ben Hecht under a pseudonym during the Red Scare. Preminger, who was one of Hollywood's top directors of the 1950s, combines characteristics of the noir film with the melodrama. He creates an incisive look at the very human flaws of its wealthy characters, as well as the manipulative charlatan who preys upon them; at the center of the story is the trouble afflicting an apparently happy upper-class marriage. [More]
Starring: Gene Tierney, Richard Conte
Starring: Gene Tierney, Richard Conte
Director: Otto Preminger
Director: Otto Preminger
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Reviews for Whirlpool
A daft premise does little to detract from the enjoyment of this tense, well-made murder mystery.
It's a fine example of the way Preminger, on occasion, managed to deflect routine melodrama into something more personal and profound.
There is no doubt that people will do strange things under hypnotic spell and that the techniques of hypnotism may be villainously employed. But you don't catch this fairly rational corner believing for one minute the hocuspocus that goes on.
Preminger's ambiguous relation to his characters and his sense of moral relativity have seldom been put to such haunting use.
| Tomatometer Percentage | Movie |
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| 98% 98% | Up |
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| 45% 45% | Shorts |
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