Praising the performances in Oleander comes easy. Answering questions about character motivations isn’t so simple.
White Oleander (2002)
Tomatometer
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Reviews Counted:130
Fresh:90
Rotten:40
Average Rating:6.5/10
Consensus: Strong performances by the lead actresses make White Oleander a compelling female melodrama.
Rated: PG-13 [See Full Rating] for mature thematic elements concerning dysfunctional relationships, drug content, language, sexuality and violence
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:Oct 11, 2002 Wide
Box Office: $16,297,019
Synopsis:
Oleander can be poisonous… So can a mother’s love.
White Oleander tells the unforgettable story of Astrid, a girl whose odyssey through a series of Los Angeles foster homes - each its own...
Oleander can be poisonous… So can a mother’s love.
White Oleander tells the unforgettable story of Astrid, a girl whose odyssey through a series of Los Angeles foster homes - each its own universe with its own laws, its own dangers, its own hard lessons to be learned - becomes a redeeming journey of self-discovery. Based on the acclaimed best-selling novel by Janet Fitch, White Oleander follows a young woman’s journey through hardship and loss to maturity, joy and true independence.
After her uncompromising but seductive mother Ingrid (MICHELLE PFEIFFER) kills her boyfriend for abandoning her, fifteen-year-old Astrid (ALISON LOHMAN) witnesses her mother's arrest. It’s an event that will change the course of both their lives.
Suddenly, young Astrid is on her own.
Shuttled through a series of foster homes (and foster mothers including ROBIN WRIGHT PENN and RENÉE ZELLWEGER), Astrid struggles to master the techniques she needs if she's to survive the unyielding and often harsh world she is thrust into. Astrid tries desperately to forge her own identity within her ever-changing environment. From behind bars, Ingrid’s powerful influence is the only constant in Astrid's life. For good, and for bad…
In the three years that mark her passage from child to adult, Astrid must learn the value of independence and courage, rage and forgiveness, love and survival, to earn her freedom from the past.
Starring: Michelle Pfeiffer, Alison Lohman, Robin Wright Penn, Renee Zellweger
Starring: Michelle Pfeiffer, Alison Lohman, Robin Wright Penn, Renee Zellweger, Billy Connolly, Patrick Fugit, Cole Hauser, Noah Wyle, Svetlana Efremova
Director: Peter Kosminsky
Director: Peter Kosminsky
Screenwriter: Mary Agnes Donoghue
Producer: John Wells, Hunt Lowry
Composer: Thomas Newman
Studio: Warner Bros.
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Reviews for White Oleander
... newcomer Lohman really is the one shining brightest through all the soap suds sprayed by “White Oleander.”
Features another Oprah heroine...who earns nobility and respect through contrived suffering.
Impressively unflappable and natural, 23-year-old Lohman ... holds the whole plot together skillfully.
A Dickensian story recast for the age of Oprah...well-meaning but episodic and ultimately pat.
“White Oleander,” the movie, is akin to a Reader’s Digest condensed version of the source material.
Lohman adapts to the changes required of her, but the actress and director Peter Kosminsky never get the audience to break through the wall her character erects
An Oprah Book of the Month gets the Lifetime Movie of the Week treatment in Peter Kosminsky's consistently hysterical White Oleander.
(A) Hollywood sheen bedevils the film from the very beginning...(but) Lohman's moist, deeply emotional eyes shine through this bogus veneer...
Ultimately sacrifices nuance to tidy epiphanies about personal growth.
For what it is, Kosminsky's picture is polished and effective. If only the movie had taken more risks or possessed a keener edge...
Like the eponymous flower, Pfeiffer's Ingrid is beautiful and deadly, generating enough poison to be remembered at Oscar time.
A marvelous performance by Allison Lohman as an identity-seeking foster child.
Instead of characters with dialog, it has a bunch of very talented actors delivering speeches to each other.
While Wright Penn and Zellweger create equally brilliant, gem-like performances, the movie truly belongs to Alison Lohman.
The melodramatic machinations of Peter Kosminsky's well-intentioned chick flick White Oleander don't exactly come as surprise or a disappointment, but it ultimately fails to live up to promise of its all-star cast.
Eschews easy sentimentality and presents the women as complex individuals.
Graced by several splendid performances and clean direction by Peter Kosminsky that shrewdly chooses to ignore most melodramatic impulses.
Never rising above routine episodic storytelling, White Oleander nonetheless retains something of its source novel's ravaged emotional surface and cool, observant manner.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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