Opening

86% Star Trek Into Darkness May 16
22% Erased May 17
90% Frances Ha May 17
44% The English Teacher May 17
42% Black Rock May 17
77% Pieta May 17
—— Populaire May 17
21% 33 Postcards May 17

Top Box Office

78% Iron Man 3 $72.5M
50% The Great Gatsby $50.1M
47% Pain & Gain $5.0M
37% Peeples $4.6M
77% 42 $4.6M
56% Oblivion $4.1M
69% The Croods $3.6M
98% Mud $2.5M
8% The Big Wedding $2.5M
60% Oz the Great and Powerful $1.1M

Coming Soon

—— The Hangover Part III May 23
79% Fast & Furious 6 May 24
—— Epic May 24
94% Before Midnight May 24

White Squall Reviews

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Trevor Johnston
Time Out
Top Critic IconTop Critic

This particular landlubber felt like jelly for the rest of the day, notwithstanding the hokey courtroom showdown that closes the picture.

Full Review Source: Time Out

January 26, 2006
Chuck O'Leary
Fantastica Daily

An old-fashioned, white-knuckle adventure with the excellent Bridges adding another great characterization to his increasingly impressive resume.

| Original Score: 7/10

January 23, 2006
Emanuel Levy
EmanuelLevy.Com

| Original Score: 3/5

July 17, 2005
Andrew Griffin
Town Talk (Alexandria, LA)

Bridges puts his shoulder to the wheel and impresses audiences.

| Original Score: 3/5

March 4, 2005
Clint Morris
Moviehole

An Excellent Picture. It doesn't get any better

| Original Score: 4/5

March 4, 2004
Spence D.
IGN Movies

| Original Score: 3/5

February 10, 2004
Rich Cline
Shadows on the Wall

| Original Score: 3/5

December 5, 2003
Blake Davis
KFOR Channel 4 News

Stunning ocean visuals and a gut-wrenching storm sequence. An underrated and very good coming of age story.

| Original Score: 4/5

June 19, 2003
Robert Roten
Laramie Movie Scope

This is a very solid film with strong acting performances to boost it, excellent photography and a good soundtrack.

Full Review Source: Laramie Movie Scope | Original Score: 3/4

March 16, 2003
Frederic and Mary Ann Brussat
Spirituality and Practice

Daring and dramatic film about the passage of a group of young boys who come of age during their adventures at sea.

Full Review Source: Spirituality and Practice

August 22, 2002
Peter Travers
Rolling Stone
Top Critic IconTop Critic

Typically, Bridges gives a deftly understated performance uncluttered by vanity or shallow pathos. No wonder he's not a star.

Full Review Source: Rolling Stone

May 12, 2001
Jack Mathews
Los Angeles Times
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The 20 or so minutes we spend with the Albatross in the squall is high adventure, to be sure. Everything else is ballast.

Full Review Source: Los Angeles Times | Original Score: 3/5

February 13, 2001
James Berardinelli
ReelViews
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This film offers just about everything, including a twenty-minute white-knuckle sequence and a chance to shed a few tears. In short, it's first-rate entertainment.

Full Review Source: ReelViews | Original Score: 3/4

January 1, 2000
Roger Ebert
Chicago Sun-Times
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I enjoyed the movie for the sheer physical exuberance of its adventure.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

January 1, 2000
Kevin McManus
Washington Post
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The heavy-handedness of these final scenes will probably ruin the movie for some people, while others will enjoy its earnestness and energy. Count me among the latter group.

Full Review Source: Washington Post

January 1, 2000
Jack Garner
Rochester Democrat and Chronicle

Full Review Source: Rochester Democrat and Chronicle | Original Score: 7/10

January 1, 2000
Madeleine Williams
Cinematter

The visuals throughout the movie are exhilarating, and the squall scene in particular is pulled off spectacularly (if a bit chaotically). The scene is so powerful, it almost washes away the taint of familiarity...almost.

Full Review Source: Cinematter | Original Score: 3/4

January 1, 2000
Susan Stark
Detroit News
Top Critic IconTop Critic

| Original Score: 3/4

January 1, 2000
Christopher Null
Filmcritic.com

While the denouement is basically another bummer of a letdown, you'll still be coming off that adrenaline rush from the 'squall' scenes.

Full Review Source: Filmcritic.com | Original Score: 3/5

January 1, 2000
Jeff Millar
Houston Chronicle
Top Critic IconTop Critic

Director Ridley Scott, who more than anyone else founded post-1960s visceral filmmaking, is at the top of his form in White Squall.

January 1, 2000
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