a small-scale film with big emotional payoffs.
Whole New Thing (2007)
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Reviews Counted: 24
Fresh: 16
Rotten:8
Average Rating: 6.3/10
Consensus: The tender little moments of adolescence are beautifully captured in this warm and modest coming-of-age drama.
Theatrical Release: Apr 6, 2007 Limited
Synopsis: Aaron Webber makes an outstanding feature-film debut in WHOLE NEW THING as 13-year-old Emerson, a precocious homeschooled boy who spends most of his time, when not alone in his room, with his very liberal parents and his parents' friends.... Aaron Webber makes an outstanding feature-film debut in WHOLE NEW THING as 13-year-old Emerson, a precocious homeschooled boy who spends most of his time, when not alone in his room, with his very liberal parents and his parents' friends. He takes naked saunas and smokes dope with his mother, Kaya (Rebecca Jenkins), and father, Rog (Robert Joy), and gives erotic back rubs to their female friends. But Kaya, who needs a change in her life, believes it must start with Emerson going to the local public school and meeting some kids his own age. It also involves her getting involved with Denny (Callum Keith Rennie) because of Rog's growing bitterness about his failing career. Despite his protestations, Emerson goes off to school, and after his initial displeasure with the whole new experience, thinking he is above it all, he soon develops a crush on his teacher, Don Grant (cowriter Daniel MacIvor). Don, meanwhile, likes to spend his free time having anonymous sex with strange men in public rest-stop bathrooms. Beautifully shot on location in Nova Scotia by Christopher Ball, and expertly directed and cowritten by Amnon Buchbinder, WHOLE NEW THING, a film-festival favorite shot in a mere 15 days, is a touching coming-of-age story with fascinating, unique characters, strong acting, and plenty of unexpected twists and turns. Buchbinder's brother David composed, arranged, conducted, and produced the film's score, with additional music from the Hidden Cameras. [More]
Starring: Aaron Webber, Daniel Maclvor, Robert Joy, Callum Keith Rennie
Starring: Aaron Webber, Daniel Maclvor, Robert Joy, Callum Keith Rennie, Rebecca Jenkins, Kathyrn MacLellan, Hugh Thompson, Jackie Torrens
Director: Amnon Buchbinder
Director: Amnon Buchbinder
Screenwriter: Amnon Buchbinder
Producer: Kelly Bray, Camelia Frieberg
Composer: David Buchbinder
Studio: Picture This! Entertainment
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Reviews for Whole New Thing
The movie is both amusing and disturbing as it explores Emerson's lurching efforts to bond with his teacher.
Toronto-based filmmaker Amnon Buchbinder tackles the sensitive subject of adolescent sexuality in this winning coming-of-age character study set in a wintry small town in Nova Scotia.
This wry, tender 2005 Canadian comedy puts a fresh spin on the theme of adolescent sexual awakening.
Buchbinder displays an original filmic eye, but mostly Whole New Thing is a few drafts short of an emotionally fulfillilng feature.
... promises slightly more than it delivers but still comes together nicely.
But what's salutary about this effort is the canny intelligence and emotional understanding director Amnon Buchbinder has brought to the mostly well-wrought screenplay he wrote with MacIvor.
The dialogue has a sour, sitcom ring that grows tiresome and irritating before the second reel.
With its narcissistic, not-as- sharp-as- he-thinks- he-is juvenile hero and weird approach to bridging the generation gap, Whole New Thing plays a lot like Wes Anderson's Rushmore, only sober instead of whimsical.
The cast is uniformly excellent, but Webber in his first feature role is a stand out, delivering a subtle performance that offers a fully realized portrayal of a smart, sensitive, confused, and sometimes bratty and obnoxious youth.
If its portrait of hippie parents raising a misfit child has much in common with Rebecca Miller's Ballad of Jack and Rose, Whole New Thing refrains from going to the same extremes.
Buchbinder's direction creates a tremendous sense of location and adolescent awkwardness that blossoms beautifully during the picture.
After a precisely crafted first hour with nary a detail out of place, Whole New Thing comes unglued toward the end, spiraling into melodrama without ever escaping its whiny, indie-rock soundtrack.
Neither is it funny -- or poignant or insightful or remotely worth one's time except as a reminder that Canadian indies can be every bit as feeble as American ones.
[The film] shows respect for open communications and differing life styles and lets the audience in on diverse feelings and ways of acting them out.
Thing suffers the familiar curse of Canadian seriocomedy -- just nice enough in content and stylistically like a telepic.
Evinces an Ed Zwickian dramatic tenor that would probably scan better on ABC.
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